7 Answers
Trailers, staff lists, and soundtrack announcements are where the composer for 'Forgers' will show up first, and from my usual scavenging that’s been the pattern. I didn’t find a definitive composer credit in the mainstream English press, so it looks like the production either hasn’t announced it internationally or it was only in a regional press release. When this happens I usually track down the Japanese staff page or the music publisher’s store page; those pages will list the composer, arranger, and sometimes even orchestrators.
While we wait, I’ve been imagining what style would fit the series—if the show leans toward crime/heist vibes, someone like Yutaka Yamada or even a more electronic-oriented composer would be perfect. If the show goes cinematic, I’d bet on a composer with a full orchestra background. Either way, I’m hyped to hear the OST when it’s revealed and to see how the composer interprets the show's mood.
The short scoop is simple: Hiroyuki Sawano is composing the original soundtrack for 'The Forgers'. I got that news and felt a quick thrill because his music tends to elevate good scenes into great ones. He’s that composer who can make a tense hallway conversation feel operatic, or turn a small emotional beat into something huge with the right swell of strings and a distant chorus.
I’m already imagining certain beats — a signature motif for the protagonist, a cold electronic underline for the con scenes, and maybe a haunting piano piece for quieter, revealing moments. Sawano’s sound often mixes modern electronic production with cinematic orchestration, so expect the OST to work both as background color during episodes and as standalone listening pleasure. I’ll probably spin the soundtrack on repeat during creative work sessions; his tracks are great for focus and hype alike. Can’t wait to hear how it all comes together.
I’ve been keeping an eye on all the little production updates for 'Forgers', and honestly the composer credit hasn’t been firmly cemented in the big announcements I’ve seen. Official composer names usually show up either on the anime’s official website, in the staff roll of the promotional PV, or on the single/OST release pages from the music label. I checked the usual places—social accounts, music label pages, and streaming pre-orders—and at the time of my last look there was either no confirmed composer listed or the credit was tucked into a Japanese press release that hadn’t been translated yet.
If you’re as curious as I am, those are the places I personally stalk: the credits at the end of trailers, the anime’s official Twitter, and the listings on stores like Tower Records Japan or the publisher’s news. Musically, I’m secretly hoping for something cinematic and moody—a mix of orchestral swells and slick electronic beats would suit a show called 'Forgers' perfectly. For now I’m just excited to hear the first preview and see who ends up shaping the sound—can’t wait to geek out when the OST drops.
Wild take: the music for 'The Forgers' is being composed by Hiroyuki Sawano, and honestly that fills me with hype.
I’ve been a fan of Sawano’s bombastic blend of orchestra, synth, and choirs for years, and I can already imagine how he’ll shape the show’s atmosphere — ominous strings for tense forgery scenes, layered electronic pulses for chase sequences, and those soaring vocal hooks whenever the stakes get emotional. If you like the grand, cinematic soundscapes he crafted on 'Attack on Titan' and '86 -Eighty Six-', expect similar energy here but tweaked for whatever mood 'The Forgers' needs: more noir grit or more melancholic undertones depending on the story beats. The OST will probably mix instrumental suites with a few vocal-led tracks by his usual collaborators, giving both background texture and full-on songs that stick in your head.
Beyond just the credits, I’m looking forward to how the themes weave through character moments. Sawano loves leitmotifs — a little riff reappearing at critical beats — and that can make scenes way more memorable. I’ll be preordering the digital soundtrack the moment it drops, and I’m already imagining a few tracks on repeat during late-night rereads. All in all, it feels like a perfect match for a show about deception and craft, and I can’t wait to hear the first preview.
I’ve been tuning into soundtracks longer than I care to admit, and when I heard Hiroyuki Sawano is scoring 'The Forgers', I felt a mix of relief and curiosity.
Relief because Sawano reliably delivers production value: crisp percussion, hybrid orchestration, dramatic choral elements, and those punchy synths that modernize orchestral timbres. Curiosity because he adapts his palette to the series' tone; his work on '86 -Eighty Six-' showcased restraint and human fragility in places, while other projects leaned into bombast and scale. For 'The Forgers', I expect a careful balance — motifs that underscore identity and deception, plus textural pieces that enhance worldbuilding rather than distract from it. His collaborations with vocalists often produce standout theme singles, so there’s a fair chance the opening or ending will become a breakout song on streaming platforms.
From a collector’s perspective, Sawano soundtracks often get deluxe physical releases with thoughtful liner notes and striking artwork, so fans who love sleeve art and booklets will have something to look forward to. Personally, I’m eager to dissect how he assigns instruments to characters and whether he leans into minimalism for quieter scenes. Either way, the composer choice signals that the show’s makers wanted the music to do heavy lifting, and that’s always exciting to me.
I went down the rabbit hole for 'Forgers'—trailers, staff announcements, and music label pages—and came away with the same tentative result: the composer hasn’t been loudly promoted in the English-language outlets I checked. That doesn’t mean the information doesn’t exist; it’s often embedded in the Japanese staff list, the end credits of promos, or the official product pages for singles and OSTs. My strategy is to monitor those pages and the store pre-order listings because labels love dropping composer names when they start pre-selling the soundtrack.
Thinking about what I’d like personally, a soundtrack that blends tense string ostinatos with slick synth lines would suit the concept. I’m also curious how they’ll use motif work for characters—good anime OSTs give each character a musical fingerprint, and that’s the kind of detail I obsess over. I’m really looking forward to the moment the composer is revealed so I can dive into their previous work and get hyped for the first full track release.
I glanced through the usual sources—official site, promo credits, and music label announcements—and didn’t find a clearly advertised composer credit for 'Forgers' in the English summaries. That usually means the production has either kept the composer announcement for a later reveal, announced it only in Japanese press, or bundled it with the OST pre-release info. When I’m hunting this stuff down I focus on the anime’s staff page and the music publisher’s product pages; they’re the places that almost always list the composer first.
Until the name is public, I’ve been daydreaming about what the OST could sound like: tight, suspenseful tracks with a memorable theme would be perfect. I’m honestly excited just thinking about the first full track hitting streaming services, and I’ll be ready to listen the second it drops.