Who Influenced Young Nathaniel Hawthorne'S Early Writing Style?

2026-06-20 20:58:39 157
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5 Answers

Isla
Isla
2026-06-22 06:16:32
It's funny, I always imagine Hawthorne in his little Salem room, scribbling away, and I think the influence staring him right in the face was his own family history. Not just the Puritan ancestors, but specifically the way stories about them were told—the local legends, the gossip, the weight of the past. That gloomy, introspective tone he's famous for? I bet a lot of that came from just growing up immersed in that atmosphere, hearing about witches and guilt and secret sins from childhood.

But beyond the obvious Puritan shadow, I've read he was deeply affected by early American historical writers like Cotton Mather. If you peek into 'The New-England Primer' or Mather's 'Magnalia Christi Americana', you can see this dense, moralistic, almost allegorical style that Hawthorne later refined into something more psychological. He didn't just inherit their subjects; he absorbed a way of writing about sin as a tangible, inheritable thing.

And let's not forget the Gothic novelists popular in his youth—Ann Radcliffe and "Monk" Lewis. You can see traces of their gloomy castles and hidden secrets in the way he builds suspense in stories like 'The Minister's Black Veil' or 'Rappaccini's Daughter'. He took their European trappings and transplanted them into the New England soil, trading crumbling abbeys for decaying colonial mansions. It's a fusion that feels uniquely his, but the ingredients were all around him, in his family parlor and the books he'd have read as a young man.
Samuel
Samuel
2026-06-23 22:09:03
Honestly, I'm not entirely convinced by the standard line that it was all Puritans and Gothic fiction. I think a quieter, maybe stronger influence was his time spent alone after college, those 'twelve dark years' in Salem. Reading journals from that period, you get a sense of a man forging his own style through sheer practice and observation, influenced less by specific authors and more by the act of trying to capture the peculiar, haunted quality of everyday New England life. Sure, he read Spenser and Bunyan, and you can spot allegory in his work, but the specific, muted palette of Hawthorne's prose—the way light falls in a dusty room, the precise shade of moral decay—that feels self-taught, a product of solitude and a hyper-observant eye.
Brooke
Brooke
2026-06-23 22:43:17
My American Lit prof drilled into us that Hawthorne's early style was a direct reaction to the popular sentimental and historical novels of his day, like those by Sir Walter Scott. He wanted to dig deeper than surface adventure or romance. You see him wrestling with American history in a more philosophical way, trying to find a voice that could carry the weight of the nation's short but intense past. So the influence was partly about what he was pushing against, as much as what he embraced.
Ivy
Ivy
2026-06-24 17:16:24
Beyond the literary giants, don't underestimate local newspapers and magazines of the 1820s. He was submitting tales to 'The Token' and similar annuals, which had their own conventions and popular styles. Writing for those markets likely forced him to adapt, to learn pacing, and to see what resonated with readers. That practical, grindstone influence can shape a young writer's voice as much as any classic tome.
Quinn
Quinn
2026-06-26 20:16:33
I always come back to his childhood reading. He devoured 'Pilgrim's Progress' as a boy, and that allegorical framework—characters named for virtues or sins, a journey through a moral landscape—is absolutely foundational. You see it everywhere, from 'Young Goodman Brown' to 'The Celestial Railroad'. It gave him a structure for exploring inner conflict. Plus, his early fondness for Shakespeare, especially the tragedies, probably nudged him toward exploring fatal flaws and family curses. It's less about copying a style and more about internalizing certain ways of telling a story where the real drama is inside a character's soul, not just their circumstances.
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