What Books Are Like Honestly I'M Totally Faking It And Who'S In It?

2026-01-11 11:44:06 330
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4 Answers

Uriah
Uriah
2026-01-12 18:12:16
Concise, practical take: 'Honestly I'm Totally Faking It' is by Amanda Gambill and follows Rach (a struggling assistant) and Pres (an aspiring politician) after a viral incident called "Boobgate" throws them together; the audiobook lists Dahlia Summers as narrator. Books that give similar vibes include 'One to Watch' by Kate Stayman-London (fame/reality-show/public image), 'The Hating Game' by Sally Thorne (workplace snark and chemistry), and 'The Unhoneymooners' by Christina Lauren (forced proximity and comedic disaster). If you want a character-driven, cringe-turned-cute experience, those are reliable bets. For me, Gambill’s mix of humiliation, PR spin, and sincere moments hit the sweet spot between ridiculous and heartfelt, and that’s why it stuck with me.
Presley
Presley
2026-01-12 19:38:02
Energetic fangirl voice: I tore through this because Rach is gloriously flawed and Pres is that grumpy, poll-obsessed politician who actually cares more than he lets on. The author, Amanda Gambill, wrote a story that leans into internet humiliation and PR spin, and the audiobook edition lists Dahlia Summers as narrator — that performance adds a lot of comedic timing. If you want more books with big rom-com energy and flawed-but-adorable leads, try 'The Unhoneymooners' by Christina Lauren for disaster-to-romance hijinks, 'The Hating Game' for sharp, slow-burn workplace flirting, and 'One to Watch' for the reality/celebrity-scrutiny vibe. I’d also toss in 'The Flatshare' by Beth O'Leary for sweet, accidental-intimacy pacing. Those picks hit similar beats: an embarrassing public moment, awkward attraction, and characters who grow by (reluctantly) faking confidence until they find the real thing. Reading Gambill’s book left me grinning — it’s rom-com chaos done with heart.
Julia
Julia
2026-01-13 10:29:05
My take: 'Honestly I'm Totally Faking It' is a messy, hilarious contemporary romance built around accidental fame and a not-so-charming political type who collides with a scrappy protagonist named Rach (short for Rachel) — she’s the down-on-her-luck assistant trying to keep her head above water when a viral incident dubbed "Boobgate" upends everything. The book is by Amanda Gambill and the audiobook edition lists Dahlia Summers as the narrator. If you liked the loud, chaotic energy of an imperfect heroine shoved into the spotlight, try these: 'The Hating Game' by Sally Thorne (workplace rom-com tension and sharp banter), 'The Unhoneymooners' by Christina Lauren (forced proximity and outrageous setups), 'One to Watch' by Kate Stayman-London (public image/reality-TV vibes and commentary on fame), 'The Kiss Quotient' by Helen Hoang (quirky, heartfelt chemistry), and 'Josh and Hazel's Guide to Not Dating' by Christina Lauren (chaotic, goofy chemistry). Each of those scratches a similar itch — high-stakes embarrassment, snappy banter, and the messy pull between being yourself and performing for others. I really enjoyed how Gambill mixes cringe moments with tenderness; it feels like a rom-com that refuses to behave, and that’s why those recs clicked for me.
Leo
Leo
2026-01-14 10:26:29
Lively and blunt: the novel centers on Rach and Pres — he’s an aspiring politician and she’s the assistant who accidentally goes viral, which the press frames as "Boobgate"; their worlds collide because his campaign team wants to spin the moment and Rach just wants stability. Amanda Gambill is the author, and the audiobook narration I found credits Dahlia Summers. For similar reading moods, pick up 'One to Watch' by Kate Stayman-London if you want the celebrity/reality-show angle, or 'The Hating Game' if you prefer sharp workplace snark and simmering hate-to-love. If you like protagonists who are awkward but lovable, 'The Kiss Quotient' and 'Josh and Hazel's Guide to Not Dating' both deliver warm, absurd chemistry. Each of those books balances public embarrassment with private growth in ways that reminded me of Rach's arc. Honestly, I appreciated how Gambill threads social-media fallout into romantic stakes without making it only about clout — it stays rooted in character, which felt satisfying to read.
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