Which Manga Arc Shows A Hero'S Fall From Grace Into Villainy?

2025-10-17 09:15:40 306

3 Answers

Levi
Levi
2025-10-19 11:00:30
Eren Yeager’s arc in 'Attack on Titan' is one of the most polarizing examples of a protagonist becoming the antagonist. Over the course of the Marley and final arcs, his motivations mutate from vengeance and freedom into a cold, utilitarian calculus where mass violence becomes acceptable for a perceived greater good. It’s not a sudden flip; rather, the series layers trauma, ideology, and strategic ruthlessness until Eren chooses actions—like initiating the Rumbling—that cross any moral line readers once accepted. I find that shift fascinating because it’s wrapped in sympathy: you can trace why he makes those choices even as you recoil from them.

The tragedy is thick: a character forged by suffering who decides to become the very kind of monster he hated. That moral ambiguity is what keeps me thinking long after I finish the arc—the story pushes you to feel both horror and a weird, reluctant understanding. For me, it’s a powerful reminder that good intentions and catastrophic methods can coexist, and that’s a bleak but compelling kind of storytelling that lingers in your head.
Derek
Derek
2025-10-21 21:10:49
If you’re after a textbook example of a hero sliding into villainy, 'Death Note' lays it out in painfully clear strokes. Light starts with a sense of justice—kill criminals, make the world better—but the more he uses the Death Note, the more his moral compass reorients toward self-preservation and god complexes. The early arcs, especially the intense mind games between Light and L, are thrilling because you’re watching a brilliant person justify increasingly monstrous choices. The stakes rise, allies become victims, and victory tastes like tyranny.

What I love about that descent is how it plays with perspective. The story keeps you inside Light’s cleverness long enough that you almost root for him, then slowly makes you complicit in his arrogance. His turn isn’t a single moment but a series of decisions: framing innocents, manipulating loved ones, and killing to protect an idea. That gradual erosion of empathy is what turns a tragic anti-hero into a flat-out villain by the finale. I often find myself thinking about responsibility and hubris after rereading those arcs; they’re great for debating whether ends ever justify means, and they always leave me a little unsettled but satisfied by how cleanly the narrative shows a fall from grace.
Zane
Zane
2025-10-23 05:16:20
One of the most gut-punching transformations I’ve read has to be Griffith’s descent in 'Berserk'. In the 'Golden Age' leading up to the Eclipse, he’s written and drawn as this luminous, almost mythic leader: brilliant strategist, charismatic, the guy everyone wants to follow. The way Kentaro Miura builds him—small gestures, dreams, and the band’s devotion—makes the later betrayal feel catastrophic, not just plotwise but emotionally. The Eclipse itself is the narrative fulcrum where hero worship collapses into horror: Griffith chooses power over loyalty and sacrifices his comrades in the most literal and grotesque way possible. It’s a metamorphosis that strips away any gray area and reveals pure, active villainy.

What makes that arc stick with me is the craft. The pacing, the contrast between idyllic campfire scenes and the grotesque, apocalyptic imagery, and the way the survivors’ lives are wrecked afterward—all of it underscores what “fall from grace” really means. You don’t just get a twist; you get the ripples: Casca’s trauma, Guts’ thirst for revenge, and the world shifting tone permanently. It’s rare to see an author commit so fully to making a beloved figure become monstrous and then deal honestly with the fallout.

If you want comparisons, Light Yagami in 'Death Note' is another brilliant study of moral rot—starting with ideals and ending in megalomania—but Griffith’s fall hits different because it’s communal and sacrificial, not purely ideological. Reading the Eclipse still gives me chills and a weird, wrecked-soul admiration for how devastating a story can be.
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