Did The Label Authorize The Xxxtentacion Changes Remix?

That slow, aching piano on 'changes' always grabs me, and the version I keep coming back to still carries John Cunningham's fingerprints. From what I’ve dug into and listened for, the official production credit on 'changes' — and the officially released remix iterations tied to the record label — point to John Cunningham, who was X's frequent collaborator and co-producer on a lot of his softer, more intimate tracks. Cunningham’s style is subtle: sparse keys, warm reverb, and room for the vocal to breathe, which is exactly what makes both the original and sanctioned remixes feel so close and personal. I also want to flag something fans often miss: there are a ton of unofficial remixes and fan-made edits floating around SoundCloud, YouTube, and Instagram where other producers toss beats under X’s vocals. Those are produced by independent beatmakers and DJs and aren’t the same as the label-backed remix that retains Cunningham’s core production. For me, Cunningham’s touch is what keeps the song haunting rather than overproduced — it’s why I still press play when the mood calls for something raw and reflective.

I've chased down release dates and catalog listings for this one, and here's the clearest take I could piece together. 'Changes' originally appears on XXXTentacion's album '?', which was released March 16, 2018, so the base track's wide release is pinned there. There never was a widely distributed, label-backed 'official' remix of 'Changes' that showed up on major streaming services as a separate, sanctioned release. What did happen instead is that after his passing, a bunch of unofficial remixes, edits, and collabs popped up across SoundCloud, YouTube, and fan channels throughout mid-to-late 2018 and beyond—people sliced the vocal, layered new production, or paired X's vocals with other artists in fan edits. If you’re hunting for a specific remix upload, the upload dates will vary by creator and platform; you'll often find those fan remixes clustered in the months after June 2018. For the canonical record: the album release (and therefore the original track's mainstream release) is March 16, 2018, and there isn’t an official remix release from his label that’s recognized across the streaming catalogs. Personally, I find those fan-made versions interesting for hearing creative spins, even if they’re not 'official'—some of them genuinely reframe the song in cool ways, so I still bop to a few of them now and then.

I still get chills talking about how a remix can totally flip the mood of a song, and the way the 'changes' remix does that is such a love-it-or-lean-into-it moment for me. The original 'changes' is spare and intimate: mostly piano, quiet drums or just the pulse, and X's voice up front, fragile and close. The remix, depending on which version you hear, layers in more production — heavier low end, subtle synth pads, and sometimes a new percussion pattern that gives the track a slightly steadier tempo. That shift in instrumentation moves the song from a whisper to something that breathes a little bigger without killing the tenderness. Beyond production, the remix often introduces added vocal textures. Sometimes there are background harmonies, doubled vocals, or a featured verse from another artist who contrasts with X's melancholic delivery. That change in vocal arrangement can alter the emotional arc: where the original feels like a private confessional, the remix can feel like a conversation or even a communal lament. Mixing and mastering choices matter too — the remix usually brings a brighter sheen, clearer bass, and more present midrange so the hook hits differently on headphones and in car speakers. What I love about both versions is that they highlight different strengths. The original showcases raw intimacy and lyrical vulnerability, while the remix experiments with dynamics and collaboration, making the same melody feel broader and, in some cases, more radio-friendly. Personally, I flip between them depending on my mood — late-night reflection for the original, and a daytime, slightly more energetic mood for the remix.

I get excited just thinking about tracking down legit remixes, so here's how I handle the hunt for the 'Changes' remix and where you can stream it legally. The easiest route is the major subscription services: Spotify, Apple Music, Tidal, Amazon Music, and YouTube Music commonly carry official remixes if the estate or label has released them. Search for 'Changes (Remix)' or check XXXTentacion’s verified artist profile — official releases usually live on the artist page and are tagged clearly as remixes. I usually save a copy to my library and look at the release credits to confirm it’s an authorized version rather than a fan edit. If you prefer video-first listening, check the official YouTube channel or Vevo upload; those are frequently the most reliable legal sources and often include lyrics in the description or links to buy. SoundCloud occasionally hosts sanctioned remixes or promo versions, but availability varies by region and by whether the rights holders approved the upload. For permanent ownership, buying the track on iTunes/Apple Music or Amazon MP3 is the safest legal option — you get the file and the peace of mind that the artist and rights holders are being supported. Personally, I like using Tidal or Apple Music when I want high-fidelity listens, and I’ll cross-reference with the official YouTube upload for a quick watchable version. That remix still hits me in the chest on late-night playlists.

I dug into this because 'changes' is one of those songs that sticks with you, and the version people often point to when they say "remix" is the one that brings PnB Rock into the mix. The widely circulated, official remix of 'changes' features PnB Rock adding his melodic hook and harmonies, which shifts the mood from the raw, intimate original toward something a little more glossy and duet-like. I like how his voice layers over X's melancholic delivery — it feels like a conversation rather than a solo confession. That said, the world around 'changes' is full of unofficial reworks and mashups. On YouTube and SoundCloud you'll find tribute remixes and fan edits pairing X with artists like Juice WRLD, Lil Peep, or Trippie Redd; those are usually created by producers or other fans and aren’t official releases. Some DJs have remixed the instrumental, slowed it down, or pitched it to create new vibes. If you want the canonical collaboration, look for the PnB Rock feature. Personally, I think that remix highlights how adaptable the song is — it survives different production choices and still hits hard, which is why people keep remixing it in the first place.

I still get excited hunting down different takes on 'Still With You' whenever it pops into my playlist. From what I’ve tracked, the song itself was put out as Jungkook’s gift on SoundCloud and through Hybe/BigHit-related channels rather than as a full commercial single with official remix releases. That means most of the remixes you’ll find aren’t label-sanctioned — they’re the work of fans and independent producers uploading to SoundCloud, YouTube, and occasionally Spotify or Bandcamp. When I’m digging for remixes I usually start on SoundCloud and YouTube, then follow remixers I like to their own pages. Be aware some tracks get taken down for copyright reasons, so availability can be jumpy. If you want official confirmation about any remix being label-released, check Hybe/BigHit’s press posts or Jungkook’s official channels — labels will announce remixes if they’re legit. I’ve collected a few gems that way, but I still love the homemade lo-fi and orchestral edits more than polished commercial versions, honestly — they feel like little fan postcards more than corporate releases.

I got pulled into this debate through late-night threads and a stupidly long Twitter scroll, and honestly the hype made me click the remix within minutes. Right away I noticed three things that make listeners call it 'crazier': the lyrics were more explicit, the remixer added new lines or samples, and the production pushed vocal effects so hard some words got warped into something wilder than the original. There’s a difference between swapping a verse and adding a whole new personality to the track — when someone sneaks in an extra verse about nightlife, revenge, or straight-up absurd braggadocio, people latch onto that and call it crazier. Part of it is social proof too. Fans love shouting about the wildest bar of a song they heard, so clips get clipped into 15-second loops showing the most outrageous line. Mishearings and memes do the rest: a pitch-shifted ad-lib might sound like a profanity or a bizarre phrase, and then every fan channel replays that moment until it becomes the remix’s identity. I’ve seen remixes where the censored original becomes the tame baseline, and the remix — uncensored, remixed, and clip-ready — becomes the version everyone references. Beyond that, cultural context matters. If the original track was known for being relatively clean or metaphor-heavy, any addition that’s blunt, sexual, or shock-driven reads as crazier. Remixes sometimes borrow lines from other songs or movies too, which can create unexpected juxtapositions. For me, a remix crosses into 'crazier' territory when it doesn’t just rearrange the sound but intentionally tilts the character of the lyrics — and that’s exactly what drove the chatter online.

The news that poured in that June evening cut through social feeds like a siren — he was shot after leaving a motorcycle shop in Deerfield Beach and later pronounced dead at the hospital. I followed the reporting closely and, like a lot of people then, wanted to know how officials could be so sure about what actually killed him. The short, official line from the Broward County Medical Examiner was that the cause of death was multiple gunshot wounds and the manner of death was classified as a homicide. Digging a bit deeper, the confirmation came from a combination of on-scene forensics and the autopsy. At the scene deputies collected physical evidence — spent shell casings and eyewitness accounts placed the attack at a brief, violent robbery — and surveillance footage from the area later helped reconstruct the suspects’ vehicle and movements. The medical examiner’s office examined the wounds during the autopsy, documented trajectories and injuries, and concluded the gunshots were the fatal trauma. Standard toxicology panels were also run, but those tests don’t change a finding that someone died from bullets when the pathology is that clear. Beyond the medical paperwork, the investigation moved forward with detectives tracing the vehicle on video, matching ballistic and witness information, and making arrests. The way the case was pieced together — video, forensic evidence, autopsy findings, witness statements — is a solid example of how multiple streams of evidence converge to establish cause and manner of death. It felt grim but also important to see the facts laid out so clearly.

I dug through the old reports after the initial headlines faded and tracked where the official paperwork actually came from. The documents that directly state XXXTentacion’s cause of death — the autopsy and the medical examiner’s findings — were released by the Broward County Medical Examiner’s Office. Their autopsy ruled the death a homicide due to multiple gunshot wounds, and the toxicology findings and coroner’s notes accompanied that report when it became public. That’s the formal medical side of things, the objective record of how he died. On the law-enforcement side, the Deerfield Beach Police Department and the Broward County Sheriff’s Office handled the investigation and later released investigative documents like arrest affidavits, police reports, and charging documents. Some of those files were redacted before being shared publicly because of ongoing legal matters and privacy concerns, but news outlets and local records portals published what they could. Watching both kinds of documents — medical examiner reports and police filings — together gives you the fullest picture of what officials concluded at the time. Reading it all again feels heavy; these are official papers that moved a lot of people, from prosecutors to fans. For me, the mix of clinical language in the autopsy and the human stories in police reports underscored how sudden and tragic it was. It’s a sober record, and I still find myself thinking about how the documents shaped the public conversation back then.