What Is The Main Conflict In 'The Author'S Viewpoint'?

Gunnar Hámundarson is brutal, ruthless, and cunning. His pack, is no different. They have little compassion for others and have zero tolerance for the weak. Gunnar and his warriors have made a reputation for themselves all over the world. A strong and heartless reputation. As the leaders in Mercenary work, they are not to be taken lightly. But when their Luna is finally discovered, that reputation is threatened. Will Gunnar side with his pack or with the mate that nature intended for him to have? Vanessa Hanes has never had a family of her own and her time is up for being adopted. Her 18th birthday has finally arrived, marking the end of her stay in the group home. But Vanessa has a plan. Her and her bestfriend, have high hopes for the future. Can they make it on their own, will they even get the chance?

Iori is a famous mystery writer with a dark past that still haunts her. One day, she's forced to co-write a book with the most famous romance writer Jun by their publisher, who also forces them to live together and pretend to be in a relationship for the sake of advertisement. Unable to refuse because of the huge favor their publisher owes them, those two who barely stand each other's presence are now trying to coexist and finish the book while dealing with their twisted pasts who were always ready to resurface...

The novel is mainly about the forgotten British poet/writer named C. J Richards who lived in Burma/Myanmar in colonial times and he believed himself as a Burmophile. He served as I.C.S (Indian Civil Servant) and when he retired from I.C.S service, he was a D.C (District Commissioner) and he left for England a year before Burma gained its independence in 1948. He came to Burma in 1920 to work in civil service after passing the hardest I.C.S examination. He wrote several books on Burma and contributed many monthly articles to Guardian Magazine published in Burma from 1953 to 1974 or 1975. Though he wrote several books which had much literary merit to both communities, Britain and Burma (Myanmar), people failed to recognize him. The story has two parts: one part is set in the contemporary Yangon (then called Rangoon) in 2016 context and a young literary enthusiast named “Lin” found out unexpectedly the forgotten writer’s poetry book and there is surely a good deal of time gap that led him into a quest to know more about the author’s life. The setting is quite different comparing to colonial Burma and independence Myanmar (Burma), early twentieth century and 2016 which is a transitional period in Myanmar. The writer’s life is fictionalized in the novel and most of the facts are taken from his personal stories and other reference books. It is a kind of historical novel with a twist and it has comparatively constructed the two different periods in Myanmar history to convince readers, locally and abroad more about history, authorship, humanity, colonialism, and transitional development in Myanmar today.

For five years, Mira poured her obsession into The Reckoning of Caelen Mors—a dark fantasy about a ruthless duke and the woman he becomes dangerously fixated on. At 2:47 AM, exhausted and alone, she died at her laptop. Her final words still glowed on the screen: "Duke Caelen finally showed her his true face. It was nothing like she imagined." She woke as Isadora Vess—the secondary character from her manuscript—in a silk bed, in a monster's house, with servants calling her by a name she'd invented. The problem: Mira remembers writing this world. She knows every dark secret. She knows how the story should end. Except her memories are fractured. The manuscript was never finished. And the characters have evolved without her input, making choices she never wrote, saying things she never scripted. Worse—Duke Caelen knows she's different. He's been waiting for her. Across seventeen timelines, he's seen her arrive at this exact moment. And in three of them, everything burned. Now Isadora must navigate a world she created but no longer controls, surrounded by men who each want to use her—a charming prince offering escape, a dark count offering power, and a villain offering the only thing that might be true: the answer to why she's here, and what happens when an author gets trapped in her own story. Because in every version where Isadora arrives, the empire falls. And Caelen has been waiting a very long time to see which ending she'll choose this time.

There are a lot of supernatural beings around us that we didn't know they're actually living or true. Once they are just a myth, a fantasy, a mere story, but then one day, you didn't realize it was standing right in front of you now. Avis Clove, just like a normal people, we have a lot of questions about the existence of gods or deities. And sometimes those questions don't meet their answers. She grew up knowing the stories of her grandmother about a two gods and one girl who's in between of the gods, and she believes it was just fantasy story that is just made up by her grandma. But, then she met the characters in that story, and the questions in her mind starting to find its answers. In this novel, about the three people who is fated to meet each other, but leads to the most unwanted happenings of their life. What will they do? What will Avis Clove choose? Will the love wins? Who will be the end game?

Leonard Burton and I are childhood sweethearts, bound by a family-arranged marriage. After we marry, we live a loving, harmonious life. In a terrible accident, he even gives up his only chance at survival to save me. After Leonard's death, we find a journal among his belongings. In it, he records the three years he was missing after falling off a cliff—years spent with another woman he deeply loved. But his parents had forcibly separated them and arranged our marriage instead. Unbeknownst to anyone, he had continued to protect that woman from afar, silently and faithfully. At the funeral, Leonard's mother, Charlotte Newman, is inconsolable. "Leonard, it's all my fault. Would you still be alive if I'd let you marry Yelena back then?" His father, Samuel Burton, glares at me with hatred. "He fell off that cliff saving you. He died in that crash shielding you. Why do you bring him nothing but harm? Why aren't you the one who's dead?" Yes, why is it not me who's dead? I look at Leonard's familiar, smiling face on his gravestone before running at it and smashing my head on it. When I open my eyes again, I'm taken back to when he just returned from that small fishing village. This time, I choose to let him go and give him what he wants. Finally, I see Leonard again.