5 Answers2025-12-09
‘M Is for Mama’ is unusual in that it tries to make parenting look good, whilst at the same time trying to find the wonder in it. The themes of ‘competing priorities’ and ‘the art of surrender’ particularly hit home. Who hasn’t folded washing only to have their toddler ask to go and look at the stars minutes later? There are also plenty of ‘me too!’ moments, such as the one where the mother loses her temper and then feels terrible, and the odd sense of pride when your toddler finally stops biting. But what the book does best is to make you feel less alone in the beautiful struggle that is parenting.
3 Answers2025-11-13
The Fourteenth Goldfish is a story at its soul about childhood and its complexities and the consequences of adulthood. Ellie’s grandpa, having been turned into a teenager by science, becomes the focal point of an existential crisis that Ellie must face. Grandpa’s obsession with reversing his aging process leads Ellie to a realization that her grandfather’s search for eternal life may mean missing out on the best part of life right now.
What made me laugh in this book was Grandpa’s grumpy-genius shtick. I never knew that a Nobel laureate could throw a fit about the quality of the institutional food served in a university. But in the midst of much humor, there is also much tenderness. Ellie has to learn Science with the same sense of wonder as ‘what if’ as she does with awe and responsibility. She’s not given any easy answers, and the questions that are posed are allowed to keep swimming, much like the Fourteenth Goldfish.
3 Answers2026-02-04
A children’s manifesto – ‘I Like Myself!’ is a joyful celebration of kid-sized self-empowerment. Written and illustrated to convey unshakeable self-love via some very unusual and humorous differences (covering yourself in spots, having a warthog’s nose for example), this charming little book asks kids to declare their love of all things ‘me’. This is so much more than accepting differences; it’s actively celebrating them in an enthusiastic manner. The wild, exciting, often-chaotic world of illustrations beautifully mirrors that of a kid’s imagination, which lends credence to the book’s delightfully natural message of confidence – and of learning how to tap into it – via laughter.
4 Answers2025-08-26
‘Gadsby’ is a community handbook of a novel that reads like a stunt. For the story is very simple indeed: John Gadsby rallies the citizens, sets up clubs to further civic ends, and sees public spirit and behavior transformed accordingly. But to read this short novel is to take on the greatest challenge of all for the one letter that Gadsby does not use is ‘e’.
This book is a short read and can be interesting to read as part of a word game night. Other authors could do a similar book written under strange constraints and it could be a fun detour from normal novels. I recommend reading it to see how long it takes you to start noticing the missing letter (to me the most common vowel of all, e).
3 Answers2026-01-15
I get reading “Hello, Universe” as a map to the many emotional struggles of growing up as a kid. Control is an illusion that the universe likes to tear apart. This book has a very similar theme to that, in that the main character, Virgil, plans his life to be as attention-free as possible. However, a tiny guru-like girl named Kaori and a new classmate of his, Chet, who enjoys playing pranks on people, throw a wrench into his plans for the worst possible day of his life. His worst day of all time turns out to be the day he is seen by the people he is trying to avoid.
The symbols in the book are really powerful as well. For example, the dark well of the disaster is a good example of the kind of self-doubt that Virgil has been dealing with. Also, in contrast to making others seem powerless, Valencia’s hearing aids are a symbol of her strength in the story. And there are moments of pure silence that are more powerful than anything else in the book. For example, the moment when Kaori admits she doesn’t know everything and the brief conversation that Virgil has with Lola where she says “Stories are light.” It makes me want to go back and read it again in order to catch all of the different ways that every character is struggling with the same fears and hopes and that they are all intertwined like vines.
4 Answers2025-12-19
'My Brilliant Career' is one of the few novels where the major flaws of the main character are the entire point of her story. Sybylla’s struggles to express herself creatively in the face of poverty, social convention and her own bursting emotions is a wonderful theme about the difficulties of being true to oneself. The backdrop of dusty, desert-like Australian bushland is a perfect external manifestation of the turmoil within Sybylla as she makes her way in life. But Franklin has resisted the temptation to turn ‘My Brilliant Career’ into a manifesto for the independent young woman and has drawn instead a remarkable portrait of a young girl trying to make her way towards something true, even when she’s not entirely sure what that will be.
3 Answers2025-11-14
'Wings So Wicked' is a beautiful love letter to outcasts. This story delivers the message that it’s good to embrace duality within oneself. The protagonist’s wings represent her mixed soul of beauty and brutality. There is no distinction between good and evil here. The author took a bold stance to redefine heroism in this work by entertaining the possibility that true strength is in the midst of duality and thus goes against the notion of purity. The subsidiary characters were also complex. They each wrestled with their inner contradictions, and by the end of the story, I was completely rooting for all of the protagonists despite their messiness and human imperfections.
7 Answers2026-02-12
A theme of translation is at work in this novel. The protagonist, Kitoto, is a translator between worlds: between the masses and the elite; between the magical world and the ‘real’ one; between his past self and his present ‘legend’. Translation here becomes a central motif of the novel as Kitoto grapples to make the concerns of the peasants heard by the royal elite and to make sense of the mystical menaces threatening his old friends in terms that they can understand. ‘Might’ here is not about violence; rather it is about being able to bridge the gulf between different worlds of experience and of power. A conduit not a hammer.
3 Answers2026-02-04
A scene in ‘The Dot’ that I return to again and again is when Vashti’s teacher hangs up her ‘just a dot’ work of art in a gold frame. Why that scene is so powerful for me is it shows us that even the smallest thing about us can be lauded in such a way as to launch us on a journey. It shows us how we frequently diminish to nothing our efforts in the hope that someone will tell us that we are good enough. The book makes clear that creativity is a strength that everyone possesses and that it is a muscle that everyone can develop. Vashti goes from a slumped, angry child to a proud child who owns her work. And that is the core of the book.
3 Answers2025-12-30
I read this today while drinking a cup of warm tea on a rainy day, and it was very comforting but also invigorating. This book is a straight-forward story of a child who protects an idea of his, has it criticized and then watches it grow. But the subtext of this book is amazing. The fragility of the idea that the child in the story protects is exactly how creativity feels when it’s new. One harshest comment and it can be crumpled up into a ball. I love this book so much because it makes me feel like the child in the story: “What if everyone hates it?”
There are two main themes to the book. The first is courage in vulnerability and the second is quiet rebellion in persistence. The book does not portray the doubters negatively, but instead as something the child overcomes. As the child grows in confidence he starts to defiantly declare that he likes his idea. This shift from needing validation to feeling joy is everything. The surreal ending where the child’s idea grows up to be a huge, glowing orb is the moment that occurs for all ideas when they finally click into place for us. We must remember to give our ideas food, shelter and time just as we do living things. Every time I re-read this book I want to grab my old notebooks and start again.