BEVERLY By the time I finally set my brushes down, the blazing sun had begun its slow, lazy descent, painting the horizon in bruised shades of purple and burnt orange. My lower back ached from leaning over the easel for hours, and my fingers were stiff, but the restless, chaotic energy that had been buzzing under my skin since last night was finally gone, transferred entirely onto the canvas. I stepped back to look at my work. The painting was heavy. Dark. A towering, abstract silhouette of a man emerging from a storm of deep crimson and midnight black, highlighted by sharp, jagged slashes of shimmering gold. It looked dangerous, beautiful, and completely unhinged. It looked exactly like Damian. "Get a grip, Beverly," I muttered aloud to the empty balcony, wiping a stray streak of black acrylic off my thumb. Slipping off my headphones, the heavy bass of the music died out, replaced by the profound, stifling silence of the estate. The mansion during the late afternoon felt like a
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