How Did Kings And Queens Thirty Seconds To Mars Film The Video?

2025-08-23 00:19:29 195

4 Respostas

Trisha
Trisha
2025-08-24 06:24:14
I’ve always loved the visual vibe of 'Kings and Queens'—it feels like a midnight ride through a dream. The filming leaned heavily on real people riding bikes, strategic night lighting, and fluid camera moves to create momentum. You can tell they used mounted cameras on chase vehicles for stable tracking, plus handheld for more intimate moments.

The director credit goes to Bartholomew Cubbins, which fans know is Jared Leto, and that choice of director-persona fits the cinematic ambition. Color grading and editing sell the mood afterward, making ordinary streets look epic. For me, the result is less about high-tech trickery and more about atmosphere and coordination, which makes it feel alive and slightly dangerous in the best way.
Declan
Declan
2025-08-25 03:08:50
I still get goosebumps thinking about how cinematic 'Kings and Queens' feels, and I love picturing the on-set chaos that turned into those smooth shots. My take is that Jared, directing as Bartholomew Cubbins, wanted a human procession look, so the camera work stayed close and kinetic sometimes, then opened up with wide lenses to capture the whole tribe of riders. They probably used long lenses for those compressed cityscape shots and a wide-angle for the crowd sequences to emphasize motion.

From a fan’s perspective, the night shoots and reflective gear on bikes create that haloed, almost mythic atmosphere. I’ve read interviews where the band talked about exploring themes of urban pilgrimage, and the production choices mirror that: lots of movement, minimal dialogue, and visual contrasts between solitary figures and the pack. Technically, it’s a smart mix of practical effects, camera rigs on vehicles, and careful editing to keep energy high without feeling chaotic—so it looks both spontaneous and carefully staged, which I really admire.
Victoria
Victoria
2025-08-26 17:26:59
On a more analytical note, I’ve always thought of the 'Kings and Queens' shoot as a textbook case of marrying concept with practical filmmaking. The band wanted scale and intimacy at once: so they used large numbers of real cyclists (not just a few stunt doubles), which gives the choreography a raw, organic energy. To capture that, the crew likely used tracking vehicles with camera mounts and handheld setups for the more immediate, in-the-crowd footage.

Lighting appears deliberately mixed—strong directional lights to sculpt the riders and softer ambient fills from the city. There’s minimal flashy CGI; instead the edit and grading create atmosphere. Permissions and crowd control must have been a big part of the day: coordinating routes, police escorts, and safety for night riding. When you watch it, you’re seeing a blend of guerrilla-style shooting and professional planning, which is why it feels urgent and cinematic at once.
Jonah
Jonah
2025-08-26 20:08:03
Watching the 'Kings and Queens' video always makes me want to nerd out about how they pulled it off. From what I dug up and from fan chatter, the clip was directed by Bartholomew Cubbins—Jared Leto’s alias—and shot on location in Europe, with a huge focus on nighttime urban vistas and a massive group of cyclists. The production looks like it used a mix of stabilized long-tracking shots (think Steadicam and car rigs) and some elevated crane or cherry-pick angles to get those sweeping citywide frames.

They clearly relied on practical lighting a lot: strong backlights, headlamps on the bikes, and the city’s ambient glow to create silhouettes and dramatic flares. Speed manipulation—slow motion for the pedals and hair, regular speed for the crowd scenes—gives it that dreamlike rhythm. Post-production color grading then drenched everything in that moody, high-contrast tone. It’s the kind of video where choreography, location permits, and careful timing with traffic all had to line up perfectly, so it wasn’t just arty—it was logistically impressive too.
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