The editor’s own list plays a role. If they already have two coming-of-age stories set in Mumbai, they might pass on a third unless it’s transcendent. They’re curating a balanced portfolio. So sometimes, rejection isn’t about quality, but about fit and duplication. It’s frustratingly subjective that way.
Persistence and a thick skin are the unwritten prerequisites. The evaluation process is slow and often silent. Many give up after a few rejections. The writers who get published are often the ones who treat writing as a craft to be continually honed, separate from the validation of publication. That mindset often comes through in the work itself.
They look at the ending. A savvy editor will skip ahead to see if the payoff is worth the journey. A rushed, contrived, or overly sentimental ending can sink an otherwise strong manuscript. They want a conclusion that feels earned and resonates emotionally, leaving the reader satisfied. It shows the author has control over the full arc.
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