What Happens At The End Of The Yellow Wallpaper

Princess Chloe's son, Elliot, finds that his mate is a childhood friend that he has loved since childhood. Elisabeth was abandoned and left for dead by her biological mother as soon as she was born. Queen Winnie raised her to be a white witch, knowing her biological mother is Dahlia, Queen of the dark witch coven. Elisabeth and Elliot are going to have to work together, with the help of The Alliance, to kill Dahlia before she drains Elisabeth's and her siblings' magic to use for her own evil purposes.

For three years, I was the only one allowed inside my husband, Matthew Carter's, secret room on the top floor. Until that day—when I walked in and found his young assistant there. "Matthew asked me to get things ready for his dinner party," she said, all confidence and no shame. I smiled. It turned out this was what it felt like to have my privileges as his wife trampled on. Fine. If the rules of the game had changed, then I would show everyone who the real player was. One by one, I dismantled the Carter family's most prized projects. That was when Matthew finally panicked. He demanded, "Why? We're husband and wife!" "Exactly," I said, tossing the divorce papers onto his desk. "And that's why betrayal comes with a steeper price, doesn't it?"

My grandmother is, as far as the law is concerned, a dead woman. She faked her own death so she could go off with the boy she'd grown up beside, and she left evidence behind that made my grandfather her killer. He went away for twenty years. She sold his house and ran to Port Halcyon with the other man. One of them became a famous attorney who talks about justice in courtrooms. The other became a philanthropist who talks about compassion under television lights. My grandfather carried the word wife-killer for the rest of his life. My father grew up on whatever the neighbors could spare. He never spent a day in school, and he wore his hands raw laying brick until he'd put me through college. Two generations, two pairs of ruined hands, lifting me one step at a time out of Pinebarrow. Fifty years after my grandmother's fake death. I sit on the felony bench of the Dunstone Superior Court. In front of me are five young women charged in a murder. The case against the first four is airtight. Against the fifth, there's half a fingerprint at the scene and a witness who accounts for her entire night. Even the police call her the least likely of them. The murder charge won't hold. I go through her file. Under family, there's a name. Evelyn Harrow. My grandmother. I look at how much the two of them resemble each other. And when her lawyer moves to have her released from this courtroom a free woman, I bring the gavel down lightly. "This court denies the defense motion for dismissal. This court further recommends that the district attorney formally charge the defendant with murder."

After five years of marrying into the Loween City in place of my sister, the Gambling King finally passed away. My son and my ex-husband—at long last—gave me permission to fake my death and return to them. But they laid down three conditions. First: kneel before Vivian Gray, apologize for framing her all those years ago, and surrender my place as Mrs. Hartwell. Second: work as a live-in maid for my own son for five years, and never show up at his school in my former identity as the reigning queen of the nightlife scene—lest I embarrass him. Third: drink an abortifacient to destroy my fertility forever, as recompense for the infertility I once caused Vivian. "My lady, you've endured five whole years just to earn your freedom—how dare they humiliate you like this?" My maid's eyes were red, burning with indignation on my behalf. But I just tipped my head back and swallowed the death-faking pill, letting the servants toss my "corpse" into the overgrown brambles beyond the city limits. Then, from the mud and weeds, I crawled back to the Hartwell mansion—one knee at a time. Day one, I knelt as ordered and signed over custody of my son without a fight. Day three, I locked myself in the storage closet and stopped showing up at school to pick my son up like I used to. I also stopped pestering him to call me "Mom." Even when Vivian—knowing full well I'm terrified of the dark—deliberately trapped me in the basement, I bore it in silence. By the time my ex-husband Nathan Hartwell saw me again, I was barely hanging on. For the first time, a flicker of panic crossed his face as he carried me out of that basement. But my son just sneered. "It's just another stunt to win our sympathy." When he caught the tears welling in Vivian's eyes, Nathan coldly dropped me to the ground. "Always scheming against Vivian with your dirty tricks—aren't you tired of it?" Right then, the system chimed in my ear: [Please proceed to the "disposable ex-wife death node" to complete the story line and return to your original world.] I let out a quiet laugh. "Not tired at all." And with that, I turned and dove straight into the swimming pool beside me.

The eighth time I catch Philip Mumford cheating on me, he pours a bottle of concentrated disinfectant over his groin. "Happy now?" Amid the wreckage, his face is deathly pale as he looks at me like I'm the one who has lost my mind. It's the first time he's ever backed down. I stand frozen, clutching a piece of broken porcelain, suddenly feeling completely lost. During our worst fight, I strap dynamite to myself and his mistress, forcing him to choose between us. In response, he has himself and my parents tied to five semitrucks chained together, then smiles and asks if I still want him to choose. That's how we spent ten years torturing each other, neither of us willing to give in, back down, or walk away. Now, he looks at me with something close to pity. "Leave Vivian alone," he says. "She's normal, not crazy like you. Punish me all you want—just leave her out of it." I stare at him. "What do you mean?" A faint, tired smile touches his lips. "It means I'm giving up. Happy now? Isn't this what you wanted all along?" Yes, he's giving up. But it's obvious who he's doing it for. The hatred burning in his eyes makes the past ten years feel like a cruel joke I played on myself. At that moment, a wave of helplessness washes over me. Suddenly, I just want us to let each other go.

On the one thousand and ninety-fourth day of being Mrs. Harris, I asked James Harris for a divorce. His face showed a hint of confusion, but it quickly shifted to his usual, composed expression. "As you wish," he said, his tone as flat as if we were discussing whether to replace the milk on the breakfast table. He did not even bother to ask why. On the one thousand and ninety-fifth day, I gently saw him and the children off, acting as if nothing had happened, and then completely left the Harris family behind.