How Does The Glass Menagerie End?

I have once spent three whole years winning over the untouchable Keith Reed. I have also paid the price by sacrificing my whole career just so I can become the envied Mrs. Reed of my own will. But on our fifth wedding anniversary, I have decided to file for divorce. My best friend, Hailey Walker, is my lawyer. She repeatedly asks me, "Are you sure? You turned down an offer from a world-renowned fashion magazine just to get married to him, but now, you're telling me you want to file for divorce?" Suppressing the bitterness in my heart, I say, "Please help me draft a divorce agreement. The sooner it's done, the better." She sounds bewildered. "But why?" Looking at the extravagant bouquet of black datura on the dining table, I give my final answer. "It all began with a bouquet."

Claire married Nathan because her father owed his family a debt he could not pay. Nathan never wanted her, he called her a burden in his own house. When he throws her out one stormy night, accusing her of betrayal, he does not know she is carrying his child. Years later, Claire returns to Chicago, not as the timid wife he remembers, but as a woman who built her own life from nothing. Nathan wants her back, but this time, forgiveness will not come easy.

The day high school seniors across Cedarhaven received their college decisions, my own graduation ceremony had just ended. Adrian Hawthorne came to meet me outside the campus with Celeste Monroe, his newly divorced former sister-in-law. He had barely offered me the sunflowers in his hand when Celeste brushed them aside with a laugh. "Sunflowers? You could try harder if you're courting a young woman." Adrian smiled and handed the bouquet to her. "Then you choose. Clara will like whatever you pick." I stood beside them without finding a place in the conversation. Celeste patted his shoulder. "Your tie is crooked. There are too many people here for you to embarrass me." Adrian lowered his head and let her straighten it. After the graduation photographs, he drew Celeste close and told me, "You're good with a camera. Take a few more pictures of us." For three years, every movie meant for two came with a third ticket, and every anniversary dinner had been chosen around another woman's restrictions. I had protested before, but whenever the argument ended, I was always the one Adrian set aside. Then Celeste accidentally left her phone in my purse, and I saw the photograph on her lock screen. Across the image were the words: July 2 - finally free. The same date was engraved beneath Adrian's watch. He called impatiently, "Clara, hurry. Celeste can't wait all day." I stared at the screen for several seconds and deleted the photograph. Everyone online was discussing how to choose the right college, and I finally understood something too. When the first choice is wrong, you withdraw before it is too late. There was no reason to keep a photograph of Adrian and me either.

For five years, I paved the way for my wife, Samantha Cole. After helping her resolve the company's troubles one last time, I called her and asked, "Darling, I'm so cold. Can you come home and hug me?" On the other end of the phone, Samantha had only just pulled herself away from a moment of intimacy with her young lover, Oliver White. When she finally answered, her voice was impatient. "Joshua Davidson, will it kill you to stop being so dramatic?" Indeed, it would. I slammed the phone down and then died on our bed. Later, Samantha—the woman who had kept me trapped in that lonely house for five years—held my portrait in her arms and finally learned what regret felt like.

The day I won the eight-million-dollar East Harbor renovation bid, I handed the lead role to Grace Whitman, Ethan Hale’s childhood sweetheart. Ethan thought I had finally learned to be sensible. He happily told me he was taking me to the Maldives for our wedding anniversary. Grace found out that night. She pretended the pressure from work was too much and cried uncontrollably. Ethan panicked so badly that he canceled a board meeting, stayed with her for three days, then called our anniversary trip an emergency client visit and gave Grace the second ticket. When he called me, his tone was still calm, almost entitled. “Sofia, we can talk about emotional stuff later. The company comes first right now. Grace has never handled a project this big on her own. I need to be there with her.” “You’re my wife. You should understand.” I sat alone in our empty apartment and looked at the photo Grace had just posted. In the private airport lounge, Ethan had draped his jacket over her shoulders. Their knees almost touched. Her caption read, [Some people never have to say love. They just show up first, every time.] I didn’t question him. I didn’t cry. I only replied, [Okay.] Ethan probably thought I had finally learned my place. Satisfied, he promised that when he came back, he would give me an even better anniversary. What he didn’t know was that I had already submitted my resignation to Hale Creative. And he didn’t know that the document he had signed three days ago wasn’t a project authorization form. It was our divorce agreement. By the time he realized what he had lost, I was no longer Mrs. Hale. I was Sofia Bellandi again. And Bellandi women do not beg for seats at tables they built.

After five years of marrying into the Loween City in place of my sister, the Gambling King finally passed away. My son and my ex-husband—at long last—gave me permission to fake my death and return to them. But they laid down three conditions. First: kneel before Vivian Gray, apologize for framing her all those years ago, and surrender my place as Mrs. Hartwell. Second: work as a live-in maid for my own son for five years, and never show up at his school in my former identity as the reigning queen of the nightlife scene—lest I embarrass him. Third: drink an abortifacient to destroy my fertility forever, as recompense for the infertility I once caused Vivian. "My lady, you've endured five whole years just to earn your freedom—how dare they humiliate you like this?" My maid's eyes were red, burning with indignation on my behalf. But I just tipped my head back and swallowed the death-faking pill, letting the servants toss my "corpse" into the overgrown brambles beyond the city limits. Then, from the mud and weeds, I crawled back to the Hartwell mansion—one knee at a time. Day one, I knelt as ordered and signed over custody of my son without a fight. Day three, I locked myself in the storage closet and stopped showing up at school to pick my son up like I used to. I also stopped pestering him to call me "Mom." Even when Vivian—knowing full well I'm terrified of the dark—deliberately trapped me in the basement, I bore it in silence. By the time my ex-husband Nathan Hartwell saw me again, I was barely hanging on. For the first time, a flicker of panic crossed his face as he carried me out of that basement. But my son just sneered. "It's just another stunt to win our sympathy." When he caught the tears welling in Vivian's eyes, Nathan coldly dropped me to the ground. "Always scheming against Vivian with your dirty tricks—aren't you tired of it?" Right then, the system chimed in my ear: [Please proceed to the "disposable ex-wife death node" to complete the story line and return to your original world.] I let out a quiet laugh. "Not tired at all." And with that, I turned and dove straight into the swimming pool beside me.