Which Loki Comics Introduce The Female Loki Character?

Picking up the first trade of 'Journey into Mystery' felt like uncovering a different Loki — one that’s messy, youthful, and weirdly sympathetic. I dove into Kieron Gillen’s run because it strips away the big, arrogant god facade and gives us a Loki who’s fumbling through identity and consequence. That portrayal lands squarely in antihero territory: he’s not noble, he’s not purely villainous, but you root for him even as he makes bad choices. If you want a clearer, more deliberate antihero arc next, read 'Loki: Agent of Asgard' by Al Ewing. That series leans into Loki trying to change, taking responsibility (in his own serpentine way), and wrestling with destiny. It’s more of a redemption-search story than chaos for chaos’s sake. For a satirical, darker flavor where Loki plays politics and public persona like a con, check out 'Vote Loki' — it’s clever and showcases that antihero/rogue charm from a different angle. If I had to guide a new reader: start with 'Journey into Mystery' for the emotional pivot, then 'Agent of Asgard' for the redemption arc, and slot 'Vote Loki' in for a tone shift. Each run shows a different face of Loki’s antiheroism, and I still catch myself smiling at some of his choices.

Hunting down collected editions of 'Loki' is one of my favorite little quests—I love the thrill of finding a hardcover omnibus tucked between other books. If you want physical copies, start with your local comic shop; most shops will order trades, omnibuses, or hardcovers for you if they don’t have them in stock. I often use my shop’s website to check availability, and if they can’t get it, places like Midtown Comics, Forbidden Planet (UK), and Barnes & Noble usually have new printings or exclusive editions. For older or out-of-print editions, eBay and AbeBooks are lifesavers. I once scored a near-mint trade from the Kieron Gillen 'Journey into Mystery' run on eBay after watching the listing for a week. Also keep an eye on Amazon (for new and used sellers), Alibris, and independent sellers via Bookshop.org. If you’re price-sensitive, compare ISBNs to make sure you’re not buying a different printing or a variant cover. If digital is okay, ComiXology/Kindle and Marvel’s own shop or Marvel Unlimited subscription are great—especially for reading on the go. And don’t forget libraries and apps like Hoopla or Libby; I borrow trades there all the time to check whether I want to buy the physical edition. Happy hunting—you’ll find the perfect edition sooner or later, and it’s always more fun when you spot a rare cover or a sweet omnibus on sale.

Okay, if you're the kind of person who loves tracing a character from trickster god to complicated, sometimes-sad antihero, here's a reading path I swear by — it balances the classics with the stuff that actually shaped modern Loki. Start with the roots: pick up 'Journey into Mystery' #85 (Loki's first appearance) and then dip into the early 'Thor' runs (Lee & Kirby era). You don't need every single issue, but skimming those early stories gives you Loki's original motives and rivalry with Thor. Next, read Walt Simonson's 'Thor' run — it’s iconic and deepens their dynamic in a way that echoes in later books. From there jump to modern takes: read the 2004 limited series 'Loki' for an introspective, almost literary take on the character; then move to Kieron Gillen's 'Journey into Mystery' (2011) which introduces youthful versions and plays with identity; finally read Al Ewing's 'Loki: Agent of Asgard' (2014–2015) and the miniseries 'Vote Loki' (2016). If you want event-level stakes, add 'Thor: God of Thunder' (to see wider mythic consequences) and 'War of the Realms' for a recent spotlight. This order shows how Loki evolves rather than flipping around timelines — and it made me fall for him all over again.

If you like messy, glorious character work, the comics and the MCU are basically two different love letters to the same trickster. I grew up reading a stack of back issues under a lamp, so the comic Loki feels like a whole wardrobe of personalities — Kid Loki, Lady Loki, Classic Loki, the murderous God of Stories and the melancholy friend who once tried to be a hero. Comic runs like 'Journey into Mystery' and 'Loki: Agent of Asgard' lean into Loki’s identity crises, gender play, and long, messy history with Ragnarok and mythic politics. They can be absurdly grand, self-contradictory, and addictively intimate all at once. The MCU trims that sprawl into a coherent, emotionally-driven arc centered on one man and his relationships. Tom Hiddleston’s Loki is cinematic: charismatic, wounded, and given room to grow across 'Thor', 'The Avengers', and the Disney+ show 'Loki'. The TVA and variants in the show are a clever way to translate comic multiverse chaos into something watchable, but they also simplify or repurpose a lot of comic lore. In short, comics offer many Lokis across tone, morality, and genre; the MCU gives you one very well-developed Loki with blockbuster polish and clear emotional beats. Personally, I love both — comics for the wild possibilities, MCU for the emotional gut-punches — and I often flip between them when I want either chaos or catharsis.

There’s something magical about flipping through those old Marvel pages and seeing Loki evolve, and if you’re talking classic artists who really shaped his look, a few names always come up for me. First and foremost: Jack Kirby. Loki technically debuts in 'Journey into Mystery' #85 (1962), and Kirby’s big, mythic shapes set the tone for how the trickster would inhabit the Thor universe. Joe Sinnott is another must-mention — his inks on early Thor work polished Kirby’s pencils into that clean, iconic Marvel look that made Loki read as grand and dangerous. Then there’s John Buscema, whose more muscular, heroic anatomy in the Bronze Age grounded Loki’s interactions with Thor and gave the god a physically believable presence on the page. For me, Walt Simonson deserves a full paragraph of praise. His 1980s run on 'Thor' reintroduced mythic energy and theatrical flair; his Loki is more cunning and dramatic, and the layouts/energy lines he used really sold the trickery. Don’t forget inkers like Tom Palmer, who added mood and weight to those pencils. If you want to dive into actual classic reads, start at 'Journey into Mystery' and then hop around King Kirby, Buscema issues, and Simonson’s run — you’ll see Loki’s visual language changing in real time, which is kind of a thrill.

I've always loved when storytellers take a familiar myth and tilt it on its head, and Loki in comics does that constantly. In older runs like 'Journey into Mystery' and early 'Thor' issues, Loki is this archetypal antagonist — scheming, jealous, the foil to a noble thunder-god — which echoes the blunt hero-villain binaries you can find in some retellings of Norse tales. But as comics matured, writers leaned into Loki's slipperiness: trickery became nuance, motives became sympathy, and the character started to ask hard questions about fate, family, and identity. Later series such as 'Loki: Agent of Asgard' and even moments in recent 'Thor' arcs reframe Loki using modern concerns. The myths themselves are patchworks — multiple versions, contradictions, and lost contexts — and comics lean into that by making Loki a living contradiction. He shapeshifts, gender-fluidity is explored implicitly and explicitly, and his mischief becomes a form of resistance against rigid power structures. Visually, artists pull from mythic iconography (Jotunheim, runes, serpent motifs) but remix it with sci-fi tech, cityscapes, and intimate character moments that the sagas never linger on. To me, it's like watching an old folk song remixed into a new genre: the tune is recognizable, but the arrangement reveals new feelings and questions.

Catching the first season of 'Loki' felt like watching a highlight reel of my favorite comic arcs stitched into a new coat of paint. The two biggest comic influences are pretty obvious: 'Journey into Mystery' (the Kieron Gillen era that gave us Kid Loki and the whole fractured-identity take) and 'Loki: Agent of Asgard' (Al Ewing’s run that leaned hard into redemption, bewildering loyalties, and Loki as someone searching for self beyond villainy). Beyond those, the show borrows the TVA and the Time-Keepers straight out of decades of Marvel comics where cosmic bureaucracies managed timelines — the TVA in the show is just a cinematic, bureaucratic version of what fans have seen in old 'Thor' tales. The idea of multiple Lokis and variants comes from a long comic history: Lady Loki, King Loki, Kid Loki — the show’s Sylvie is basically a collage of those ideas (with a nod to the comic character Sylvie Lushton). There are smaller echoes too: the political-mischief vibe of 'Vote Loki' and the introspective, almost forensic look at identity from 'Journey into Mystery' inform the series’ tone. It’s not slavish adaptation; it’s a remix, and that’s what made it feel both fresh and wonderfully familiar to me.

Whenever people bring up Marvel's trickster, I get a little giddy—Loki's first splash into Marvel continuity came in 'Journey into Mystery' #85, cover-dated October 1962. That's the same issue that really plants Thor into the Marvel Universe, and Loki shows up right away as the scheming antagonist who sets the whole mythic drama in motion. The creators credited are Stan Lee, Larry Lieber, and Jack Kirby, and you can still feel that 1960s Marvel energy when you flip through the pages. I love thinking about that first appearance because it’s so theatrical: Loki as the classic foil, twisting plots and playing on Thor’s nobility. Over the decades writers and artists have kept reshaping him—sometimes more sympathetic, sometimes darker—but that 1962 debut is the seed. If you ever want the pure origin vibe, tracking down a reprint of 'Journey into Mystery' #85 or a collected Thor origin will show you where it all began, and it’s wildly readable even now.