Is The Nightingale A True Story

What struck me so forcefully in this movie was the portrayal of the older sister, Vianne. Her story, that of reluctant quiet resistance to store up to protect children, to negotiate with the enemy within the walls of her home, was not depicted as that of a heroine of a war movie, all action, all bloodshed and heroics. Her story felt true to me. It is the true story of so much daily, positive, human-heroic action which remains hidden and is most often neglected by historians. Was there a Vianne? No, not under that name. But were there thousands of women all doing exactly the same sort of thing? Yes, there were. Her story could be the truest of them all and yet it remains largely a forgotten story. This novel is a rescue of that kind of experience.

I didn’t cry, because I saw it coming a mile away. The foreshadowing in the modern day is so heavy. There’s an old man looking for the ‘Nightingale’ and an old elderly woman afraid to talk about the war… and I knew that this heroic character had died a long time ago. However, that didn’t detract from my experience of reading the book and the sense of foreboding that it gave me, and how it seemed to color every brave thing that Isabelle did. It was like watching a train slowly moving towards a cliff. You know where it’s going to end up but you can do nothing to stop it and you watch the passengers go about their lives, none of them knowing where they’re headed. It’s a really painful form of dramatic irony.

This is a work of fiction, but written by someone who works in a related field. They have played out a fictional scenario to explore the difficulties of a dysfunctional therapeutic relationship, the prospect of manipulation within such a power imbalanced situation and then how this can be worst case scenario’d for a thriller. But the core of what has been written is rooted in serious ethical consideration of the immense vulnerability of a patient in therapy and the ways in which even the most well intentioned of therapists can fail in serious ways. So yes, this feels true.

I randomly picked ‘A Country Christmas Story’ a few days ago to watch on a lazy December afternoon and immediately fell in love with it. Although ‘A Country Christmas Story’ is not based on a true story, you can easily imagine it was. Most of all, the very real characters will probably make you wonder who they are based on. There’s the awkward homecoming of the heroine and her ex-high school boyfriend. And how the whole town comes together for the annual Christmas play. It is true that the movie did an excellent job of portraying the lives of many people and bringing out the love and humor between them. It was a wonderful movie in the sense that it portrayed the true life of many people. It is an excellent example of a movie that stays with you long after it has ended. Even though it is not a true story it could have been and that is what makes it such a great film.

This is another really tense book that I was unable to finish even though I was interested in the story (whether or not it is true). If I knew it was fiction, maybe it would be easier for me to read.

I get this one mixed up with The Book Thief because of all the fire imagery. But Incendiary is a completely different book written by a novelist, Chris Cleave, in 2005. It’s not a non-fiction book by a journalist reporting facts. The book depicts a terrorist attack on a London football stadium and it felt SO REAL after the real life attacks on London in the summer of that year. The protagonist’s unfiltered, raw voice of rage, of sorrow, and of dark and twisted humor is so real and therefore could be considered as ‘testimony’ to the way people are affected by such an atrocity. However, Cleave created this protagonist’s voice as a literary device. His story, although based on the real anxieties of early 21st century, is a work of fiction. Cleave explores how public fear and the way the media report it can have a very devastating effect on individuals within the storyline.

I have not read any true stories of children in detention camps but Zara Fraillon has written a brilliant novel about a boy, Subhi, who is living in an Australian immigration camp with his mother and brother. While Subhi’s experiences are not ‘true’ his life in the detention camp is vividly portrayed and his plight evokes emotions and anger at the injustices he suffers. His friendship with Jimmie, an outsider, brings hope into Subhi’s life and while a work of fiction, the book draws on many real life stories of children in detention camps around the world and of the experiences of many refugees. The Bone Sparrow brings to life the plight of many children living in the worst of circumstances. So often children are depicted as fragile and weak; Fraillon has gone to so much trouble to portray a child strong in the face of horror. His friendship with the wild boy Jimmie is also very real and authentic. Of course the two characters are fictional but the situations in which they find themselves are not and often go unreported. I am thinking of the current Rohingya crisis as well as reports from Nauru of children in detention. The title of this wonderful book, The Bone Sparrow, is also a real term used to describe a particular stage in the development of a bird’s wing. A bone so fragile yet crucial to the bird’s flight in the future. That is how I feel Fraillon has portrayed child refugees – so fragile yet determined to survive against all odds. This book is a love letter to the voices of refugee children that have not been heard yet, written in a way that is accessible to a middle grade reader but in no way sugars the horror of what is happening to these children.

The Vanished is not a true story. It’s a work of realistic fiction that plays with the genre of true crime. I loved how the frantic search for a missing person was mixed with all the usual true crime suspects and red herrings, and how the pressure eventually got to the normally sensible and together protagonists. It’s a bit like a long and engrossing podcast episode – and it’s not true, so no Disclaimer at the end. (The Danish version of The Vanished has much the same feeling, so if you like this, look up the original).

I don’t care whether or not Young Love is true. The fact that it continues to matter is all that I need to know. And it matters because it is an ageless tale of self-discovery and love in a society which values only youth and beauty. The story is not about 1970s New York; it is about a time and place where one is told that one is worth something only for so long. The specific setting is merely the packaging for this timeless tale, and it is the absolute accurate rendering of that setting combined with the universal aspects of the story that makes it a classic. A “based on a true story” label would detract from Young Love.

This is a work of fiction, very good I might add, but fiction nonetheless. Many films and books are sold to us on the basis of them being ‘based on a true story’. The description has become such a standard feature of marketing copy that one can almost begin to expect it to be there. The stories that are of most value to us, however, are the fictional ones – myths, legends, fairy tales and great novels. I guess what I’m trying to say is that myths, legends and stories etc are often powerful because they MEAN something, not because they’re “true”. That “Atmosphere” of yours probably has something to say about our time on earth and the choices we make whilst we’re here. The facts of the story are merely a vehicle to get us to that point of understanding. So, no, it doesn’t have to be “true” – what it tries to say is far more interesting.