Is 'Dealing With Dragons' Part Of A Series?

Yes, and it’s one of those rare series where every installment tops the last. 'Dealing with Dragons' sets up Cimorene’s rebellion against princess stereotypes, but the sequels escalate the craziness. In 'Searching for Dragons', she teams up with a king who’s hilariously bad at flirting, while 'Calling on Dragons' features sentient soap that refuses to wash evil wizards. The finale reveals hidden connections between characters you’ve met earlier, making rereads extra satisfying.

The series avoids sequel fatigue by rotating protagonists. Book two focuses on teamwork, three expands Morwen’s witchy world, and four wraps up lingering mysteries with a clever timeline twist. Wrede’s dragons are refreshingly bureaucratic—their kingdom runs on paperwork and fiery debates. For fans of unconventional fantasy, this series pairs well with T. Kingfisher’s 'Minor Mage' or Terry Pratchett’s 'Tiffany Aching' books.

I stumbled upon 'Dealing with Dragons' years ago and got hooked immediately. It’s actually the first book in the 'Enchanted Forest Chronicles' by Patricia C. Wrede. The series has four books total, each focusing on Cimorene, the princess who ditches boring court life to work for a dragon. The sequels—'Searching for Dragons', 'Calling on Dragons', and 'Talking to Dragons'—expand the world with more quirky characters and clever twists on fairy tale tropes. What’s cool is how each book stands alone but connects through recurring jokes and evolving relationships. The dragons aren’t just mindless monsters; they’ve got libraries, politics, and a serious love of cherries jubilee. If you enjoy witty heroines and subverted fantasy clichés, this series is a gem.

I can confirm 'Dealing with Dragons' is just the beginning. The series builds a cohesive universe where dragons negotiate treaties, witches run ethical magic businesses, and princesses solve problems with sarcasm instead of swords. The second book, 'Searching for Dragons', introduces Mendanbar, the neurotic forest king, and deepens the lore about enchanted objects. 'Calling on Dragons' shifts focus to Morwen, the cat-loving witch, and her chaotic adventures with a malfunctioning magic carpet. The finale, 'Talking to Dragons', ties everything together with a time-loop plot that rewards attentive readers.

What makes this series special is its tonal consistency—every book balances humor and adventure without sacrificing stakes. The dragons’ personalities shine brighter as the series progresses, from Kazul’s dry wit to Woraug’s pettiness. Wrede’s worldbuilding feels lived-in; even minor characters like Killer the rabbit or the enchanted teakettle have follow-up appearances. The books work for all ages, packing enough satire for adults while keeping the pacing brisk for younger readers. If you finish the series craving more, try Diana Wynne Jones’ 'Howl’s Moving Castle' for similar vibes.