We find her in the middle of the city.Not in the old quarter, not at an anchor point, not at any of the specific locations Ozzie mapped from the frequency drawings. She is in the central plaza of Thal — a wide, sun-warmed space of old stone and newer additions, the kind of plaza that has been the city's gathering place since before any record of it — and she is building something.The framework is half-constructed when we arrive. I recognise it immediately from Ozzie's drawings — the lattice structure, the specific quality of the material she works with, something between metal and stone that I have not encountered before. The framework rises from the plaza floor in a geometry that is not quite architectural, not quite sculptural, and which the city's anchor points receive the way stone receives heat from the sun: slowly, completely, without asking what it is.She does not look up when we approach.She feels us.I know this because the framework shifts — barely, just the quality of h
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