H.M.'s catchphrases and recurring gags ('Oh, my aunt!', 'Son, I'm proud of you') create a familiar, almost sitcom-like rhythm. You look forward to them. Fell has no such verbal trademarks. This makes the Merrivale experience more serialized and character-centric in tone; you're following the further adventures of a beloved crank, not just investigating a new, isolated mystery with a familiar expert.
For me, the Merrivale tone is best described as 'rollicking.' Even when someone's been shot in a locked study, the energy never fully dissipates into gloom. The plot keeps moving, people keep talking (often shouting), and H.M. is a constant source of unpredictable motion. Fell stories can have moments of eerie stillness, where the horror of the situation sinks in. Merrivale's world is too busy and noisy for that kind of quiet horror to take root for long.
2026-07-22 11:44:06
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Classic Faery Tales Rewritten For Adults Only
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Seven Classic Faery Tales are given a very adult makeover.
You are entering a world of myth, magic, and Immortals.
Throw in the humans for the added spice of erotica and violence.
Mix together and you have dark adult faery tales ........
Do not read if easily offended!
Merigold was only supposed to meet the brother she just found. She was only supposed to learn about the father she never knew. She was supposed to learn about the motorcycle club her father founded and her brother runs. She didn't know she was an heiress to it. She was never supposed to be in danger. She wasn't supposed to fall in love with not one but two club members. But she did. Only to have her heartbroken due to a misunderstanding. And she definitely wasn't supposed to get pregnant. With twins. But it happened. Who is the father? Is she going to tell them? H She wasn't supposed to get kidnapped by a rival club looking to take over. Will she be rescued in time to save her life and the life of her unborn babies? Yes, Babies. Will she tell the possible father's about the babies? Will they clear things up and get their happily ever after?
Raised in her father's gang, the young gypsy Emma Ferguson was persecuted all her life by the puritanical society of the 19th century, yet she never felt completely part of the Romani group. Vivacious and intelligent, the beautiful Emma only wished to find her true self and live the experiences she had been denied over the 20 years of her life, when an unsuccessful performance made her worst nightmares come true in that cursed Scottish town.
Emma only survives all this with the help of the handsome British gentleman, Henry Dashwood, whom she met during the fateful performance, and when he rescues her from the roadside, she begins a new and dangerous journey.
In a society where gypsy origin is considered worthy of capital punishment, Henry has decided to help Emma get back on her feet, and hatches a plan that could be the salvation or ruin of them both.
Felix Cambridge couldn't believe it. Along with the dukedom of Twyford, he-London's most notorious rogue-had inherited wardship of four devilishly attractive sisters! Including the irresistible Margaret Fleming. The eldest Fleming was everything he had wanted in a woman, but even Felix couldn't seduce his own ward...or could he? After all, he did have a substantial reputation to protect. And what better challenge than the one woman capable of stealing his heart?
After Letitia was sold to the Duke of Kerstone, the least she expected was the Duke telling her they were to get married. To say she was bewildered was an understatement.
***
"Married?" She echoed his voice in the carriage and the man simply nodded his green emeralds twinkling in delight.
Why he seemed happy, she had no absolute idea. He was getting married to her! An uncouth, rude woman! He knew nothing about her! Why in hell does he seem happy?!
***
She had planned to marry the man that she loved and he loved her in return and not just jump into the marriage with a man, even though handsome and warm, she didn't know a thing about, though it was the custom and norms of the society very well known to her as well.
But what choice did she have? She was sold. He had bought her. She belonged to him now. All of her. Her body and her soul.
She had one thing to be thankful for though. Escaping the evil clutches of her Stepmother and her two daughters.
Her situation was like jumping from fire into hot oil. Except the hot oil wasn't all that very much bad.
Will she agree to marry him or just go along with her plan of running away?
But, everyone has a dark side... A dark part they so badly want to bury, a secret they want to keep... Even if it's impossible.
But when that secret is threatened after thrown into a life of dramas and setups?
Will that secret remain a secret to the end? That dark side, would it still be buried until the end?
Letitia really hoped it did.
Find out in *THE DUKE'S BRIDE IS A MONSTER!*
COVER DOESN'T BELONG TO ME. CREDITS TO OWNER.
I was the perfect wife. The Senator’s daughter. The woman who smiled while her world burned.
For three years, I played the part. I ignored the lipstick on my husband’s collar, the late nights, and the cold indifference. I accepted the "open marriage" I never asked for, just to keep the peace.
But peace is a lie. And tonight, I’m done playing by the rules.
One night of rebellion at the city’s most exclusive underground club was supposed to be my escape. Instead, it was a collision course with the past.
The Mercer Brothers.
Silas, the ruthless king.
Dante, the violent enforcer.
Julian, the beautiful psychopath.
They were my brother’s best friends. The men who warned me to stay away. The monsters who run this city from the shadows. Six years ago, they told me to run. Tonight, they blocked the exit.
I thought the night couldn't get worse—until I went home and found out the truth. My husband didn't just cheat on me. He gambled me away.
He owes the Mercers millions, and he just offered me as the collateral.
Now, I belong to them.
They say they want to protect me. They say they want to ruin me for anyone else.
Silas commands. Dante breaks. Julian corrupts.
I thought I was walking into a prison, but as the walls close in, I realize the terrifying truth: I’m not the victim in this story. I’m the weapon they’ve been waiting for.