Where Was Glass Onion: Une Histoire À Couteaux Tirés Filmed?

Glass Onion' was such a visual treat, and the locations played a huge part in that! A lot of the filming took place in Greece, specifically on the island of Spetses—those pristine beaches and luxurious villas were perfect for Benoit Blanc's latest mystery. The production also used studios in Belgrade, Serbia, for some interior shots, which gave the film that polished, high-end feel. What really stood out to me was how the Greek setting contrasted with the opulent yet isolated vibe of the story. The crystal-clear water and sun-drenched cliffs added this surreal, almost dreamlike quality to the movie. It’s crazy how a location can elevate a film from 'good' to 'unforgettable.' I’d love to visit Spetses someday just to see those spots in person!

Walking into the world of 'The Glassmaker' onscreen felt like stepping through a stained-glass window that had been put back together in three different countries. The filmmakers shot the production in a mix of authentic glassmaking hubs and controlled studio environments: a good chunk of the exterior workshop and canal-side sequences were filmed on Murano, just off Venice, to capture that unmistakable Venetian light, mosaic of alleys, and real furnace rooms where master glassblowers still work. For the story’s more intimate, character-driven scenes and the night-time sequences that required precise lighting and safety around molten glass, they moved to Barrandov Studios in Prague — a classic choice where cooler, controlled spaces let the cinematographer coax out emerald and amber tones without risking anyone’s eyebrows. Beyond those headline locations, the crew also spent time in the Czech glassmaking towns of Nový Bor and Železný Brod. Those places supplied the little details that make a film feel lived-in: the pebble streets, the old glass schools, the local kilns with their chipped enamel signs, and the raw hand tools that modern productions sometimes forget. The production team actually hired local artisans from Nový Bor to perform as on-screen craftsmen, which gave the workshop scenes an honest rhythm — you can see it in the way the actors handle the rods and blowers, and it shows in closeups of the seed-like air bubbles and the way light fractures through the cooled pieces. A few pastoral exterior shots were taken in the Veneto countryside to give the protagonist’s flashbacks a softer, sunlit palette, contrasting with the studio’s nocturnal blues and furnace glows. Technically, that blend of on-location authenticity and studio control is why the film looks so tactile. Outdoor Murano shots give the movie its human scale and cultural texture, while Prague’s studios allowed for safe filming around hot furnaces and for staging the more surreal, almost dreamlike glass sequences. Personally, I loved spotting the subtle continuity choices — a chipped pitcher prop reappears in a Prague scene that was actually shot weeks later, and you can trace the same artisan’s fingerprints across multiple shots. The locations didn’t just set the scene; they felt like characters themselves, and that grounded the whole movie in a way that’s still glowing in my head.

Glass Onion: Une histoire à couteaux tirés is this wild, stylish French thriller that feels like a rollercoaster ride through a neon-lit Parisian underworld. The title itself is a nod to the Beatles' song, which already sets the tone for something layered and cryptic. The story follows a group of thieves planning a high-stakes heist, but of course, nothing goes as planned. Betrayals, double-crosses, and some seriously tense standoffs keep you glued to the screen. What I love about it is how it blends classic heist tropes with a fresh, almost surreal visual style. The director plays with light and shadow in a way that makes every scene feel like a painting. And the characters? They’re all flawed, morally ambiguous, and impossible to predict. It’s not just about the heist—it’s about how greed and loyalty clash in the most unexpected ways. By the end, you’re left questioning who the real villain is, and that’s the mark of a great thriller.

Glass Onion: A Knives Out Mystery' is packed with such a stellar cast that it almost feels like a who's who of Hollywood! Daniel Craig reprises his role as the hilariously eccentric detective Benoit Blanc, and honestly, he's even more charming in this sequel. The new faces include Edward Norton as the tech billionaire Miles Bron, who brings this weird mix of Elon Musk and Steve Jobs vibes. Janelle Monáe absolutely steals the show as Cassandra 'Andi' Brand—her performance is layered, intense, and full of surprises. Kate Hudson plays the ditzy yet cunning fashionista Birdie Jay, and Dave Bautista is hilarious as the men's rights influencer Duke Cody. Kathryn Hahn, Leslie Odom Jr., and Jessica Henwick round out the ensemble with their own quirks. What I love about this cast is how they play off each other—everyone feels perfectly cast, like they were born for these roles. Rian Johnson really knows how to pick actors who can balance comedy and mystery without tipping too far into parody. And let's not forget the cameos! Without spoiling anything, there are a few unexpected appearances that had me grinning like an idiot. If you're into murder mysteries with a side of sharp satire, this cast delivers in spades.