7 Answers2025-08-10
As a bookseller, this question is frequently asked by me. In determining page count for PDF scans, the publisher of the original printed book is the most relevant factor. My Everyman's Library hardcover, for example, is 1036 pages long. Wordsworth Classics paperbacks of this work run to approximately 704 pages. The blue-covered Oxford World's Classics edition is approximately 980 pages in length. Therefore, a PDF scan will be of the length of the printed edition that was sacrificed to the scanner, e.g. a very long PDF of a small-print mass-market paperback may seem to have a very long page count only because each page of the printed book contained many words, i.e. fewer physical pages than a large-print edition of the same work. But this is not how scanning to PDF works. The number of pages in a PDF equals the number of physical book pages (of whatever length). Sorry, that got rather muddled. My key point: the publisher's printers decided on the page count long before the scanned PDF was created.
8 Answers2026-04-08
I just had a thought about the fans of epic stories (e.g. The Odyssey). They would probably consider Ulysses by James Joyce to be very high-brow, experimental fanfiction. It is a transformative work that takes the original story and reworks it into a completely new work, with new characters and setting. However, the characters in the new story have similar motivations to the characters in the original work. Rather than dealing with the longings for home, etc. of ancient travelers, however, Joyce dealt with the anxiety of returning home in the early 20th century. It is the ultimate example of a story that gets retold and reworked over and over in different cultures and time periods. Joyce’s version is of course, of a particularly high literary ambition and thus is considered part of the ‘canon’ for a century.
7 Answers2026-04-08
This comparison is to writer like the high jump to athlete. In setting the high bar of the epic tale of kingdoms and heroes, the Greek Homer set a standard that the Irish writer James Joyce aimed to exceed in his modernist masterpiece. By tackling the ‘epic of the ordinary man’ and shaping it into the modest narrative of a single day, the writer succeeded in reframing the epic form in a radically innovative manner. By faithfully mirroring the Odyssey’s structure and montage of leitmotifs, i.e. recurring motifs and situations in episodes, the writer unfolds a symbolic journey that follows a modern-day hero. By applying the symbolic journey of the hero to the humblest of subjects – and embedding it in the most mundane of materials – the writer of this masterpiece is making a point: the classic tools of the epic are meant to be used on the most everyday of subjects, in order to uncover a universe in every life of them, be it ever so ordinary.
8 Answers2025-07-05
I only come to these threads to witness whether people consider Holden to be a relatable icon or a despicable brat. Now there’s a new battleground in the war: the audiobook debate. Keep it up.
3 Answers2025-07-29
There’s nothing like reading ‘Ulysses’ in the original, sometimes confusing but always exciting, version of the novel. But the modern library edition is like having a map as you wander through the labyrinth of the novel. While the text itself remains unchanged, the modern edition is greatly improved by being printed in a cleaner font than the original and having footnotes to explain references that Joyce made to people, places and events long past.
The modern library edition of Ulysses makes a very good effort to preserve the work in all its sparkling brilliance while at the same time making it slightly less of a challenge for the reader. I recognize that much of the original’s charm derives from its extreme unrefinement, and that few readers have the patience to endure the version in which Joyce first Embarrassed the literary world. But for new readers of the book, the modern library edition is clearly the best way in. Fans of the novel in its rawest, most unfiltered form will perhaps still find something to cherish in the original version.
9 Answers2025-08-09
My answer is negative. I think that with the right narrator, this could be a fantastic audio book. A historical book can be so much better than it is in print if it has a great narrator. A fantasy book can become an epic. This book has that potential but without the publisher stumping up for the cost of the narrator, I don’t think it will happen. I’ve seen no industry reports of the audio rights for this title being picked up and those deals are generally reported in trade publications such as Publishers Weekly. The lack of any reports in the industry is more corroborating evidence that, for now, it is not going to happen.
4 Answers2025-08-20
For a classic novel like Oliver Twist, an audiobook is best served by the style of the narrator. Some prefer the traditional British way of speaking while others prefer to bring out the characters more by using various voices. I recently listened to a full cast version of Oliver Twist which was excellent but often such productions are not easy to find and I find I enjoy audiobooks more when they are read by a single good narrator. As an example of a similar immersive experience that a single narrator can bring to a newer story I mentioned The Lost Princess of the Orphanage, a web novel that I stumbled upon while searching for some good audio dramas. The narrator does a great job in bringing out the distinct personalities of all the street kids and how they cope and in some cases keep secret their various histories.
7 Answers2026-07-29
While the books I review are available, there are often multiple versions of the recording available depending on the platform. For example, on Scribd I believe there are two different versions of some of the older classics which have been re-recorded over the decades. Newer versions have better sound, but often the older versions have more character from the individual narrator. It is not like new film adaptations of the books, it is the same book but read by someone else. So the search to find out if a book is available often turns into which version of the book would I like to ‘read’.
3 Answers2025-08-06
Oooh I loved Things We Never Got Over on Audible, although I didn’t love the book itself I thought the male voice POV was super hot, and I also loved Lights Out on Audible!
10 Answers2025-06-06
Michael Kramer does an excellent job of establishing the scope of the old world of Terris prior to the era shift, and then Kate Reading picks up the story to offer a fresh perspective on the more modern, civic-minded characters of the new world of Elendel. Kramer’s iconic Kelsier is charming and intense and Crack-like in his subtle breakage. Reading is brilliant with the more modern characters, and brings a lot of depth to the portrayal of Marasi’s growth from naive young keeper’s assistant to confident constable. Kramer and Reading together present a rich, full and stunningly well realized audio version of the later Mistborn novels.