Are There Books Similar To 'The Things We Make'?

I recently stumbled upon 'The Things We Keep' and was completely absorbed by its emotional depth. If you loved it too, you might enjoy 'Still Alice' by Lisa Genova. Both books explore memory loss and its impact on relationships, but 'Still Alice' takes a more clinical approach while maintaining heartfelt storytelling. Another gem is 'The Story of Arthur Truluv' by Elizabeth Berg—it’s quieter but equally touching, focusing on unlikely friendships and the small moments that define us. For something with a bit more mystery, 'Elizabeth Is Missing' by Emma Healey is a brilliant choice. It follows an elderly woman with dementia trying to solve a disappearance, blending poignancy with suspense. I’ve reread all these books multiple times, and each one leaves me with a lingering sense of warmth and reflection.

If you're drawn to the philosophical depth and meditative pacing of 'The Emptiness that Makes Other Things Possible,' you might find 'The Unbearable Lightness of Being' by Milan Kundera equally mesmerizing. Both books explore existential themes with a poetic touch, though Kundera leans more into the interplay of love and politics. Another gem is 'The Book of Disquiet' by Fernando Pessoa—it’s like wandering through a labyrinth of introspection. The fragmented, diary-style writing mirrors that sense of emptiness as a creative force. For something more narrative-driven but equally contemplative, 'Stoner' by John Williams delivers quiet devastation in ordinary moments, much like how emptiness shapes meaning in the original book.

If you loved 'Our Thing' for its raw, unfiltered dive into underworld dynamics and morally gray characters, you might find 'The Godfather' by Mario Puzo just as gripping. Puzo’s masterpiece isn’t just about crime—it’s about family, loyalty, and the cost of power, themes that resonate deeply with 'Our Thing'. The way he humanizes even the most ruthless characters is something I’ve always admired. Another gem is 'The Power of the Dog' by Don Winslow. It’s a sprawling epic about the drug trade, but what hooked me was its psychological depth and the way it explores the blurred lines between good and evil. Winslow’s prose is visceral, almost cinematic, and if you enjoyed the gritty realism of 'Our Thing', this one’s a must-read. For something darker, 'American Tabloid' by James Ellroy offers a frenetic, conspiracy-laden ride through mid-century corruption—it’s like 'Our Thing' turned up to eleven.

If you're looking for books that hit the same nerve as 'The Hard Thing About Hard Things,' you're probably craving raw, unfiltered takes on leadership and entrepreneurship. One that immediately comes to mind is 'Zero to One' by Peter Thiel. It’s less about the day-to-day grind of running a company and more about the philosophy behind building something transformative, but Thiel’s blunt, contrarian perspective feels just as refreshing as Ben Horowitz’s no-nonsense style. Both books cut through the usual Silicon Valley hype and focus on the messy reality of creating value. Another gem is 'Shoe Dog' by Phil Knight. While it’s a memoir rather than a leadership manual, Knight’s storytelling captures the emotional rollercoaster of building Nike—full of near-bankruptcies, existential risks, and moments of sheer desperation. It’s a different flavor, but the visceral honesty about struggle resonates deeply. For something more tactical, 'High Output Management' by Andy Grove is a classic. Grove’s approach to operational rigor and scaling teams complements Horowitz’s war stories with structured frameworks, making it a great pairing for founders who want both inspiration and practical tools.

Man, Kali White's 'Monsters We Make' totally hooked me with its eerie true-crime vibe and small-town setting. If you're craving more of her work, you're in luck—she's got a pretty distinct voice. Her debut novel 'The Memory Collectors' is another atmospheric gem, though it leans more into psychological suspense with a touch of the supernatural. It’s about two women haunted by objects that hold traumatic memories, and it’s just as gripping as 'Monsters We Make,' but with a darker, almost Gothic flavor. White really excels at blending real-life horrors with fiction, so if you liked the way 'Monsters' blurred those lines, this one’s a must. Another title to check out is her short story collection 'The Monsters We Defy,' which isn’t a direct follow-up but explores similar themes of secrets and moral ambiguity. It’s got that same tight, suspenseful pacing, but with a more fragmented, haunting structure. Honestly, White doesn’t have a huge backlist yet, but what’s there is quality—she’s like a quieter, Midwestern Gillian Flynn. I’d also recommend diving into her essays or interviews; she often talks about true crime’s influence on her work, which adds another layer to her fiction. If you’re patient, her next book’s probably in the works—fingers crossed it’s another creepy masterpiece.

If you loved 'Paper Things' for its heartfelt exploration of family and resilience in tough circumstances, you might really connect with 'The Great Gilly Hopkins' by Katherine Paterson. Both books dive deep into the lives of kids navigating unstable living situations, though Gilly’s story has a sharper edge with her foster-care journey. The emotional weight is similar—raw, real, and oddly hopeful. Another gem is 'Almost Home' by Joan Bauer. It follows Sugar Mae Cole, a girl who ends up homeless with her mom but clings to optimism like a lifeline. The voice is so authentic, much like Ari’s in 'Paper Things,' and it balances hardship with warmth. For something more contemporary, 'How to Steal a Dog' by Barbara O’Connor tackles homelessness with a mix of humor and grit—Georgina’s desperation feels palpable, but her resourcefulness keeps the tone from sinking into despair.

If you loved the lyrical, immersive storytelling of 'The Book of Everlasting Things,' you might find yourself drawn to other novels that blend historical depth with emotional resonance. One that immediately comes to mind is 'The Night Circus' by Erin Morgenstern. Like 'The Book of Everlasting Things,' it weaves magic into the fabric of reality, creating a world that feels both timeless and deeply personal. The prose is lush and evocative, pulling you into a story where love and artistry collide in unforgettable ways. Another gem is 'The Shadow of the Wind' by Carlos Ruiz Zafón, which shares that same sense of mystery and reverence for stories within stories. Set in post-war Barcelona, it’s a love letter to books and the people who cherish them, much like how 'The Book of Everlasting Things' celebrates the enduring power of art and memory. For those who appreciated the historical backdrop and cultural richness, 'The Museum of Extraordinary Things' by Alice Hoffman might hit the spot. It’s set in early 20th-century New York and explores themes of love, loss, and the extraordinary hiding in plain sight. Hoffman’s writing has that same dreamlike quality, where every detail feels intentional and haunting. On a slightly different note, 'The Invisible Life of Addie LaRue' by V.E. Schwab offers a similar exploration of immortality and the marks we leave on the world—both tangible and intangible. It’s a bittersweet, beautifully crafted tale that lingers long after the last page. Each of these books, in their own way, captures that same blend of heartache and wonder that makes 'The Book of Everlasting Things' so special.

Neil Gaiman's 'Fragile Things' is this beautiful, eerie mosaic of short stories and poems—it feels like wandering through a haunted carnival where every tent holds a new surprise. If you loved its mix of dark fantasy and lyrical prose, you might adore Kelly Link's 'Magic for Beginners'—her stories blur reality and myth in similarly unsettling ways. Or try Angela Carter's 'The Bloody Chamber,' which twists fairy tales into gorgeously macabre vignettes. For something more contemporary, Helen Oyeyemi’s 'What Is Not Yours Is Not Yours' has that same thematic richness, where keys and locks become metaphors for secrets. And if you crave Gaiman’s voice but want a novel, 'Neverwhere' or 'The Ocean at the End of the Lane' capture his knack for blending everyday life with the uncanny. Honestly, half the fun is chasing that same shiver down your spine.

If you loved the eerie, Victorian horror vibes of 'The Thing in the Weeds,' you might dive into 'The Silent Companions' by Laura Purcell. It’s got that same creeping dread and historical setting, with a protagonist uncovering dark secrets in a crumbling estate. The way Purcell builds tension is masterful—every shadow feels alive, much like in Penny Dreadfuls. Another gem is 'The Woman in Black' by Susan Hill. It’s a classic ghost story with that slow-burn horror and atmospheric writing. The isolation of the marshlands in Hill’s novel reminded me a lot of the unsettling wilderness in 'The Thing in the Weeds.' For something a bit more grotesque but equally gripping, 'The Willows' by Algernon Blackwood is a short but intense cosmic horror piece that lingers in your mind long after reading.

If you enjoyed 'Non-Things' by Byung-Chul Han for its critique of digital materialism and the ephemeral nature of modern existence, you might dive into 'The Burnout Society' by the same author. Han’s sharp analysis of how capitalism shapes our psyches resonates similarly, but with a focus on exhaustion rather than objectlessness. Another fascinating parallel is 'The Age of Surveillance Capitalism' by Shoshana Zuboff. It doesn’t just skim the surface of digital alienation—it digs into how our data becomes a commodified 'thing,' even as we feel increasingly detached from tangible reality. For a fictional twist, 'The Circle' by Dave Eggers satirizes tech’s promise of connection while delivering isolation, much like Han’s observations.