Where Was Glass Onion Filmed?

Glass Onion: Une histoire à couteaux tirés was primarily filmed in Greece, and the stunning locations totally stole the show for me. The bulk of the shooting took place on the Spetses island, which doubled as the fictional billionaire’s private retreat. The crystal-clear waters and those iconic white villas made the perfect backdrop for all the chaotic mystery unfolding. I love how the setting almost felt like another character—luxurious yet isolating, which fit the tone so well. They also filmed some scenes in Belgrade, Serbia, especially for interiors and studio work. Rian Johnson mentioned in interviews how Greece’s natural beauty was irreplaceable, but Belgrade’s soundstages helped with controlled sequences. Honestly, after watching, I immediately added Spetses to my travel bucket list—it’s crazy how a movie can make you fall in love with a place you’ve never been.

Walking into the world of 'The Glassmaker' onscreen felt like stepping through a stained-glass window that had been put back together in three different countries. The filmmakers shot the production in a mix of authentic glassmaking hubs and controlled studio environments: a good chunk of the exterior workshop and canal-side sequences were filmed on Murano, just off Venice, to capture that unmistakable Venetian light, mosaic of alleys, and real furnace rooms where master glassblowers still work. For the story’s more intimate, character-driven scenes and the night-time sequences that required precise lighting and safety around molten glass, they moved to Barrandov Studios in Prague — a classic choice where cooler, controlled spaces let the cinematographer coax out emerald and amber tones without risking anyone’s eyebrows. Beyond those headline locations, the crew also spent time in the Czech glassmaking towns of Nový Bor and Železný Brod. Those places supplied the little details that make a film feel lived-in: the pebble streets, the old glass schools, the local kilns with their chipped enamel signs, and the raw hand tools that modern productions sometimes forget. The production team actually hired local artisans from Nový Bor to perform as on-screen craftsmen, which gave the workshop scenes an honest rhythm — you can see it in the way the actors handle the rods and blowers, and it shows in closeups of the seed-like air bubbles and the way light fractures through the cooled pieces. A few pastoral exterior shots were taken in the Veneto countryside to give the protagonist’s flashbacks a softer, sunlit palette, contrasting with the studio’s nocturnal blues and furnace glows. Technically, that blend of on-location authenticity and studio control is why the film looks so tactile. Outdoor Murano shots give the movie its human scale and cultural texture, while Prague’s studios allowed for safe filming around hot furnaces and for staging the more surreal, almost dreamlike glass sequences. Personally, I loved spotting the subtle continuity choices — a chipped pitcher prop reappears in a Prague scene that was actually shot weeks later, and you can trace the same artisan’s fingerprints across multiple shots. The locations didn’t just set the scene; they felt like characters themselves, and that grounded the whole movie in a way that’s still glowing in my head.

Glass Onion: A Knives Out Mystery' brought together such an incredible cast that I couldn't stop gushing about it for weeks! Daniel Craig returns as the hilariously sharp Benoit Blanc, but the newcomers totally stole the show for me. Janelle Monáe was absolutely magnetic in her dual role—I won't spoil it, but her performance had me rewatching scenes just to catch every nuance. Kate Hudson playing against type as the airheaded influencer Birdie Jay had me in stitches, while Dave Bautista's menacingly dumb streamer Duke Cody felt like a perfect parody of toxic masculinity. Kathryn Hahn and Leslie Odom Jr. brought such grounded energy to their morally questionable tech billionaires too. And can we talk about Edward Norton? His portrayal of Miles Bron, this Elon Musk-esque figure, was so smugly perfect that I actually yelled at my screen during his big monologue. The whole ensemble played off each other like a chaotic orchestra—every dinner scene crackled with tension and humor. What I love about Rian Johnson's casting is how he lets actors chew scenery while still feeling real. Special shoutout to Madelyn Cline and Jessica Henwick too, who added such fun layers to the supporting roles. This might be my favorite whodunit cast since 'Clue'!

'City of Glass' is set in a mesmerizing, dreamlike version of New York City, but not the one we know. It's a shadowy, labyrinthine metropolis where reality bends—think glass towers reflecting endless streets that shift when you blink. The city feels alive, whispering secrets through its neon-lit alleys and abandoned subway tunnels. Key locations include the eerie Clock Tower, where time stutters, and the Quartz District, a glittering ghost town of mirrored skyscrapers. The setting isn't just a backdrop; it's a character, warping minds as much as space. What makes it unforgettable is how it blends urban grit with surreal fantasy. Rooftops dissolve into clouds, and libraries contain books written in liquid light. The protagonist navigates this chaos, uncovering layers of the city that defy logic—like a diner that exists in two places at once. It's New York through a fractured lens, where every corner hides a new impossibility.

Glass Onion' had such a stacked cast—it felt like every scene had someone iconic popping up! Daniel Craig returns as the hilariously sharp Benoit Blanc, but the newcomers totally stole the show for me. Kate Hudson plays this ditzy influencer type with shocking depth, and Janelle Monáe? She’s a powerhouse, switching between personas like it’s nothing. Dave Baughman’s nerdy tech CEO and Edward Norton’s eccentric billionaire add layers of chaos. Even smaller roles like Jessica Henwick’s anxious assistant or Kathryn Hahn’s politician-with-secrets are perfectly cast. What’s wild is how the actors lean into the film’s satirical tone without going full parody. Craig’s Southern drawl still cracks me up, but Norton’s smug energy is the real scene-stealer. And let’s not forget Madelyn Cline’s brief but memorable appearance—she nails that Gen Z vibe. The chemistry during the dinner scene alone is worth rewatching. Honestly, Rian Johnson knows how to pick actors who elevate his whodunit scripts into something way juicier than expected.

Man, 'Glass Onion' is such a wild ride! The first one follows this eccentric billionaire who invites a bunch of old friends to his private island for a murder mystery game—except someone actually ends up dead. The twist? The victim was the one supposed to 'die' in the game, and now everyone’s a suspect. It’s like 'Clue' on steroids, with Daniel Craig’s Benoit Blanc trying to unravel the mess. The second one, though? Oh, it cranks up the chaos. Blanc gets dragged into another high-stakes puzzle when a tech mogul’s AI project goes haywire, and the line between reality and simulation blurs. The ending had me yelling at my screen—did NOT see that coming. What I love about these films is how they play with expectations. The first 'Glass Onion' feels like a classic whodunit, but the sequel dives into sci-fi territory without losing that sharp, satirical edge. Both films poke fun at wealth, ego, and the absurdity of modern tech culture. And honestly? The way Rian Johnson layers clues is pure genius. I’ve rewatched them both three times and still catch new details.

I've always loved how 'The Bedroom Window' uses an ordinary residential facade to build so much tension — and if you're asking where that bedroom window was filmed on location, the short story is: the production shot most of the neighborhood exteriors in and around Baltimore, Maryland, and used local houses for the immediate street scenes while moving interior work to nearby studio spaces. When I dug into this as a fan years ago, what stuck with me was how the filmmakers picked a mix of real rowhouses and a few stand-in interiors. The exterior shots of the house with the crucial window were filmed on a quiet residential block in one of Baltimore's older neighborhoods — think narrow streets, brick facades, and that lived-in charm you see in the movie. For tighter, more controllable shots — the ones with the closeups and the dramatic lighting changes — they recreated the bedroom and window on a soundstage at a local production facility (the kind of place where you can hammer in nails at 2 a.m. and not disturb anyone). I love visiting filming spots, so I went by the area once: it feels almost cinematic in real life, a little smaller than it looked onscreen but with the same moody light. If you plan to go, be respectful — those are real homes. Standing across the street and looking back at that familiar window is one of those small, happy fan rituals for me.

There's a lot to love about the way 'Broken Mirror Hard To Mend' used Lagos as its canvas. The production shot almost entirely on location around Lagos, leaning heavily into the contrast between slick business districts and quieter residential pockets. You can spot Victoria Island and Lekki in a bunch of the exterior city sequences—the high-rises, the marina, and those glossy streets that double perfectly for any modern urban drama. Beyond the city center, the crew moved down to some of Lagos's coastal spots for the beach and shoreline scenes. Tarkwa Bay and stretches near Badagry provided the open, breezy backdrops that gave certain scenes emotional breathing room. Interior sequences were a mix of real homes in Ikeja and controlled studio stages for the more delicate setups. Watching it, I kept pausing to admire how the locations felt lived-in and authentic, which really sold the story for me.

Glass Onion' is actually a standalone film—it's the sequel to 'Knives Out', not part of a numbered series. The first one, 'Knives Out', dropped in 2019, and 'Glass Onion' hit Netflix in late 2022 after a brief theatrical run. Rian Johnson's been teasing more whodunits in this universe, but no official dates for a third film are out yet. The way Netflix handles releases can be unpredictable, so I'd keep an eye on their social media for sudden announcements. Personally, I adore these films—the intricate plots, the over-the-top characters, and that cozy yet sharp vibe. If you haven't watched 'Glass Onion' yet, it's a blast seeing Daniel Craig's Benoit Blanc again, especially with the new chaotic ensemble. Here's hoping the next one doesn't take another three years!

Glass Onion' wraps up like a ridiculously satisfying puzzle box—just when you think you've figured it out, Rian Johnson flips the script again. The final act reveals Miles Bron's murder plot was actually a test orchestrated by Benoit Blanc and Helen, Andi's twin sister, to expose Miles for killing Andi. The entire 'game night' was a setup to lure Miles into confessing. The most delicious moment? Helen smashes the Glass Onion sculpture (that literally symbolizes the transparency of Miles' hollow genius) while Blanc watches smugly. It's pure catharsis—justice served with a side of shattered ego. What I love is how the film mocks billionaire hubris while delivering a classic whodunit twist. The supporting cast's reactions—especially Duke's accidental death and Whiskey's betrayal—add layers to the chaos. And that final shot of Helen sailing away with the Mona Lisa napkin? Perfect. It's a middle finger to pretentious wealth, wrapped in a glossy, star-studded package.