8 Answers2025-08-02
While The Iliad is the longer of the two poems and thus the real monster, The Odyssey is the sequel and is actually a more compact, focused work that follows the single journey of a hero to return home to his family. Assuming a dedicated reader, it is possible to read The Odyssey in two weeks or so. The short chapters move at a brisk pace with lots of action. Yes, there are occasional lulls in the narrative, but these are filled out with lots of interesting detail about the world of the poem as well as further development of individual characters. Penelope’s pause in weaving and her subsequent unwinding of the shroud is a suspenseful masterclass even in lack of action. No one should therefore be afraid of The Odyssey because of its reputation as the Greatest Epic. It is a foundation story of Adventure. Read it. It is short. Get a good translation and devour it within a couple of weeks – you will be surprised by how quickly the pages pass.
9 Answers2025-08-20
I just thought I’d ask if anyone else found these as sort of bored in high school. I know lots of people seem to like them and consider them some of the best novels of all time. I just never got it. Maybe I was just too young. Maybe my teacher didn’t do it justice. I’ve been thinking about reading them again as an adult, but the bad memories of the novels in high school are sort of putting me off. Are the audiobooks so much better than I’d hear in class? Maybe I’d actually like them.
8 Answers2026-07-29
Scholars believe that The Odyssey was passed down orally through generations of storytellers before it was ever written down as a book. There are many, many differences between different versions of the book, and most of them come from translations and from different editorial choices that were made over the centuries. Some translators have wanted to preserve the poetic style of the book and have written in verse—Fagles did a wonderful verse translation of The Odyssey many years ago. Recently there have been many more modern translations—and one of the interesting things about them is that they have also been able to strip away many centuries of patriarchal bias. There are abridged versions of the book for children, graphic novel versions, and even novels that follow the stories of secondary characters. The book itself is not changing, but our way of reading the book is very different depending on the version we read.
Check out the opening of a few different translations online. You will very quickly get the translator’s voice.
7 Answers2026-04-08
This comparison is to writer like the high jump to athlete. In setting the high bar of the epic tale of kingdoms and heroes, the Greek Homer set a standard that the Irish writer James Joyce aimed to exceed in his modernist masterpiece. By tackling the ‘epic of the ordinary man’ and shaping it into the modest narrative of a single day, the writer succeeded in reframing the epic form in a radically innovative manner. By faithfully mirroring the Odyssey’s structure and montage of leitmotifs, i.e. recurring motifs and situations in episodes, the writer unfolds a symbolic journey that follows a modern-day hero. By applying the symbolic journey of the hero to the humblest of subjects – and embedding it in the most mundane of materials – the writer of this masterpiece is making a point: the classic tools of the epic are meant to be used on the most everyday of subjects, in order to uncover a universe in every life of them, be it ever so ordinary.
12 Answers2026-07-27
For the hard core fan, Rodney Merrill’s translation of the Odyssey is an English dactylic hexameter. What he’s tried to do is rephrase Homer in English to exactly the same rhythmic pattern as the original Greek. It’s an academic/poetic exercise that few people have attempted before, and, indeed, few people would wish to read for pleasure. It’s an amazingly challenging read at first but you soon get used to it.
In total contrast to Rieu’s prose translation, the Rodney Merrill translation of ‘The Odyssey’ is written in English dactylic hexameter, attempting to re-create the unique rhythm and sound of the original Greek poems. This challenging, and at times, even strange read is essentially a specialist item – best left to translation geeks and classics students. However, it so effectively highlights the scope of translation of Homer’s works.
7 Answers2025-08-20
Reading both Iliad and Odyssey back to back is emotionally jarring, a contrast between a relentless, brutal war film tracking glory and suffering and a fantastical, sometimes mischievous, sometimes hopeful road trip around a chaotic, supernatural world and its man. As for length, there’s room for the emotional reset required between the end of Iliad’s funerals, culminating in Hector’s tragic funeral and our first experience of pity, and the beginning of Odyssey’s long journey home. As for the two epics being read together, the combined length is not just a matter of numbers of pages, it’s also a time buffer between two episodes of such vastly different moods and tones, a time to draw and dwell on the tragedy of the first of the two great epics before getting on to the second. Reading them quickly one after the other would be to do them a disservice, each demands a separate space, and the physical bulk of the two books on a shelf is just sufficient to enforce that needed space.
7 Answers2025-06-19
Is Circe not the more ambitious book? The Song of Achilles is this perfect, focused novel within the Trojan War framework. It’s a masterclass in emotional compression and it’s a beautiful, haunting novel. But Circe is this sprawling, messy novel that tries to tell dozens of myths and follow the character of Circe throughout millennia, and tackle all of these big themes: agency, motherhood, creation, and immortality. It’s not as perfectly honed as The Song of Achilles, sometimes even dull, but it has a much greater payoff for me. It’s the difference between a perfect sonnet and a massive novel. The Song of Achilles is beautifully perfect, but it’s a work of less scope. It re-centers the story of the Trojan War around one of itsDeprecated side characters, but it’s a relatively small story. Circe, on the other hand, is a giant novel that feels like it could have been much worse than it is.
8 Answers2025-07-16
'The Odyssey' is one of my favorites. The original hardcover version I own, published by Penguin Classics, has around 384 pages. It's a bit dense, but the translation by Robert Fagles makes it incredibly readable. The page count can vary depending on the publisher and the size of the text, but most hardcover editions hover between 350 and 400 pages. If you're looking for a specific edition, I'd recommend checking the ISBN or the publisher's website for exact details. The beauty of 'The Odyssey' is that even though it's ancient, it feels timeless, and the hardcover versions often include helpful notes and maps.
3 Answers2026-06-18
Homer's legacy is such a fascinating topic, especially when you dig into how little we actually know for sure. The two epic poems attributed to him, 'The Iliad' and 'The Odyssey,' are monumental works that have shaped Western literature. But beyond those, things get murky. Some scholars argue that 'The Homeric Hymns' might have ties to him, though most agree they were likely composed by various poets over time. There's even debate about whether Homer was a single person or a collective name for generations of storytellers. It's wild to think that someone so influential could be such a mystery! Personally, I love how this uncertainty adds layers to the myths—like they’re part of an even grander story.
What really blows my mind is how these texts have survived for millennia, evolving through oral tradition before being written down. Even if Homer only 'officially' wrote those two, their impact is immeasurable. I remember reading 'The Odyssey' in high school and being floored by how modern the themes felt—like Odysseus’ struggles with identity and homecoming. It makes you wonder: if there were other lost works, what else could’ve shaped our culture? The speculation alone is thrilling enough to keep me hooked.
4 Answers2025-07-01
Of the many interpretations of mythology that Miller wrote, ‘Circe’ is perhaps most notable in that it treats mythology as a character study, rather than simply as symbol or monster. For the most part, the book is quiet and minor in terms of action: the title character tends herbs, talks to mortals, grapples with the difficulties of being immortal. The episodic re-reading of familiar myths, such as Odysseus’s visit to the magician, is experienced from her point of view. The stories are reimagined as intimate memoir, with crisp and modern prose that preserves the ancient setting of the myth.