Tehrangeles is this fascinating blend of cultures, and its characters feel like they leaped right out of a vibrant graphic novel. The main trio—Nima, Dara, and Laleh—are so distinct, each carrying their own baggage and dreams. Nima's the rebellious artist, always questioning everything, while Dara's the pragmatic one trying to keep the peace. Laleh? She's the heart of the group, nostalgic but fierce. Their dynamics remind me of '
Persepolis' meets 'Scott Pilgrim,' with all the humor and heartache of straddling two worlds.
What really hooks me is how their personal struggles mirror bigger themes—identity, displacement, and that eternal search for belonging. Nima's graffiti art becomes a metaphor for leaving marks in a city that doesn’t always see them. Dara’s corporate grind clashes with his family’s expectations, and Laleh’s love for vintage Persian pop culture is her armor. It’s rare to find a story where the setting feels like a character itself, but Tehrangeles nails it.