Does 'King Of Pride' Have A Sequel Or Spin-Off?

The antagonist in 'King of Pride' is a ruthless corporate magnate named Lucian Blackwood. He's not just your typical villain; he's a master manipulator who uses psychological warfare to crush his opponents. What makes him terrifying is his ability to appear charming in public while orchestrating brutal takedowns behind the scenes. His obsession with destroying the protagonist stems from a twisted belief that only by eliminating all competition can he prove his superiority. Lucian doesn't just want wealth and power - he needs everyone to acknowledge him as the undisputed king of the business world. His cold efficiency and lack of remorse make him one of the most memorable antagonists in recent fiction.

I've been following 'King of Pride' closely, and its award wins are impressive. The novel snagged the Golden Quill Award for Best Fantasy, beating out heavy hitters with its unique blend of political intrigue and supernatural elements. It also claimed the Readers' Choice Award at the International Book Festival, where fans voted it as the year's most addictive read. The author's world-building earned the Lunar Crown for Best Fictional Universe, praised for its intricate vampire hierarchy and economic systems. What surprised me was its win at the Sapphire Awards for Best Antihero—the protagonist's morally gray journey resonated deeply with judges. These wins cement its status as a modern fantasy masterpiece.

The protagonist in 'King of Pride' starts as a reckless underdog with raw talent but zero discipline. His evolution is brutal and satisfying—he doesn’t just gain power, he earns it through failures that reshape his mindset. Early on, he relies on brute strength, losing fights against smarter opponents. But after a near-death defeat, he begins studying strategy, learning to anticipate moves like a chess master. His physical abilities peak when he masters controlled aggression, channeling his pride into precision rather than blind rage. By the final arc, he’s unrecognizable—calmer, calculating, but still fiercely competitive. The shift from hot-headed brawler to tactical warrior makes his growth feel earned, not handed to him by plot convenience.

I've read 'King of Pride' multiple times, and it definitely feels like it could be rooted in reality, but it's not a true story. The author crafts a world that mirrors real-life corporate battles and power struggles, especially in high-stakes environments like Wall Street or Silicon Valley. The protagonist's rise from obscurity to dominance echoes classic rags-to-riches tales, but the supernatural elements—like his unnaturally sharp intuition and the shadowy cabal he faces—clearly mark it as fiction. The setting is gritty and detailed, though, which might make some readers wonder if it's based on real events. If you enjoy this blend of realism and fantasy, check out 'The Wolf of Wall Street' for a non-fiction counterpart.

The plot twists in 'King of Pride' hit like a truck. Just when you think the protagonist Kael has secured his throne, his closest advisor betrays him, revealing he's been a double agent for the rival kingdom all along. The revelation that Kael's 'dead' father is actually alive and leading the rebellion against him changes everything. Then there's the bombshell about Kael's lover being the lost princess of the very kingdom he destroyed to claim his crown. My favorite twist comes late in the story when we learn the magical system is actually ancient technology from a fallen civilization, explaining why Kael's powers kept glitching at crucial moments.

In 'Pride and Prejudice', Jane Austen masterfully weaves the themes of pride and prejudice through the evolving relationship between Elizabeth Bennet and Mr. Darcy. Elizabeth’s initial prejudice against Darcy stems from his aloof demeanor and his dismissive comment at the Meryton assembly, where he deems her 'tolerable, but not handsome enough to tempt me.' This moment sets the tone for her negative perception of him, which is further fueled by Wickham’s deceitful tales about Darcy’s character. Darcy, on the other hand, is blinded by his own pride. His high social standing and wealth lead him to look down on the Bennet family, particularly their lack of propriety and connections. His first proposal to Elizabeth is a prime example of this, as he focuses more on the 'inferiority' of her family rather than expressing genuine affection. Elizabeth’s rejection of his proposal forces Darcy to confront his own arrogance and reevaluate his behavior. As the novel progresses, both characters undergo significant growth. Darcy’s letter to Elizabeth after the failed proposal reveals the truth about Wickham and his own role in separating Jane and Bingley. This act of honesty begins to dismantle Elizabeth’s prejudice. Meanwhile, Darcy’s actions, such as his intervention in Lydia’s elopement with Wickham, demonstrate his genuine care for Elizabeth and her family, further challenging her initial judgments. By the end of the novel, both Elizabeth and Darcy have shed their pride and prejudice, allowing them to see each other clearly and form a relationship based on mutual respect and love. Austen uses their journey to critique the societal norms of her time, emphasizing the importance of self-awareness and personal growth in overcoming societal biases.

The protagonist of 'Ascending Pride' is a runaway prince named Leon, whose journey from spoiled royalty to reluctant hero forms the spine of the story. Initially, he’s all arrogance and entitlement, but losing his throne forces him to confront the world’s harsh realities. His growth is visceral—every scar, every betrayal chips away at his ego until he starts fighting for others, not just himself. What makes Leon compelling isn’t his swordplay (though he’s decent) but his messy humanity. He screws up, learns too slowly, and nurses grudges like they’re treasures. Yet, when he finally channels his pride into protecting the downtrodden, it feels earned. The novel cleverly mirrors his internal battles with external ones: rival factions, monstrous beasts, and a kingdom rotting from within. Leon’s not your typical Chosen One; he’s a brat who becomes a leader, not because destiny says so, but because he chooses to. Supporting characters highlight his flaws and growth. His sharp-tongued bodyguard, Mira, calls out his nonsense, while a street-smart thief, Kessa, teaches him humility. Even the antagonist—his estranged sister, a revolutionary—reflects what Leon could’ve become: bitter instead of better. The book’s strength lies in how Leon’s pride isn’s erased but redirected. By the finale, he’s still stubborn, but now that stubbornness fuels his loyalty. It’s a nuanced take on redemption arcs.

The central conflict in 'Pride' revolves around the clash between personal ambition and societal expectations. The protagonist, a talented but arrogant artist, struggles to reconcile his desire for recognition with the humility required to grow. His pride blinds him to constructive criticism, leading to a series of professional setbacks. Meanwhile, his rival, a more grounded artist, thrives by embracing collaboration. The tension peaks when the protagonist's ego causes him to sabotage his own exhibition, forcing him to confront whether his pride is worth more than his art. The resolution hinges on his ability to humble himself and learn from others.