Which Character Arcs Showcase Twisted Loyalties In The Manga?

2025-10-28 19:00:00 236

7 Answers

Frank
Frank
2025-10-29 21:27:03
Griffith's choice in 'Berserk' and Itachi's secret life in 'Naruto' are textbook cases of loyalty being twisted into something monstrous or sacrificial. Griffith sacrifices his comrades to become something glorious; his loyalty to his dream obliterates any moral limit. Itachi, by contrast, appears traitorous but is acting from a deeper loyalty to his village, choosing unbearable loneliness over open conflict. That contrast—one character who betrays from ambition and another who betrays to prevent worse horrors—shows how manga writers use loyalty to complicate character morality.

I also love Reiner and Bertholdt in 'Attack on Titan' because their duplicity is messy and human: they genuinely form friendships but are also conditioned to carry out missions against those friends. It’s heartbreaking rather than villainous, and it makes the reader question how much environment can warp allegiance. These stories stick with me because loyalty becomes a lens for tragedy more often than heroism.
Xanthe
Xanthe
2025-10-31 09:51:46
Twists of loyalty in manga are like those tiny rocks that trip a runner three pages before the finish line — sudden, brutal, and unforgettable. One of the purest examples is Griffith in 'Berserk': he builds up a brotherhood with the Band of the Hawk and then sacrifices them to seize a god-tier dream. The horror isn't just the betrayal; it's how he reframes loyalty into ambition, and how that warped choice reshapes Guts forever.

Another arc that left me hollow was Reiner in 'Attack on Titan'. He carries the weight of being both soldier and secret invader, genuinely caring for comrades while also committing atrocities for a cause he believes in. That internal split—doing awful things out of a warped sense of duty—creates unbearable tension. Throw in Itachi from 'Naruto', who wears betrayal as a cloak to protect his village, and Light Yagami from 'Death Note', whose charisma convinces allies to follow his moral unraveling, and you see the spectrum: loyalty can be protective, poisonous, ideological, or performative. These arcs are compelling because they force us to ask whether fidelity to a person, to an idea, or to power is truly noble, or simply tragic. I still find myself turning pages to see the fallout, even when I know it’ll break me a little more.
Leah
Leah
2025-11-01 10:06:43
Quick list of arcs that always mess with my head: Reiner from 'Attack on Titan', Ken Kaneki from 'Tokyo Ghoul', and Geto from 'Jujutsu Kaisen'. Each one flips loyalties in different ways. Reiner’s split identity — friend and enemy — makes every old moment of kindness feel poisoned by intent, which is agonizing. Ken Kaneki’s journey is a painful negotiations of self: at times he clings to human connections, then he’s pulled into ghoul solidarity; the betrayals and compromises he makes feel inevitable and tragic.

Geto’s arc is the textbook of a protector becoming a persecutor; his loyalty to the idea of protecting people morphs into a belief that some lives are expendable for the greater vision. What I like across these is the psychological detail: the manga doesn’t just tell you someone switched sides, it shows the tiny moments, rationalizations, and losses that break them. That slow, insidious slide is what haunts me most when I think about loyalty in stories — it’s messy and very human, and I can’t help being fascinated by it.
Uriah
Uriah
2025-11-01 12:41:48
If I were listing my top twisted loyalty arcs in a hurry, these come to mind: Griffith in 'Berserk' for turning camaraderie into sacrificial ambition; Reiner in 'Attack on Titan' for being a living contradiction—friend and enemy at once; Itachi in 'Naruto' for the tragic, protective betrayal that reframes our sympathy; and Light Yagami in 'Death Note' for how he recruits and betrays people in the name of his god complex. Each one bends loyalty into a narrative tool that reveals deeper character wounds and worldbuilding.

What I love is that some betrayals feel selfish and monstrous while others are quietly sacrificial, and both can hurt just as much. Those emotional whiplashes keep me coming back to reread key panels and scenes, because the moral complexity is delicious in a bleak way.
Quincy
Quincy
2025-11-03 07:52:23
I get obsessed with arcs where loyalty bends and breaks, because those are the ones that leave you staring at the page long after you close the book.

Take Griffith from 'Berserk' — his whole arc is this slow, brilliant unspooling of ambition versus camaraderie. He builds a family out of the Band of the Hawk, then sacrifices everything to chase a prophecy. The horror isn't just the betrayal itself; it's how he reframes it as destiny, how loyalties are weaponized into myth. Same vibe, different angle, with Reiner in 'Attack on Titan'. He carries the weight of a mission and childhood indoctrination, and when he finally reveals himself, the sense of twisted fidelity to a homeland over friends hits like a sucker punch.

Then there are characters like Itachi and Sasuke from 'Naruto' who complicate the idea of loyalty into layers. Itachi’s choices read like tragic devotion to a broken system, while Sasuke drifts between revenge and clan loyalty, reconfiguring who he’ll hurt for a cause. These are arcs that don’t just shock — they make you re-evaluate what loyalty means, whether it’s righteous, selfish, or tragically misdirected. I love the way these stories force you to sit with discomfort instead of offering neat moral answers; they linger in my head for days, in the best possible way.
Isla
Isla
2025-11-03 11:15:06
There’s a darker fascination in how manga examine allegiance as a mutable concept rather than a virtue. Take Johan Liebert from 'Monster'—he erodes others’ loyalties like a social virus, showing that allegiance can be manipulated without anyone realizing they're betraying themselves. Contrast that with Meruem from 'Hunter x Hunter', whose devotion shifts from domination to a fragile, protective attachment to Komugi; his loyalty evolves and humanizes a being originally defined by cold supremacy.

Then there are characters like Makima in 'Chainsaw Man', who weaponizes affection and loyalty to control and break people, turning emotional bonds into chains. The narrative purpose differs: some arcs (Griffith, Johan) are about the corruption of loyalty, while others (Itachi, Meruem) explore its complexity—sacrifice, redemption, transformation. I enjoy how authors use these warped loyalties to interrogate ethics: whether a betrayal can be an act of love, whether fidelity to an idea is nobler than fidelity to an individual, and how context—history, trauma, ideology—reshapes what characters value. It’s morbidly satisfying to watch those moral gears grind, and then feel the consequences as the story ripples outward.
Gavin
Gavin
2025-11-03 14:47:05
I pull up 'Monster' when I want a study in how loyalty can be perverted into manipulation. Johan is the puppet master who bends people's sense of duty and love into instruments of terror. Watching characters cling to him or recoil from him reveals how loyalty can be manufactured by charisma and fear, not just born from honor. That quiet, clinical way the manga examines human bonds still gives me chills.

Another arc that stays with me is Askeladd in 'Vinland Saga'. He plays multiple loyalties like a strategist — to his own survival, to a personal history, and to the boy who represents something he wants protected. The twist comes when his loyalties intersect with political necessities and personal guilt; his betrayals feel both calculated and heartbreakingly human. Similarly, Light in 'Death Note' starts with an almost pure devotion to justice, and then slowly converts that into a cult of self. The progression from idealist to tyrant demonstrates how loyalty to an idea can mutate into fanaticism. These stories taught me to read loyalties as dynamic forces, not fixed labels, and that's why I keep returning to them with renewed appreciation.
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I’ve been following the reviews since opening weekend, and the critical take on 'Twisted Brightney' was one of those deliciously split narratives that keeps me scrolling through comment threads. Early festival write-ups were almost giddy about the film’s visuals — critics kept returning to the production design and the way the cinematography framed those neon-soaked interiors. Many praised the lead’s performance as quietly magnetic, and the soundtrack got its own rave pieces for how it threaded mood through otherwise slow stretches. That said, a lot of reviewers couldn’t get past the script’s ambition outpacing its clarity. Common criticisms were about a muddled second act, tonal whiplash between surreal sequences and grounded melodrama, and characters who sometimes felt like symbols rather than people. You’d see glowing 4-star critiques in some outlets and sharp 2-star takedowns in others. A recurring comparison I noticed was to shows like 'Twin Peaks' — not surprising given the blend of mystery and dream logic — but several critics argued it borrowed the vibe without the payoff. My takeaway? Critics were impressed by the craft and intrigued by the risks, but divided on whether those risks paid off. It felt like a movie that demanded patience and rewards repeated viewings for some, while for others it was beautiful but frustratingly evasive. Personally, I loved parts of it enough to recommend a watch, especially if you lean toward stylish, auteur-driven pieces that spark debate.
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