How To Draw A Winky Face

Drawing xxxtentacion's face may seem challenging, but let's break it down! You can start with a simple oval for the basic shape of the face. Then, add two curved lines for the eyebrows, two more areas for the eyes. Remember, his eyes have a specific almond shape. For his nose, draw a wide, flattened 'V'. His lips are full so draw two large circles for his earlobes and create his iconic dreadlock hairstyle. Just keep practicing, and don't lose your creative spirit. It might not be perfect at first, but each sketch makes you better!

To draw a sad face, start with a simple circle for the head. Next, sketch two downward-curving lines for the eyebrows; this gives an instant sad look. For the eyes, draw two small circles with frowny shapes at the bottom. Finally, a curved line that dips down in the middle will be your mouth. The key is focusing on those downward angles. Keep it simple and practice!

I get a kick out of sketching faces that leer just the right amount — smugness is one of those expressions that lives in tiny, specific tweaks rather than giant changes. I usually start with a loose head construction: an oval with a light centerline and eye line. Decide on the camera angle first; a slight tilt or 3/4 view sells smugness because it lets one eyebrow peak and the mouth corner hide behind the cheek. Thumbnails help here — draw three tiny faces with different tilts and mouth angles and pick the one that feels slyest. Next, hone the eyes and brows. Smug eyes are often half-lidded, with the upper lids lowered and the lower lids relaxed. One eyebrow should be raised or arched more than the other; asymmetry is the secret sauce. Make the iris small-ish and the gaze direct — looking down at the viewer or sideways enhances the superiority vibe. For the mouth, I sketch a curved line that lifts on one side into a smirk. A small gap showing teeth or a tiny corner of the tongue can read as playful arrogance. Don’t forget the jawline: a slight chin tilt up adds confidence. Finally, refine with line weight and small details. Thicker lines on the lower eyelid, a tiny wrinkle by the eye, and a soft shadow under the brow deepen the expression. Use gesture in the shoulders or a hand to the chin if you want the smugness to read from farther away. I practice by copying smug faces from 'JoJo's Bizarre Adventure' or light smug panels in 'Death Note' to study line choices, then remix into my own style — messy, imperfect sketches teach more than perfect copies.

I still get excited when I find a new little trick that makes faces click for kids — it feels like unlocking a tiny door for them. One of my favorite low-tech starters is the circle-and-line method: draw a simple circle for the skull, add a vertical guideline for center and a horizontal for eye placement, then subdivide that horizontal into quarters to place eyes, nose, and mouth. I always sketch these on heavy paper with a soft pencil so kids can erase and try different expressions without worrying. For tools, I like a combo: a chunky HB pencil, a kneaded eraser, thick sketchbooks, and a set of washable markers for finishing. Add in a few templates (eye shapes, nose types, mouth curves) and you’ll have kids mixing-and-matching features like toy parts. If you want digital, try an iPad with a pressure-sensitive stylus and an app that has symmetry and stamp brushes. Also, printable worksheets and simple how-to books like 'How to Draw Cool Stuff' give step-by-step visuals that younger learners really cling to when they’re starting out.

I always start off with a light pencil sketch for the basics, focusing mainly on placements and proportions. From a light bulb shape for the head to straight lines for the orientation of the shoulders, this allows me to build a solid base before diving into the details. Then, I like to add more body features using softer strokes and slowly erase the initial sketch, making necessary corrections along the way. Only then do I start rendering detailed facial expressions and hair, quickly using an eraser or white gel pens for highlights. And finally, for the outfit, I whip up something inspired by my favorite anime characters! Just remember, practice makes perfect. So even if it doesn't come out perfect the first time, keep going!

Learn the basics of drawing if it's not already the case: shape, perspective, colors, volumes, etc... Learn anatomy, it's the structure of the human body and you're going to need this a lot, all the time. (try to draw real humans, see what limbs can do, what posture does work and doesn't, etc...) Learn things such as poses, angles, how bodies interact with each others. Don't worry it's less tedious than it sounds, you basically have to draw things to try to understand them. Finally, don't hesitate to use references when you have a specific idea, it's easier to draw when you see the poses than trying to do it from your mind alone.

To draw a blueberry, start by sketching a simple circle for the main body. Add another smaller circle on the top to create the little crown that blueberries have. After that, shade in the body a bit to give it depth. You can use a blue or purple color, depending on how ripe you want it to look. Don't forget to add some highlights on the side to make it shiny and realistic, like it’s covered in a light sheen of morning dew. Keep it simple, and you’ll have a cute blueberry in no time!

Drawing dreadlocks can be super fun once you get the hang of it. Start by outlining the shape of the head and where you want the dreadlocks to fall. Make thick, wavy lines to represent the hair texture, and remember that dreadlocks bunch together. Add some details like highlights and shadows to give them depth. Practice drawing them from different angles to better understand how they flow and twist. Keep it loose and let your creativity shine!