11 Answers2026-04-22
I have always wondered whether King had some larger-than-life, almost mythical figure in mind for Maitland, someone like a John Henry-sized, blue-collar giant who is kind and has great physical strength. Maitland is tall, for one thing, and that height along with the rest of his physical appearance makes him a kind of folk-lore figure, a sort of Everyman who is being put through some kind of extraordinary test in this somewhat extraordinary place. In grounding such a figure in the brutal reality of the electric chair, King locates the mythic tale of Maitland within the particularly American genre of the tall tale, and that is where the real power of the story resides. In other words, the fact that Maitland is tall is not just descriptive, it’s also rather generic, a kind of signals to the reader that the story we’re reading is a moral fable of sorts, in addition to a grim and powerful prison story.
12 Answers2026-04-07
I just got another layer of appreciation for it by reading all of these comments. I always figured it was PG-13 because it’s basically a live-action cartoon. Maybe I’ll put that on tonight and see if I can catch some of the other subtle things that I have been missing.
7 Answers2025-09-12
You can see Peter Parker’s first appearance in comics compared to his first appearance on film in “Into the Spider-Verse”. While the film perfectly captures the essence of Peter Parker’s character in his first appearances in the 2011 comics, (reluctance to take on responsibilities, pressure from family to contribute, trying to live up to his father’s legacy), it is a condensed and reworked version of the source material for a new audience. Both are great introductions to the character of a smart, sensitive teenager thrust into an impossible role, and if you like the film, you should check out Peter’s first appearances in the 2011 comics by Sara Pichelli, all smartly designed and paced.
6 Answers2025-06-26
For those who don't know, the American Library Association annually compiles lists of the most challenged books in the country. Nurse Ratched of One Flew Over the Cuckoo's Nest (also featured in another film listed here) is frequently included because she presents women in a negative light and depicts obsenuity, violence, and in some cases, is seen to represent a distorted view of the psychiatric care given in the story, fear that it will lead children to erroneously view mental health care with suspicion. The better approach would be to teach kids how to critically view such a work within the context of when it was written and see how much mental health care has evolved since then. But no, instead of doing that, we ban the book in order to ensure that no such dialogue will ever take place. And everyone is left with their misguided fears instead.
5 Answers2026-07-16
His short stories are good starting points, because they are short and exploratory. His best short story is “The Destructors”, because it is short and devastating. A first novel is often quite bad, so why start with those? If “The Destructors” gets under your skin then you’ll be able to tackle his novels that explore similar themes of chaos, pointless rebellion and the collapse of order.
6 Answers2025-06-16
The soundtrack to this movie is beautiful, as always. I’ve been staring at the wall trying to come up with things to write about and this haunting guitar theme from Gustavo Santaolalla keeps popping up. It’s a beautiful and lonely tune and I wonder if it evokes as much sadness as the rest of the film in order to touch bases with the audience that the dialogue doesn’t. You can’t really argue with feelings and maybe that’s why some people are having such a hard time finding the ‘agenda’ of this film because instead of presenting them with a politicized argument the film presents them with a heartbreak and they don’t know how to stay angry with two fictional people and their failed relationship.
3 Answers2026-06-06
I read The Prison Healer in one sitting and my summary of it is that it’s YA with adult teeth. While Kiva’s journey to learn to trust the right people and fight for justice is typical coming-of-age fare, the horrors of the prison where she has to heal her new hostage after he’s beaten to a pulp in order to save his life are most certainly not. It reads like very early Suzanne Collins. And it’s not clear cut moralism – it has a lot of the same grey areas that Orange Is the New Black explores. I’d recommend it to mature teens and adults who read a lot of fantasy and are looking for something with a little more substance than usual, like Graceling. But don’t expect a light read.
7 Answers2025-12-29
Just wondering – has anyone ever read ratings that seemed to be completely wrong? I’m not suggesting some sort of conspiracy, just an occasional human error on the part of a rating board, perhaps applying outdated criteria on the odd occasion. That must account for some of the more extreme outliers.
7 Answers2026-04-11
The question about Gilbert dying seems to fear something that fans of the novels only know from film and TV might fear. Most adaptations do not go as far as Rilla of Ingleside and thus the reader is unprepared for this event. In the novels Gilbert’s death is a natural part of the long life he had with Anne. Over forty years they had built a home and raised six children (losing one along the way). They were pillars of their community. It was a very long life and one that had seen the pair live out a novel’s worth of time long after the happily ever after of their wedding day. The cause of his death was heart failure but the important thing to remember is that Gilbert had lived a long and full life with the woman he had loved since childhood. That is something to celebrate, not mourn. Few fictional couples have that kind of history.
3 Answers2026-07-14
This book was okay. The core idea that it takes 10,000 hours of deliberate effort to get good at something isn’t new. The book is just a bunch of biographies with the 10,000 hour concept retrofitted onto them. I felt like Greene was just selecting famous people and then telling a story to reinforce his point of view.
I keep the book on my shelf because, although it’s not what I expected, the stories are engaging. Every now and then I need to be reminded that the friction in one’s craft is part of the path and not a reason to quit. So it’s worth it for the occasional motivational kick in the pants. But not for anything more than that.