Are There Any EXO Interviews About 'Obsession'?

2025-09-07 08:13:26 308

5 Answers

Chloe
Chloe
2025-09-08 13:13:07
As a longtime EXO-L, I hunted down every 'Obsession' interview like treasure. The group’s Studio Choom 'Artist of the Month' feature stands out—they broke down the intricate details of the choreography, and Chen’s vocal ad-libs discussion was golden. Also, check out their 'Knowing Bros' ep; the hyung-line roasting Sehun’s 'dark' persona had me in stitches. The album’s duality theme really shone in these talks.
Violet
Violet
2025-09-11 12:17:56
Man, EXO's 'Obsession' era was wild! I binge-watched so many interviews back then. They did a bunch of press for the album, like their appearance on 'Idol Room' where they played games and revealed behind-the-scenes stories. The vibe was chaotic in the best way—especially when they debated the dual-concept (X-EXO vs. EXO).

My favorite was their comeback showcase interview on VLive. They dissected the choreo’s 'mirror' concept and talked about recording the track. Kai mentioned how the dark theme pushed him as a performer. There’s also a great 2019 'ELLE Korea' sit-down where they analyzed the album’s symbolism. Worth digging up if you love their artistic depth!
Quentin
Quentin
2025-09-12 08:45:04
Remember EXO’s 'Obsession' behind videos? The one with the stylists joking about the black-and-white outfits was hilarious. Interviews felt raw—like when Xiumin admitted he initially struggled with the intense choreo. Their 'KBS Song Festival' backstage clips added unscripted moments too. Pure chaos, pure EXO.
Franklin
Franklin
2025-09-13 04:33:48
The 'Obsession' press tour had EXO everywhere! Their 'Entertainment Weekly' segment showed them cracking up while trying to explain the ‘twin’ concept. Baekhyun’s cheeky 'We’re all obsessed with EXO' line lives rent-free in my head. For deeper cuts, their radio appearances (like SBS Power FM) delved into the lyrics’ tension between light and shadow—perfect for lore enthusiasts.
Quentin
Quentin
2025-09-13 06:06:57
EXO’s interviews during 'Obsession' were next-level. I rewatch their 'Dingo Music' segment often—they reacted to fan theories about the lore, and Chanyeol geeked out over the song’s production. Casual but insightful, like eavesdropping on friends. Suho’s solo vlives from that time also sprinkled in tidbits about the comeback’s challenges.
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I get a thrill watching how writers let obsession take over a villain little by little, like watching a slow burn turn into wildfire. In shows like 'Death Note' the fixation is crystalized in an object — the notebook — and Light's internal monologue is the drumbeat that keeps the viewer inside that tightening spiral. Visual cues matter too: repetitive close-ups on hands, notebooks, eyes, and a soundtrack that loops the same motif until it becomes almost a heartbeat. The writing often uses repetition of phrases or rituals to make the obsession feel ritualistic rather than random. Writers also play with moral logic to justify obsession on the character's terms, making them convincing to themselves and chilling to us. 'Monster' shows this by making Johan almost magnetic, letting other characters' fear and fascination reflect back the protagonist's warped focus. When the narrative alternates between calm daily life and sudden obsessive acts, it creates a dissonance that feels real. I always find it fascinating how the craft—dialogue, framing, pacing—conspires to make a villain's narrow world feel deeply lived-in; it leaves me oddly compelled and a little uneasy every time.

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My take is that a score becomes the mind’s whisper when obsession takes over in thrillers. I love how composers turn repetition and slow mutation into a sonic portrait of a person who can’t let go. Strings often do the heavy lifting: tight, sustained tremolos, dissonant double-stops and a relentless ostinato can feel like a thought loop. Think of how themes start simple and then crack — pitches bend, intervals smear, harmonies refuse resolution. That gradual corruption of a motif mirrors the character’s unraveling, and by layering noise, processed breaths, or metallic scrapes the music starts to blend with sound design so you can’t tell where thought ends and environment begins. When a soundtrack shifts point-of-view — for example by making a theme unbearably intimate in close-miced timbres or by drowning reality in sub-bass rumbles — it pulls you into the obsession. Scores like the warped reworkings around 'Black Swan' or the mechanical pulses in 'Gone Girl' use those tools brilliantly. It’s the gut-level stuff that gets under my skin long after the lights come up.

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How Does Hunter X Hunter Porn Reimagine Hisoka’S Obsession With Gon In A Romantic Context?

4 Answers2025-05-07 23:50:52
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Which Classic Books Include Dark Romance Examples And Obsession?

1 Answers2025-09-02 08:01:49
Few things thrill me more than diving into a classic that treats love as something dangerously beautiful and disturbingly true. When I talk about dark romance and obsession, I mean relationships that twist desire into control, worship into ruin, or passion into a kind of haunting. Books that come to mind first are 'Wuthering Heights' and 'Jane Eyre' — both are staples for anyone who likes their love stories stormy and morally complicated. In 'Wuthering Heights', Heathcliff’s devotion to Catherine becomes a corrosive obsession that wrecks lives across generations; it's almost gothic obsession-as-identity. 'Jane Eyre' gives a different shade: Mr. Rochester’s brooding domination and secrets turn love into a test of conscience and endurance, and the novel relishes moral ambiguity in a way that keeps me turning pages late into the night. Other classics wear the label of dark romance in varied ways. 'Rebecca' by Daphne du Maurier is basically obsession disguised as a mansion — the lingering power of the first Mrs. Rebecca over Maxim de Winter and the second wife creates a suffocating atmosphere of possession. 'Madame Bovary' shows romantic idealism morphing into self-destruction; Emma’s fantasies of passion and escape become an obsession with being loved a certain way, and it's heartbreaking to watch. Then there are the more explicitly transgressive examples: 'Lolita' is perhaps the most controversial, cataloguing an abusive, obsessive fixation that forces readers to grapple with unreliable narration and moral horror. 'Les Liaisons Dangereuses' explores manipulation and erotic power plays where love is a weapon; the characters pursue possession rather than partnership. I also love how supernatural or metaphysical classics fold obsession into eerie attraction: 'Carmilla' and 'Dracula' turn vampiric desire into predation and intimate invasion, blending eroticism with horror. 'The Picture of Dorian Gray' treats obsession with youth and aesthetic perfection as a corrosive love affair with oneself that ruins moral sense. 'Anna Karenina' is almost a study in consuming passion and social fallout, where love’s intensity becomes an engine of tragedy. 'The End of the Affair' by Graham Greene, though later than some others, nails the jealous, possessive quality of love in a quieter but equally devastating way. If you’re approaching these books, I like to pair them with mood-setting things — a rainy afternoon, strong tea, and maybe a film adaptation to compare how obsession is visualized. Be aware that some works, like 'Lolita', require ethical gating: they’re important for literary study but can be disturbing, so pacing and context help. Personally, I find rereading these novels rewarding because the darker elements illuminate human vulnerability in ways that sunny romances rarely do. If you’re curious, pick one that matches your appetite for gothic atmosphere, moral complexity, or psychological intensity, and let it pull you into its thorny garden — then tell someone about the parts that shocked or strangely comforted you.
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