Elena's POVI did not mean to draw him.That was the honest truth of it. I sat down at my drafting table on Thursday morning with a specific intention: the second panel of a respiratory system series Marco had assigned me, a detailed cross-section of the bronchial tree that required precise branching work and careful attention to scale. I had my reference materials arranged, my pencils selected, my paper clipped to the board. I had a plan.My hand had a different one.I noticed it at the forty-minute mark, when I surfaced from the particular absorption of detailed work and looked at what I had actually produced. The bronchial tree was there, technically, roughed in at the lower right of the page. But occupying the upper two thirds of the paper, drawn with a level of detail and confidence that did not match the hesitant quality of the reference work below it, was a face.His face.The jaw first, because that was always where my hand started when it drew him without my permission, the s
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