Which Artists Worked On March Of The Machine Covers?

2025-10-17 05:15:24 23

5 Answers

Scarlett
Scarlett
2025-10-19 05:07:22
I kept things simpler the third time around: 'March of the Machine' didn’t have one single cover artist, it had a whole battalion. Practically every big Magic illustrator you follow on social media showed up somewhere in the release — some on the main promotional splash pieces, others on alternate art cards and promos. Because the set is essentially a multiverse-scale conflict, the art direction leaned into high-energy, large-crowd scenes, which meant multiple artists were tasked with capturing different fronts of the battle.

If you want names quickly, check any card database and look at the set page — the artist field is on every card entry. That’s how I built my little list of favorites from the set. Personally, the diversity of approaches is what hooked me: realistic battlefield drama, moody planar shifts, and tiny character beats all coexisting in one release. There’s something so cool about following an artist through five different cards in a row and seeing how they interpret the same event from different angles — it felt like collecting a mini art exhibit, which I loved.
Owen
Owen
2025-10-20 04:12:03
I still get excited flipping through the art credits of 'March of the Machine' — it’s packed with familiar Magic names and some rising stars. Off the top of my head, key contributors include Aleksi Briclot, Seb McKinnon, Magali Villeneuve, Tyler Jacobson, Ryan Pancoast, and Chris Rahn, among many others. Those artists tend to appear on the headline cards and showcase pieces, while dozens more illustrated the rest of the set’s creatures, enchantments, and lands.

If you’re into tracking artists, the card images usually list the illustrator beneath the artwork, and online card databases compile full artist lists per set. For me, the joy is spotting a favorite artist’s signature style on a card I didn’t expect — it almost feels like finding an easter egg during a draft. The variety across 'March of the Machine' kept each booster pack feeling like a mini art exhibition, which is why I still paste images into my personal collection folder.
Violet
Violet
2025-10-21 15:44:21
If you’ve been flipping through cards from 'March of the Machine' and wondering who painted all those incredible scenes, you’re not alone — the set is a real who’s-who of Magic art. I got goosebumps seeing the roster: the set pulls together a bunch of long-time Magic illustrators and newer faces alike. Some of the more visible names you’ll notice across the set include Aleksi Briclot, Seb McKinnon, Magali Villeneuve, Tyler Jacobson, Ryan Pancoast, Chris Rahn, Johannes Voss, Daarken (Mike Lim), Titus Lunter, and Eric Deschamps. Those artists show up on key cards and showcase pieces that helped give the invasion/war themes a cinematic, high-stakes vibe.

Beyond that core group, the set credits dozens more artists — many specialists in creature design, cinematic landscapes, and character portraits — because a large set like 'March of the Machine' splinters art duties across regular cards, showcase frames, promotional pieces, and the 'Aftermath' subset. If you dive into previews or the card gallery you’ll also spot frequent contributors like Magda Szucs, Svetlin Velinov, and even newer illustrators making big impressions. The result is a mix of moody, painterly work (the kind that makes you stop and read flavor text) and bright, kinetic pieces that sell the battle energy.

What I love as a collector is comparing styles on similar themes: one artist might render a battlefield as chaotic brushstrokes, while another composes it like a still from a fantasy war film. It’s worth checking the card credit lines — most digital databases and the cards themselves list the artist if you’re hunting for a particular signature. Personally I keep a shortlist of my favorite contributors and then go card-hunting; it makes booster-opening feel like following a small gallery crawl. The set’s variety keeps it fresh, and every time a familiar name shows up I get that same small thrill — it’s an art buffet I’m always happy to revisit.
Stella
Stella
2025-10-22 08:18:06
I got completely sucked into the art of 'March of the Machine' when it dropped — the scale and variety of styles across the promo and set art is wild. There isn't a single cover artist; Wizards commissioned a long roster of Magic illustrators for key art, promotional pieces, card illustrations, and commander/collector treatments. If you want the exhaustive credits, the fastest route is to check the card gallery on Scryfall or the official Gatherer pages, because every card page lists the artist. That way you can see exactly who did which card, whether it's a focal splash, a borderless variant, or a special showcase.

From what I followed at the time, the project mixed veteran Magic names with newer talents — the kind of lineup where you'd spot familiar heavy-hitters alongside fresh faces trying punchy new takes on the multiverse's war scenes. The big splash images and box art typically came from illustrators who handle dynamic battle composites, while the promo and alt-art cards spread the workload across dozens of artists. For collectors and fans who care about signatures and styles, tracking releases on Scryfall and the official art previews is the best way to see who drew what. I loved hunting down individual artists' contributions and bookmarking the pieces that matched my taste — some of those battle vistas still stop me mid-scroll.
Julia
Julia
2025-10-22 14:40:58
When I went digging to find who painted the covers and major images for 'March of the Machine', I started with the obvious galleries and community resources. A lot of the visible promotional art was shared by Wizards on their preview schedule, and sites that index card images (like Scryfall) annotate artist credits on every single card — so if you want to compile a list, those are your primary sources. The set features dozens of illustrators across regular cards, borderless treatments, special art cards, and the promo pieces that acted like covers for preview articles.

On a stylistic level, the art that headlines the set tends to be by artists who specialize in cinematic, large-scale compositions. Meanwhile, interior or smaller card illustrations came from both longtime Magic contributors and exciting newer illustrators. If you enjoy following particular names, I recommend pulling a card list for the set and filtering by artist on a card database; it’s surprisingly satisfying to watch a few familiar signatures keep appearing across the key moments of the story. Personally, I ended up following a couple favorite artists after that deep-dive — their feeds were full of process sketches and color studies that made the final cards mean even more to me.
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