What Are The Best Movies About Stepmother And Stepson Relationships?

This is stretching it a bit, but Richie Tenenbaum’s deeply troubled relationship with his adopted sister, Margot, in The Royal Tenenbaums could be classified as romantic. He loves her and it destroys him. Although Margot is not the stepmother of Richie, it is another example of love trespassing family boundaries. I perceive this in a very different way than I would in a more serious dramatic film, than in a wacky and offbeat comedy, and than in a perverted and seedy thriller. Perhaps the visual style of a film has a lot to do with perceiving such relationships in a particular way.

I'm taking a chance here and suggesting 'A Little Romance' (1979). It's about two young teenagers who set off to Venice. An older man is their guide for the two of them. While this isn't a stepmom, it has the intergenerational feelings of a mentor/special guide to two young teens falling in love. This is, after all, a movie about a forbidden love that is also guided. Many stepmoms function as a first safe guide into the sex love of a teenager, plus often is forbidden at first too. I am therefore associating the ‘stepmom’ figure with the archetype of the ‘initiator’. Stories featuring initiation, mentorship and first love/s set within unusual social contexts will all hit some of the same notes as this trope, even if they don’t literally feature a step-parent. Looking for examples of ‘An Education’ or ‘Mona Lisa Smile’ (note that the latter’s teacher-student relationships are purely inspirational, and not romantic in any way) might therefore prove fruitful.

This novel looks and reads like the novelization of a mood board. You can practically see the images that the author used to help plan the book on Pinterest – rainy night shots of city skyline viewed through smeared windows, particularly grimy hotel rooms with unmade beds, two wine glasses left on a room service cart in a damp wipe of a towel. The aesthetic is paramount and works beautifully to create a consistent, rich and melancholy atmosphere of high-end loneliness. In many cases the plot and characters seem to have been designed to support this mood rather than forming the basis of the story in themselves. A book to read when you’re alone and it’s raining outside and you want to feel sad in a certain, very cinematic way. If you’re someone who chooses books by ‘aesthetic’ then this is a great choice.

Taehoon and Yura are without a doubt the main characters of this webtoon but every now and then, there are ‘episodes’ of chapters that focus entirely on a supporting character. There was a chapter written from Minjae’s perspective, with him as the main character for most of the chapter. Through that we were able to learn more about the world Taehoon and Yura are in. Again, it’s not an ensemble cast but we get to see the supporting cast of the webtoon more as fully rounded characters rather than just props. The focus is on the step-sibling relationship of Taehoon and Yura but at times the main character field opens up to include viewpoints of the best friend of the two, which gives us more insight to the central dilemma at hand.

It is a very complex and very disturbing relationship between the Emperor and his wet nurse (lo and behold, another Oedipus complex). There are countless stories of forbidden love. Some of them are even like love stories to the people involved. ‘Brokeback Mountain’, for example, is a movie of forbidden love, and very emotionally devastating. ‘Phantom Thread’ is another, a very disturbing movie of a very complex and powerful and OCD-obsessed man and his obsession with a young woman and her with him. (It’s not stepfather/stepdaughter, so don’t get alarmed.) These movies are so much better at giving you the feeling of that kind of relationship without making you go through the spiritual and cultural equivalent of actually having that relationship.

Most of the featurettes for these short films are actually more interesting than the short films themselves. Lots of insight into how stunts and atmosphere are constructed on minimal budgets. If you’re at all interested in filmmaking, ‘The Construct – Making Of’ is actually quite fascinating. Insight into how they created a rather futuristic setting using largely recycled materials. Sometimes I find the behind-the-scenes so much more interesting than the ‘actual’ film. The process is the art.

Failures. There was a 1985 film The Warrior and the Princess or something like that? It’s been so long since I saw this film that I have not been able to remember the name of it. It was made on a low budget, badly dubbed, and focused on a muscleman hero who I believe was called Ajax in the film. These sort of B-movies are a sort of graveyard of Iliad-inspired failures. As cultural artifacts they are fascinating because they reveal that this story has been in the commercial psyche all along and has just been waiting to be exploited. Watching these films today shows how failed they were at attempting to bring the Iliad to the screen. Without the poetry, complex characters and tragedy of the original, all that is left is a simple revenge movie set in leather skirts. They serve as a contrast to the truly failed attempts at making these sorts of films that actually tried to make something of the material.

You could do a whole series around films about forbidden emotions within families, as opposed to between two people. The emotions are still spoken for and it is still taboo, but the structure is different. For example, Francesca Scarvell writes about Cronaca di un amore and the desire of the father for his daughter. I was thinking of Ellenburger’s comment about The Lost Daughter and saying that it’s a film about a bad mother and her flashbacks to when she abandoned her young daughters. The core of the film is the taboo of maternal ambivalence and desire outside of motherhood. In a way the film is a story of forbidden love – of the mother’s love for her freedom over her children. Even though this is a stretch for your query, it would be a far more rewarding film to explore than just another story of forbidden love within a family.

D.E.B.S. is a campy spy-spoof that is best described as being light-hearted and very funny. In this flick, the main villainess Lucy Diamond is older than the young top-secret agent Amy. Their romance is depicted to be hilarious and very sweet, often to an over-the-top degree. This movie doesn’t take itself seriously at all. It is a cartoonish spy-flick with a basis in lesbian pulp fiction. The largest point of interest is the large age difference between villainess Diamond and hero nemesis Amy. Diamond is the super-villain to Amy’s heroic side. It is a very enjoyable movie and a lot of fun. The chemistry between the leads is excellent and has helped the film to earn a cult-like following.

This is another beloved character that we love to watch in films. He is typically a bit gruff and perhaps not part of the main family but in the end he is so lovable that he ends up being the greatest father figure to this other person outside of his own family. We can recall the classic ‘Big Daddy’ starring Adam Sandler as Sonny, an eccentric and quirky man who after a night out drinking wakes up the next morning to find a baby in his care. Despite it all he goes on to care for the baby until the real father turns up. This film packs a lot of laughs throughout but it is a beautifully warming movie at the end of the day too. The ‘fun uncle’ or ‘best friend dad’ is once again another great example of why the ‘unconventional dad’ is so popular with audiences today. The biggest symbol of love and learning for how to be a parent is found in the movie “Mrs. Doubtfire”. In the movie Robin Williams plays the part of Daniel, a male spouse who wants to spend more time with his children after a divorce, so he dresses up as a female nanny named Mrs. Doubtfire. Most of the movie he is in ‘nanny’ mode, playing the part of a fun, loving, young, and loose ‘uncle’ to the children, but eventually the mask comes off and he exposes himself as their real dad. The movie not only shows him learning to be a father to his children but also a better husband to his wife. Taking a different turn, ‘The Game Plan’ is an action-packed film where a football player (Dwayne Johnson) finds his life turned upside down when he discovers he has a daughter he never knew existed. Fumbling his way through parenting and accidentally finding humor in moments meant for tears, he attempts to learn how to be a good dad. Scenes of him awkwardly attempting to braid his daughter’s hair and sitting at a tea party with her were sweet. Recent films are bringing another twist to this gruff but lovable father figure: even when he makes mistakes, simply showing up for his children is enough. This is particularly evident in the recent true story of Instant Family, in which Mark Wahlberg and Rose Byrne adopt three children including a hardened teenager. Watching the father figure struggle to connect with the teenager, often getting things wrong but realising she needs a friend as much as a parent, is a very real and powerful take on this.