Does 'Holly' Have Connections To Other Stephen King Novels?

Some families run from their past. The Hawkins siblings hunt it down. Katherine Hawkins never asked to grow up in a world where demons were real and survival meant learning how to fight them. Alongside her brothers—William and Alex—she’s spent years tracking the things that live in the dark. But when an old exorcism tape surfaces and names from a forgotten case start resurfacing—Malcolm Smith, Matthew Conner, Gabriel Spender—their past begins catching up with them fast. Secrets their father kept buried are beginning to unravel. And the deeper they dig, the clearer it becomes: the monsters they’re chasing now are connected to something older, something unfinished… something personal. Now, with danger closing in and trust wearing thin, the Hawkins siblings must head straight into the heart of a mystery that could shatter everything they thought they knew—about their family, their history, and the war they were born into. Because sometimes, the real fight doesn’t start until after the ghosts come back.

Eliza Ward does not fall through time. Time bends toward her. Pulled from the present into Revolutionary America, Eliza becomes trapped in a landscape where history repeats unevenly, battles restart with variations, and memory functions as both anchor and weapon. She is not a chosen heroine, but a constant: a woman whose awareness destabilizes the moment itself. She meets Mercy Hale, a midwife and witch who understands time as a negotiation rather than a force to command. Mercy aids Eliza’s survival while refusing the role of savior, having already learned the cost of standing too close to history’s center. During a looping battle, Eliza saves Thomas Reed, a Continental soldier who does not shift when time does. Thomas is an anchor: steady, observant, unchanged across iterations. Their bond deepens in an almost-normal village where time briefly behaves. Eliza’s intervention triggers time’s response. Rather than immediate destruction, time collects interest. Mercy bargains to spare Eliza and Thomas, sacrificing her own future to stabilize the present. Time extracts payment from Eliza as well, stripping away her voice, the very tool she uses to name and hold moments in place. Silenced and unmoored, Eliza is violently displaced back into the original battle. Unable to anchor the moment, she watches Thomas die in the version of history that was always waiting beneath her defiance. Told in rotating perspectives between Eliza, Thomas, and Mercy, The Hours That Refused to Behave is a lyrical time-travel novel about revolution, restraint, and consequence, asking not whether history can be changed, but who pays when it is.

Seventeen‑year‑old Raven has spent her whole life drifting through the foster system, never staying long enough to call anywhere home. With her eighteenth birthday—and the end of state support—only weeks away, she’s sent to the strange little town of Hallow’s Edge, a place obsessed with Halloween and thick with secrets. The Connors, her new foster family, are nothing like the others. Warm. Protective. Magical. And their son Noah? He’s distant, intense, and impossible to read… yet Raven feels an instant pull toward him she can’t explain. But Hallow’s Edge is waking up. Students are disappearing. Shadows move where they shouldn’t. And Raven’s dreams are filled with a crying woman and a warning she can’t escape. When Raven’s dormant witch powers begin to stir, she discovers she’s the last heir of a powerful witch bloodline—and Noah is bound to her by a fate older than the town itself. In Hallow’s Edge, nothing is accidental. Not her arrival. Not her magic.

“Oops! You’ve run out of your happy days,” she sang. After the tragic death of Noah's family, his heart was adorned with eternal cracks. He finally found a reason to live. Noah Parker and the love of his life, Ella, are married now. One night, the hallucinations about his twin sister engulf him to an extent that Noah injures himself. An argument breaks out between him and Ella because he refuses to see a psychiatrist. In the middle of the night, Noah is awakened by a blinding light. He discovers that his wife is missing. Ella’s quest leads him to the forest surrounding the lakehouse. He passes out in the woods. Searching for his wife will leave Noah’s heart with even deeper cracks. Veiled truths. Everlasting wounds. Harrowing past.

Gretel, er, I mean, Gabriella Salazar finds temptation and desperation to be too great and breaks into a wicked witch’s—uh, that is—a pretentious, rich woman’s condo, only to discover she’s not the only one with a B & E fetish. The twist is that the mysterious, handsome Hansel to her Gretel who has also stolen into the same apartment is anything but brotherly, and the two strangers find themselves lip-locked before the evening is over. Now Gabby and her new, aggravating accomplice must get crafty and work together to free themselves and everyone they hold dear from a mad woman’s clutches.But breaking and entering never ends with a happily ever after. Right?

After her mother's death, Emily's world collapses. Betrayed by those she trusted most, poisoned until even her wolf falls silent, and stripped of everything she once called hers, she is reduced to nothing more than a slave in the very home she once thought was safe. Then she is sold. To the ruthless werewolf king. A monster whispered about in fear, a ruler drenched in blood, and a king who has buried nine wives before her. Now… she is the tenth. Trapped in a kingdom built on secrets and corpses, Emily must survive a husband feared even by monsters. Will she become just another dead queen… or the one woman capable of bringing him to his knees?