How Do Approval Ratings Impact Dragon Age: Inquisition Romance?

I still get a little giddy thinking about my chaotic first playthrough of 'Dragon Age: Inquisition'—I was constantly saving before flirty dialogue because the system is sneaky. The short version of how the game handles romance is: you can flirt with and progress romantic options for multiple companions to a point, but the game isn't really built for stable, fully simultaneous relationships. Early on you can get approval and romance flags with several people, and the game won't immediately slap you with a jealousy penalty. That made my inquisitor feel like a charming disaster who couldn't say no. Where it gets sticky is when romance arcs hit their big beats. Certain companion quests and private scenes serve as commitment points; once you complete them with someone, that relationship tends to become the ‘primary’ romance in later story beats, and other companions may react awkwardly or not recognize a rival romance. Also, some companions have exclusive triggers—if you push too far with one, it can lock you out of meaningful progression with another. My routine became: save before each big conversation, finish the romance quest for the person I wanted, and then load if I wanted to pursue extras. If you like the idea of running an inquisitor who's open to multiple partners, there are community mods on Nexus that help smooth things out, but in vanilla 'Dragon Age: Inquisition' the game favors a main romance with some room for flirtations elsewhere.

I still get goosebumps thinking about some of the romance payoffs in 'Dragon Age: Inquisition' — the game does a fantastic job of making most relationships feel like real, fragile things that can end happily, tragically, or awkwardly depending on what you choose. When you reach the end of the main game and then the epilogue slides, romances are usually summarized in those slides: some pair up long-term (the game will often say your Inquisitor and their partner stayed together or married), some drift apart as one character follows their own path, and a few end in heartbreak or betrayal. A big, important detail is that many romances are gender-locked: for example, Dorian is generally only interested in a male Inquisitor, while Solas and Sera pursue a female Inquisitor; others like Iron Bull and Cole are available to both genders. That matters because the way the story resolves with them is tied to personal quests and your dialogue choices. Beyond the slides, specific character arcs create different tonal endings: long-term partnership vibes (you and Cullen or Iron Bull settling into companionable life, depending on choices), bittersweet departures (Dorian often choosing to return to his Tevinter family and politics), or really raw, painful outcomes (romancing Solas leads to one of the most dramatic, divisive conclusions — he reveals things that change everything, and the relationship ends very differently than the cozy epilogues). Some companions’ secrets can wreck a romance if you confront them badly — think of someone whose personal quest calls everything into question. Also, if you play the 'Trespasser' DLC, romances get extended epilogues or further complications there. My plug: if you care about a character, do all the personal quests and save before major story beats — I’ve had a few perfect runs spoiled by a single blunt choice, and it stung every time.

I still get a little giddy when someone asks about romance in 'Dragon Age: Inquisition' — that game really makes those relationships feel earned. The quickest way in is to pick a companion you vibe with and bring them along often. Their approval is what matters: do the things they like in dialogue, complete their personal questlines, and avoid big choices that clash with their values. After you've raised approval enough, you'll start seeing flirtatious dialogue options in camps or back at Skyhold — take them. Save before big conversations; some romance prompts are a one-shot. Timing is important. Most romance flags unlock after a companion's personal quest or after a major story milestone. Make sure you talk to them every time you get a chance — the developers hide crucial lines in small camp conversations. If you want to keep things clean, finish their romance line before the endgame missions where some choices can lock you out. Also be aware some companions have romance limits (like gender or race restrictions) — if in doubt, flirt and watch their reaction. Practical pro tip from many playthroughs: don’t try to romance two people at once unless you want awkwardness or a messy fallout. If you do experiment, keep separate saves at key points so you can rewind. And if you care about epilogues, know that the 'Trespasser' DLC pays off those relationships in different ways, so a faithful romance can change how it ends. Have fun with the characters — they’re the heart of the game for me.

I still get a little giddy whenever someone asks about romances in 'Dragon Age: Inquisition' — it’s one of those games where your relationship choices actually feel like they matter. From my playthroughs and a lot of forum lurking, the companions who can be romanced are: Cassandra (romanceable if you play a male Inquisitor), Cullen (romanceable if you play a female Inquisitor), Josephine (can be romanced by either gender), Solas (romanceable if you play a female Inquisitor), Sera (female-only romance), Dorian (male-only romance), Iron Bull (romanceable regardless of your Inquisitor’s gender), Blackwall (female-only romance), and Vivienne (male-only romance). I like laying that list out because it clears up the big confusion people have about same-sex versus opposite-sex options. In practice, romances in 'Inquisition' rely a lot on approval, timing, and specific dialogue choices. A few tips from my runs: spend time talking privately with the companion, pick flirty/affectionate options when they appear, and don’t accidentally flirt with someone else too publicly if you’re trying to lock things in. Also note that DLC/epilogue content like 'Trespasser' can affect how some romances wrap up, so if you’re chasing a particular ending, keep saves. Personally I love playing through multiple characters just to see the different dynamics — Solas’s romance is such a different vibe from Iron Bull’s, and the writing really leans into each character’s personality.

I got way too obsessive with this back when I played 'Dragon Age: Inquisition' for the hundredth time, so here’s the short guide I wish someone handed me at the start. Romance scenes in 'Dragon Age: Inquisition' are less about a single dialogue wheel and more about a string of choices that build into a payoff—think of it like tending a plant: water (approval), sunlight (personal quests), and the right fertilizer (romantic dialogue). To unlock most intimate scenes you usually need to: raise the companion’s approval high, complete their personal quest/mission, and consistently pick flirt/romantic options when they come up. If you suddenly flirt once and then insult them later, the scene won’t trigger. Some companions have personality filters: some love humor and irreverence, others want dignity and respect. Also, romance can be gated by key story beats—chat with them in Skyhold after major missions, don’t start a rivalry with another companion you’re also courting (some scenes lock if you pursue multiple romances), and be mindful that a handful of characters prefer a specific gender or respond to certain long-term choices. If you want the most reliable route: pick a target, prioritize their personal quest, choose supportive/romantic replies repeatedly, and avoid conflicting romances. That combo will net most of the big scenes, and then you can savor the dialogue and little epilogues afterward.

Man, I spent way too many late nights replaying long scenes in 'Dragon Age: Inquisition' just to see if one flirty line would make the difference — not because I couldn’t get a date, but because I love how personal the game makes relationships feel. From my playthroughs, three big things actually move the romance needle: using the flirt/romance dialogue options when they appear, consistently choosing things that your companion approves of, and completing their personal quests while showing support. Those are the mains; everything else nudges things but doesn’t usually make-or-break the relationship unless it’s a huge betrayal scene. For example, I learned the hard way that not bringing your would-be paramour to key scenes or doing the opposite of what they want in their personal quest can set you back a lot. Flirting mid-quest or in camp is how you tag yourself as Interested; if you skip those lines, you often need to re-flirt later. Also, some companions have clear tastes — one prefers blunt honesty, another likes chivalry, another values humor and irreverence — and choosing those supportive options racks up approval faster than generic nice lines. Oh, and avoid flirting with everyone like it’s a hobby if you want a clean romance arc; consistent romantic intent helps the game flag your interest. So my practical rule: pick the flirt option when it shows up, pay attention to who likes what during their personal quests, bring them along to important moments, and be consistent. It made my romances feel earned, and I kept replaying because I wanted to explore the consequences of one single dialogue choice in different contexts.

Whenever I boot up 'Dragon Age: Inquisition' and start checking my save files, the DLC that actually changes romance outcomes is the one everyone always talks about: 'Trespasser'. It’s more of an epilogue expansion set about two years after the main story, and it carries the emotional fallout for many of the companion relationships you built. If you romanced someone, 'Trespasser' gives those romances closure scenes and sometimes major consequences — the most infamous is how things play out with the Solas romance, where revelations in 'Trespasser' fundamentally change the trajectory of that relationship. By contrast, the other official DLCs like 'Jaws of Hakkon' and 'The Descent' add cool side stories, gear, and banter, but they don’t rewrite your romance endings. They might give a few extra lines or approval modifiers while the companion’s around, but they won’t alter the big-picture outcome the way 'Trespasser' does. So if you care about how a relationship finishes — or if you want to avoid a heartbreaking epilogue surprise — make a manual save before you launch 'Trespasser' and double-check personal quests and approval levels first. It’s saved me from some facepalm moments on replay.

I fell down the rabbit hole of importing worldstates the first time I played, so I can talk about this with that excited, slightly sleep-deprived tone you get after a long RPG binge. Broadly: past saves change the mood, the little references, and sometimes whether a character shows up at all — but they rarely close or open whole romance arcs on their own. When you import a world via 'Dragon Age Keep' or by transferring a save, the game loads flags: who lived, who died, who was crowned, and who you loved (or didn't). Those flags make NPCs react in conversation, will tweak banter lines, and occasionally unlock a one-off scene that nods to your history. For me, that meant certain companions would tease my Inquisitor about previous relationships, and a few tender moments landed harder because the game treated them as part of an ongoing saga. That said, most of the actual romance content in 'Dragon Age: Inquisition' is driven by what you do during the game itself. You still have to choose flirting options, complete companion quests, and be consistent with your relationship signals. Importing a dramatic past doesn't replace the slow burn you build in Inquisition; it just layers extra flavor, occasionally altering dialogue trees or giving small cameo reactions if a past love is alive or dead. I like to treat the import as a way to make the world feel lived-in — like opening a new chapter in a familiar book — rather than as a shortcut to romance outcomes. It makes replays more fun, too, because the same flirt can hit differently depending on whether your worldstate is warm, tragic, or messy.