Is Away From Her: Screenplay Worth Reading?

2026-01-02 18:58:10 288

3 Answers

Bennett
Bennett
2026-01-03 10:16:10
Reading the 'Away from Her' screenplay was like holding a blueprint for tenderness. Polley doesn’t just write dialogue; she crafts rhythms—the pauses between words matter as much as the words themselves. The script’s structure is deceptively simple, but it mirrors the fragmentation of memory, which feels so fitting for a story about Alzheimer’s.

I’d recommend it to anyone who appreciates scripts that feel literary. The descriptions of the nursing home’s sterile light, or Fiona’s gradual detachment, are poetic without being pretentious. It’s also a great case study for writers on how to adapt source material faithfully while still making it cinematic. Julie Christie’s performance in the film is iconic, but the screenplay stands tall on its own—raw and unflinching.
Clara
Clara
2026-01-04 20:09:38
I picked up the 'Away from Her' screenplay after falling in love with the film’s quiet, aching beauty. Sarah Polley’s adaptation of Alice Munro’s short story 'The Bear Came Over the Mountain' is a masterclass in subtlety—every line feels deliberate, every silence loaded. The way she translates Munro’s interiority to the screen is breathtaking; you can almost see Fiona’s fading memories in the sparse stage directions.

What struck me most was how the script lingers on small moments—Grant buttoning Fiona’s coat, the way she misplaces a spoon—details that the film elevates into heartbreaks. If you’re into character-driven narratives that trust the audience to connect the dots, this is a gem. Plus, comparing the screenplay to Munro’s original story makes for a fascinating study in adaptation.
Quincy
Quincy
2026-01-06 21:15:24
'Away from Her' is one I revisit often. Polley’s writing has this quiet power—you don’t realize how deeply it’s affecting you until you put it down and feel emotionally drained. The script’s strength lies in what it doesn’t say; the unsaid grief between Grant and Fiona is almost tactile.

If you’ve seen the film, reading the screenplay adds layers—you notice how Polley uses visual motifs (like snow) to underscore themes of erasure. And if you haven’t? The script still works as a standalone piece of literature. It’s short but packs a lifetime of love and loss into its pages.
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