For sure—Gary Shteyngart is still very much in the game. Fresh off the release of Vera, or Faith (July 2025), he shows no signs of slowing down. That book adds another quirky layer to his bibliography, giving us a young narrator, satire, and dystopia all in one.
And he’s not stopping there! He’s putting together a brand-new essay collection, gathering some of his best work from outlets like The New Yorker and The Atlantic, which is on its way soon. Plus, how cool is this? He’s also writing his first-ever children’s book, about capybaras—those chill, gentle animals. Sounds like it’ll be a fun and heartwarming read.
As of 2025, Shteyngart released his latest novel, Vera, or Faith, on July 8, 2025. This dystopian, satirical tale follows a ten-year-old Korean-American girl navigating family tensions and a fractured near-future United States—and it’s already generated strong buzz from critics and readers alike.
But that’s not all—he’s also working on new projects. One of his upcoming works is a collection of essays drawn from his contributions to The New Yorker, The Atlantic, and other publications—expect those soon. And in a fun shift, he's even drafting his first children’s chapter book, centered around capybaras, which he’s said he finds endearingly kind in an otherwise chaotic world.
So yes—he’s not only still writing, he’s exploring new territory across genres.
2025-08-06 20:29:13
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YEARNERS: A COLLECTION SHORT STORIES
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YEARNERS delivers addictive short stories filled with building tension and passionate moments.
Each tale is a complete journey spread over 7 to 10 chapters.
You’ll find slow teasing that leads to overwhelming encounters, touches turning into strong claims, and characters who lose themselves completely in the wrong person.
Expect deep emotional games, secret conflicts, and characters who give in to what they know is wrong.
Open the book… if you dare to surrender.
They say life begins after 40, but Cassie ain't feelin' it. Divorced and feeling trapped by her job, she wants to let loose for her friend's tropical beach wedding. She decides to let her hair down and get a little unpredictable. That's when she meets a handsome bartender, Wyatt.
Despite a few grey hairs, Wyatt's the liveliest man that Cassie has ever met. She knows that there's got to be more to his life story than just being a bartender, but this is just supposed to be a vacation fling. And after sunny days spent breaking all the rules on the beach together, Cassie realizes that nobody has ever listened to her the way that Wyatt does.
His carefree life is enviable, his kisses are intoxicating, and she can almost imagine a life with him. But all vacations come to an end. And when Cassie invites him to visit her hometown, Wyatt reveals that he can never go back. Not to her town. Not to America. Not to civilization.
Cassie leaves, confused and heartbroken, wondering just who she got herself involved with. Suddenly, her predictable life gets turned upside down when she sees her picture splashed across the Internet. And when the tabloids come looking for the mature woman who found the lost billionaire, she has no idea what to do...
...until he comes back.
Vera fought for her life in the apocalypse for ten years.
Ten brutal years left her disfigured, hungry, and almost broken, but she still clawed her way through it. She killed zombies, ran from mutated animals, starved, bled, and learned humans were often more dangerous than monsters.
Then her brother, the only family she had left, betrayed her.
Vera thought death had finally come.
Instead, she woke up inside a trashy book she once read to stay sane while the old world fell apart. A book with a twisted plot and too much drama.
And because her luck had always been terrible, Vera did not wake up as the heroine.
No, of course not.
Her second chance was to become the hated second female lead, pregnant, unwanted, and written to die when the plot no longer needed her. Her babies were supposed to die too. Even the three men who got her pregnant were written as future corpses, all to push the story toward spoiled women and one psychotic male lead.
But Vera was not the woman from the book.
She had survived one ruined world. She had not walked through radioactive rain and eaten mutated food just to cry over fantasy characters or beg for love inside a stupid plot.
So Vera adapted.
She accepted her punishment, took her three unborn babies, and left for the garbage center without making a scene. Everyone thought she had been thrown away.
Vera saw a chance to make money, protect her babies, and build something of her own.
Now the woman meant to disappear is building a wasteland empire, breaking the plot, and driving three men insane because she no longer chases anyone.
By every rule in that world, Vera should be dead.
But dying a second time was never an option.
Sixteen-year-old Ava never expected her future to show up in the form of a letter.
When she discovers a mysterious envelope slipped under her bedroom door—written in handwriting that looks eerily like her own—she brushes it off as a cruel prank. But the message inside is impossible to ignore: Tomorrow, do not take the shortcut home. If you do, he will never wake up.
The next day, Ava changes her routine. And in doing so, she prevents a tragedy that could have cost her best friend his life.
More letters arrive, each warning her of choices she hasn’t made yet—choices that will unravel family secrets, test her friendships, and place her in the middle of a dangerous puzzle only she can solve. With every decision, Ava begins to wonder if the future she’s trying to protect is already written… or if she has the power to change it.
Her name was Cathedra. Leave her last name blank, if you will.
Where normal people would read, "And they lived happily ever after," at the end of every fairy tale story, she could see something else. Three different things.
Three words: Lies, lies, lies.
A picture that moves.
And a plea: Please tell them the truth.
All her life she dedicated herself to becoming a writer and telling the world what was being shown in that moving picture. To expose the lies in the fairy tales everyone in the world has come to know.
No one believed her. No one ever did.
She was branded as a liar, a freak with too much imagination, and an orphan who only told tall tales to get attention. She was shunned away by society. Loveless. Friendless.
As she wrote "The End" to her novels that contained all she knew about the truth inside the fairy tale novels she wrote, she also decided to end her pathetic life and be free from all the burdens she had to bear alone.
Instead of dying, she found herself blessed with a second life inside the fairy tale novels she wrote, and living the life she wished she had with the characters she considered as the only friends she had in the world she left behind.
Cathedra was happy until she realized that an ominous presence lurks within her stories. One that wanted to kill her to silence the only one who knew the truth.
Breaking news across every major media outlet was suddenly dominated by the tragic death of Ayleen Hazel, the rising bestselling novelist, who was declared dead after a devastating accident. Ironically, one of her most popular novels was just about to be adapted into a film.
But what if Ayleen suddenly woke up years before she ever became famous? Would she seize this second chance to rewrite her destiny?
his upcoming releases always get me hyped. Right now, there's buzz about 'Roxy' co-authored with his son Jarrod Shusterman, set to release in November 2023. It's a standalone thriller exploring the opioid crisis through a surreal lens—classic Shusterman themes of morality and survival. His 'Arc of a Scythe' series concluded recently, but he’s hinted at potential short stories or companion works. I also keep an eye on his interviews; he mentioned working on something new but hasn’t dropped titles yet. For now, 'Roxy' is the big one to watch.
Gary Shteyngart’s most famous book is arguably Super Sad True Love Story. This novel put him on the map in a major way—it’s a dystopian satire that blends biting humor with a haunting vision of the future. Set in a collapsing, hyper-commercialized America, the story follows a middle-aged man named Lenny Abramov as he tries to win the love of a much younger woman, Eunice Park, all while the country is sliding into authoritarian chaos. The book stands out for its darkly funny take on love, aging, and the terrifying role of technology in our lives. It struck a chord with readers and critics alike because it felt prophetic—long before our current obsession with digital surveillance and social media metrics, Shteyngart was already writing about a world where everyone’s life is ranked, rated, and broadcast in real time.
What makes this novel his best known is not just its sales or accolades—it’s the fact that it perfectly captured the zeitgeist of a digital generation grappling with meaning in an age of constant distraction. It’s both hilarious and uncomfortably close to real life, which is kind of Shteyngart’s signature style.