Does Jowriter Have Any Upcoming Book Releases?

This author once failed as a heroine… and returned as something entirely different. Not as a savior. But as the villain. And she didn’t come back empty-handed. She brought secrets. She brought sins. She brought a story that was never meant to be read. Sinners & Saints is not just a collection of dark romance stories— It is a confession. A warning. And a door best left unopened. Within these pages lie twisted love stories where desire and destruction walk hand in hand, and every choice comes with a cost. So the question is simple: Will you turn away… or step inside anyway?

The last thing Miranda thought when she responded to a prison pen pal request was to find true love. Joel, well, he was only hoping to pass time and maybe if he was lucky, he'd find someone to have a little fun with after doing ten years of hard time in the state penitentiary for a crime he committed when he had just barely turned eighteen years old. He had been hardened by the things he'd seen and the experiences of imprisonment and no longer believed in lovey dovey fairy tales or happily ever after. So hardened in fact, that he knew women only led to one thing-trouble. Not even a good girl like Miranda would break him ever again. Not with her long dark hair, those hypnotizing amber-eyes, and definitely not those full lips that would look so good…nope, nope, nope. What neither one expected was to find the perfect balance of emotional and physical attraction. Can Miranda's persistence and commitment soften and heal Joel's untrusting heart or will Joel break Miranda in ways she has never experienced before? This is the first book of three in the Locked-Up Lovers series. Enjoy!

The Moon Goddess may have written the rules, but these she-wolves are tearing them apart. In this sweeping five-book saga, the Lycanthrope species—creatures of power beyond mortal imagination—dare to defy destiny itself. Mate bonds ignite passion and peril, but every she-wolf knows love can be a weapon as much as a gift. Tradition demands obedience. They choose rebellion. It begins with Ana, a Hybrid caught between worlds, whose collision with Romani, the ruthless Lycan Crown Prince, sparks a bond that could either save her—or destroy her. His dominance threatens to consume her, yet Ana refuses to bow. Every choice she makes twists the Goddess’s plan tighter, until fate itself trembles. From Ana’s defiance to the cunning of wolves who wield mate bonds like blades, each book unveils a battle where freedom clashes with love, rebellion with tradition, and power with vulnerability. The Goddess watches. The wolves fight back. And destiny will bleed before it breaks. This is not a tale of wolves who obey. This is the saga of wolves who refuse to surrender…

Between the pages of an enchanted book, the cursed werewolves have been trapped for centuries. Their fate now rests in the hands of Verena Seraphine Moon, the last descendant of a powerful witch bloodline. But when she unknowingly summons Zoren Bullet, the banished werewolf prince, to her world, their lives become intertwined in a dangerous dance of magic and romance. As the line between friend and foe blurs, they must unravel the mysteries of the cursed book before it's too late. The moon will shine upon their journey, but will it lead them to salvation or destruction?

The novel is mainly about the forgotten British poet/writer named C. J Richards who lived in Burma/Myanmar in colonial times and he believed himself as a Burmophile. He served as I.C.S (Indian Civil Servant) and when he retired from I.C.S service, he was a D.C (District Commissioner) and he left for England a year before Burma gained its independence in 1948. He came to Burma in 1920 to work in civil service after passing the hardest I.C.S examination. He wrote several books on Burma and contributed many monthly articles to Guardian Magazine published in Burma from 1953 to 1974 or 1975. Though he wrote several books which had much literary merit to both communities, Britain and Burma (Myanmar), people failed to recognize him. The story has two parts: one part is set in the contemporary Yangon (then called Rangoon) in 2016 context and a young literary enthusiast named “Lin” found out unexpectedly the forgotten writer’s poetry book and there is surely a good deal of time gap that led him into a quest to know more about the author’s life. The setting is quite different comparing to colonial Burma and independence Myanmar (Burma), early twentieth century and 2016 which is a transitional period in Myanmar. The writer’s life is fictionalized in the novel and most of the facts are taken from his personal stories and other reference books. It is a kind of historical novel with a twist and it has comparatively constructed the two different periods in Myanmar history to convince readers, locally and abroad more about history, authorship, humanity, colonialism, and transitional development in Myanmar today.

Vera fought for her life in the apocalypse for ten years. Ten brutal years left her disfigured, hungry, and almost broken, but she still clawed her way through it. She killed zombies, ran from mutated animals, starved, bled, and learned humans were often more dangerous than monsters. Then her brother, the only family she had left, betrayed her. Vera thought death had finally come. Instead, she woke up inside a trashy book she once read to stay sane while the old world fell apart. A book with a twisted plot and too much drama. And because her luck had always been terrible, Vera did not wake up as the heroine. No, of course not. Her second chance was to become the hated second female lead, pregnant, unwanted, and written to die when the plot no longer needed her. Her babies were supposed to die too. Even the three men who got her pregnant were written as future corpses, all to push the story toward spoiled women and one psychotic male lead. But Vera was not the woman from the book. She had survived one ruined world. She had not walked through radioactive rain and eaten mutated food just to cry over fantasy characters or beg for love inside a stupid plot. So Vera adapted. She accepted her punishment, took her three unborn babies, and left for the garbage center without making a scene. Everyone thought she had been thrown away. Vera saw a chance to make money, protect her babies, and build something of her own. Now the woman meant to disappear is building a wasteland empire, breaking the plot, and driving three men insane because she no longer chases anyone. By every rule in that world, Vera should be dead. But dying a second time was never an option.