I'm standing in front of my closet wearing nothing but a towel and a crisis of confidence, which is not a look I'm particularly enamored with.
"It's not a date," I tell my reflection in the mirror for the fifteenth time in the past hour. "It's a strategic intelligence-gathering operation that happens to involve wine and potentially candlelight."
My reflection looks unconvinced. She's got that skeptical eyebrow raise that Jamie always says makes me look like I'm about to eviscerate someone's poorly constructed argument.
Which, to be fair, I usually am.
I pull out a black dress. Professional but not prudish, attractive but not trying too hard, and then immediately put it back. Too obvious. Marcus Blackwood strikes me as the type of man who would see right through an obvious power play, and the last thing I need is him thinking I'm trying to seduce information out of him.
Even if the thought of seducing him is giving me tingles up and down my spine.
What the fuck is wrong with me? That’s not how I work. Never has been and never will be. I’m smart enough to get what I want without using my body.
My phone buzzes with a text from Marcus: Still on for tonight? I have a few restaurant suggestions if you're having trouble deciding.
I stare at the message, fingers hovering over the keyboard. There's something almost thoughtful about it. Like he's genuinely concerned I might be stressed about picking a place rather than trying to take control of the situation.
Which is either very sweet or very calculated, and I honestly can't tell which possibility terrifies me more.
I text back: Already decided. Rosetti's on 47th. 7 PM. Don't be late.
Rosetti's is perfect for my purposes. It's upscale enough that Marcus won't think I'm trying to insult him, but intimate enough that people tend to talk more freely. Plus, I've been there enough times with sources that I know all the exits, the sight lines, and which tables provide the best acoustics for recording conversations.
Not that I'm planning to record Marcus. Probably.
His response comes back almost immediately. Interesting choice. I'll see you there.
No questions about dress code, no suggestions about wine pairings, no attempts to change the venue. Just acceptance. It's either refreshing or deeply suspicious, and knowing my luck, it's probably both.
I settle on a navy dress that’s sleek and understated, perfect for saying “I know what I’m doing,” without hiding that I’m also alive under the fabric.
Which is more honesty than I usually allow myself, but tonight seems like a night for calculated risks.
I'm putting on lipstick when my phone rings. Jamie, of course.
"Please tell me you're not actually going through with this," he says without preamble.
"Hello to you too, sunshine. And yes, I'm going through with it. It's called doing my job."
"Your job is investigating stories, not potentially getting murdered by handsome criminals."
I pause, lipstick halfway to my mouth. "Do you really think he's handsome?"
"I also think he's dangerous. Focus on the right thing."
"In my experience, the handsome ones are always the most dangerous." I finish applying the lipstick and step back to examine the results. "But that's exactly why this will work. He won't expect me to be suspicious of someone who looks like he stepped out of a magazine."
"Soph, what if you're wrong about him? What if he knows nothing?"Jamie’s clearly taking on the role of devil’s advocate now.
What if Marcus Blackwood is exactly what he appears to be? A successful businessman who happens to be ridiculously attractive and surprisingly perceptive.
"Then I'll deal with that when it happens," I say, which is what I always say when I don't want to think about something too hard.
"That's not an answer."
"It's the only answer I have right now."
Jamie is quiet for a moment. "Are you wearing the navy dress?"
"How did you-"
"Because it's your armor. You wear it when you're trying to convince yourself you're in control of a situation that's already spiraling." His voice softens. "Soph, maybe that's telling you something."
I look at myself in the mirror again. He's right, of course. The navy dress is my go-to for congressional hearings and corporate boardrooms and any other time I need to remind myself that I'm Sophia Chen, investigative journalist, not some scared kid who grew up in constant terror that no foster family would ever want to keep her around.
"I have to go," I tell him. "I'll call you after."
"Be careful. And Soph? If something feels wrong, trust your gut. Screw the story, safety first."
After I hang up, I stand there for a moment, staring at my reflection. The woman looking back at me is polished, professional, and completely in control. She's someone who can handle dinner with a potential criminal without breaking a sweat.
She's also someone who's about to spend the evening lying to a man who might be perfectly innocent, and that knowledge sits in my stomach like a stone.
But I've never backed down from a story before, and I'm not about to start now. Even if this particular story is starting to feel less like an investigation and more like a test of exactly how far I'm willing to go to get what I want.
I grab my purse, check that my phone is fully charged, and head for the door. Time to find out what Marcus Blackwood is really hiding, and whether I'm prepared for the consequences of discovering the truth.
MarcusThe fundraiser is exactly the kind of glossy, champagne-slick event I used to glide through without a second thought. Platinum branded banners draped just-so across whitewashed walls, a string quartet in the corner trying their best to be heard over the clink of crystal. The kind of room where people pretend money isn’t the real conversation.I hate it tonight.Not because I’ve forgotten how to play the part. I never forget. But because every second I’m here feels like dragging Sophia closer to the fire. She’s at my side, radiant in a black dress that looks like it was tailored to make the rest of the room irrelevant. I can feel eyes flick to her, then to me, then away.Elena floats somewhere near the bar, laughing with two investment clients. She catches my eye across the room and raises her glass in a half-toast. I force a polite nod back.When a waiter glides by, I ask for a coffee. My head’s been buzzing with too many angles. Marrin’s testimony, Gillespie’s next move, Sop
GillespieI spread the files across the table of the conference room in neat, controlled lines. Bank statements, transcripts, surveillance shots, and wait for Marcus to take a seat.He doesn’t. He stands by the door, arms folded, jaw tight, radiating stubbornness like body heat.“You’re late,” I say.“You’re lucky I’m here at all,” he fires back.There it is. The old Marcus Blackwood I remember from training ops. Brilliant, relentless, impossible. I’ve never seen him this frayed, though. Not in the field, not undercover, not even that time in Miami when the entire operation was one step away from collapse. This is different.This is Sophia Chen different.I tap the file nearest to him. “Marrin’s confession is strong. Strong enough to move on. But if we bring him in wrong, we lose everything. We need it to be airtight.”He pushes off the door and comes closer. “Airtight means dead if you’re not careful. He’s already twitching at shadows.”“That’s not my problem.”“It’s mine,” he says,
MarcusEvery floorboard groans when Marrin shifts his weight on the couch, every pipe in the wall ticks as if time itself is louder here. He sits hunched forward, chewing the inside of his cheek until it’s raw, one knee bouncing. He looks like he’s waiting for the bullet that’ll end him.I don’t blame him. Considering who the players are in this game, he probably is.Sophia sets her pen down, the filled notebook heavy on the table between us. Her fingers hover over the cover like she can hold all those words inside by sheer willpower. She doesn’t look at me. Not yet.I can still hear Marrin’s voice, jagged and frantic. Elena. Bainbridge. Numbers. Names. Each piece a shard that fit too neatly into the suspicions I’ve been ignoring.Sophia clears her throat. “We should move him.”Marrin snaps his head up, eyes bloodshot. “Move me where? Jesus, you don’t get it. There’s nowhere that’s safe.”“You can’t stay here,” she says evenly. “There’s a reason this is an abandoned safe house. It’s f
MarcusThe safehouse is barely more than a forgotten apartment over a boarded-up hardware store. No heat, no furniture except a sagging couch and a table with one broken leg propped on a brick. But it’s quiet and secluded. No prying eyes, no neighbors awake at this hour.Marrin paces like a caged animal, sweat beading on his forehead despite the chill that seeps through the cracked windows. Sophia sits forward on the dilapidated couch, notebook open, pen in hand, every inch the journalist even when the air smells like mildew and dust.I lean against the wall, arms crossed, watching him wear a trench into the scuffed floorboards. He looks smaller than he did at the laundromat. Hunched, hollowed, stripped of whatever shine Bainbridge once put on him.“You said you wanted to talk,” Sophia says, calm but sharp. “So talk.”Marrin stops pacing, rubbing his face with shaking hands. “You don’t get it. Talking is what gets you killed.”Sophia doesn’t flinch. “Not talking already has you half-d
SophiaPatience has never been my strong suit. Not when there’s a lead burning a hole in my notebook and the FBI’s idea of “timely action” involves committee meetings and five layers of clearance.So when whispers circle back to me about Marrin, sighted at a dingy laundromat three blocks off the subway in a neighborhood no one pays attention to, I don’t wait for Marcus. I don’t wait for anyone. Which could be construed as irresponsible, but we all need hobbies.Preparation is half theater, half shield. I pull my blond wig out of its case, adjust it until the part falls just right. Glasses with plain lenses. The old press badge I’ve altered with a different last name. A burner phone in my pocket, and the tiny recorder tucked into my jacket lining. Tools, not weapons. The kind of armor I know how to wield.The laundromat hums with the white noise of machines, coin slots clinking, fluorescent lights buzzing like lazy hornets. It smells faintly of detergent and damp cotton. People keep th
MarcusThe thing about slipping back into old habits is how easy it feels, like shrugging on a jacket you swore you’d outgrown but still fits just fine.Sophia and I lost Marrin on our last outing. He ducked around a corner and disappeared from sight. But I have a tiny divot in the wall now and if I keep working at it, it may turn into a genuine foothold.I shouldn’t be doing this. Not officially. Rodriguez made it clear I’m benched, and Gillespie would love nothing more than to report back that Marcus Blackwood has finally let emotion scramble his operational sense. But old contacts don’t vanish, and instincts don’t switch off because the Bureau says so.So when I hear about a courier running envelopes for Marrin, I lean on a favor. Just enough pressure to get a name. The trick is to act like you’re still an invaluable part of the machine even when you’re not. Authority is half illusion, half memory. People hear my voice and still assume I have a right to demand answers. That works u