What Common Pacing Mistakes Slow Down Writing And How To Fix Them?

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We can't really control time, if time paused we can't really do anything about it. If the time starts to move again then take chances before it's too late. During their past life, they already know will come to an end. But a chance was given for them to live and find each other to love again.

I have a severe case of logorrhea. Only speaking makes me feel alive. My classmates all call me a freak, but Marvin Britt is the only one willing to listen to me. One day, I bring some homemade soup over to see him, only to catch him holding his junior's hand. "Lexie, your voice is so lovely, unlike my wife at home. She sounds like a squawking duck. It's exhausting." My hands shake so violently that I drop the thermal flask. The commotion angers a nearby madman, who forces a bottle of boiling water down my throat. With my mouth full of blood and blisters, I realize I need proof. I send Marvin—a lawyer—a frantic voice note to accompany me to the police station for evidence. Marvin shoots back a single word—"Noted". Of course. He doesn't even listen to it, as usual. He used to reply to everything I said with voice notes at least a minute long. But we hit the seven-year itch, and he's sick of my endless talking. Leaving the hospital, I stare at my diagnosis of permanent mutism and laugh bitterly. He must be thrilled. His world is finally quiet.

Lyra was never supposed to be the heroine. In the novel she read in her past life, Lyra was just a placeholder—the adopted daughter of a high-society family who dropped her the second their real daughter returned. Then came the humiliation. The neglect. The death that barely registered in the plot. But this Lyra? She’s not following the script. Reincarnated into the story, Lyra remembers everything. She knows where the plot is headed—and she plans to derail it. Step one: make herself indispensable. Step two: change the fate of Ethan, the second male lead who disappeared without resolution. He was brilliant, guarded, and completely overlooked by the original heroine. Lyra—who adored him as a reader—isn’t about to let history repeat itself. She starts small: a business deal, market predictions, power moves. Somewhere in the chaos, they become something more. And when the real daughter returns, sweet on the surface and toxic underneath, Lyra proposes a marriage contract to survive. No feelings. No strings. Just strategy. But love doesn’t follow rules, and neither does fate. As alliances fracture and danger rises, Lyra must fight to stay in a story that was never meant to keep her. She won’t be discarded. She won’t be erased. This time, the side character is writing her own ending.

I have a poor sense of direction. I can go to the same place ten times and still not know how to get there. So, Aimee Thornton spends an entire week putting all the streets around school into a hand-drawn map for me. There are no directions on the map, only places named "The Convenience Store With the Yellow Dog at the Door" and "The Old Man Who Sells Terrible Tacos". She ruffles my hair and muses, "How is this one going to survive without me?" But everything changes when our friend, Dean Sullivan, comes home from abroad. During our trip, Aimee tells me to get out of the car and check if we've skidded. My feet have just touched the ground when the car speeds off. She texts me the next second. "There's a rest area about three miles ahead. Dean and I will wait for you there. Dean has a point. You'll never get over your poor sense of direction if I don't give you a push." I end up trekking through the torrential downpour for an hour, desperate and panicking. Aimee suddenly sends me a hand-drawn map with an arrow, and she's added a cute smiley face beside it. "Follow the map, and you'll be there in 20 minutes." Alas, I walk until my calves ache, only for the road to narrow and cut off in a dead end. I call Aimee, but Dean's lighthearted laughter greets me instead. "Hey, man, congratulations on taking the wrong way! "I made a bet with Aimee that you wouldn't notice the arrow she'd drawn on the map was deliberately pointing in the opposite direction. As it turns out, I know you better than she does. "And that means I'm the only one she gets to hang out with for the rest of the trip, since having you tag along will be too much trouble." I hear Aimee's indulgent laugh going off beside him. "A bet's a bet. Whatever you say goes, Dean." The price of codependency is too much for me—so much so that I'll be lost if Aimee decides to up and leave me. I wipe my tears dry. I want to find my way alone this time.

Vera fought for her life in the apocalypse for ten years. Ten brutal years left her disfigured, hungry, and almost broken, but she still clawed her way through it. She killed zombies, ran from mutated animals, starved, bled, and learned humans were often more dangerous than monsters. Then her brother, the only family she had left, betrayed her. Vera thought death had finally come. Instead, she woke up inside a trashy book she once read to stay sane while the old world fell apart. A book with a twisted plot and too much drama. And because her luck had always been terrible, Vera did not wake up as the heroine. No, of course not. Her second chance was to become the hated second female lead, pregnant, unwanted, and written to die when the plot no longer needed her. Her babies were supposed to die too. Even the three men who got her pregnant were written as future corpses, all to push the story toward spoiled women and one psychotic male lead. But Vera was not the woman from the book. She had survived one ruined world. She had not walked through radioactive rain and eaten mutated food just to cry over fantasy characters or beg for love inside a stupid plot. So Vera adapted. She accepted her punishment, took her three unborn babies, and left for the garbage center without making a scene. Everyone thought she had been thrown away. Vera saw a chance to make money, protect her babies, and build something of her own. Now the woman meant to disappear is building a wasteland empire, breaking the plot, and driving three men insane because she no longer chases anyone. By every rule in that world, Vera should be dead. But dying a second time was never an option.