Where Was No More Mr Nice Guy First Performed Live And Recorded?

2025-10-22 04:22:00 164

7 Answers

Hudson
Hudson
2025-10-24 23:00:29
All right, short and vivid take: the studio version of 'No More Mr. Nice Guy' was recorded at Morgan Studios in London as part of the 'Billion Dollar Babies' sessions, with Bob Ezrin shaping the sound. The live debut happened on the 'Billion Dollar Babies' tour in London, with the Hammersmith theatre being the first place that crowd heard it erupt in person. I love imagining the band cutting the record in a proper London studio and then blasting the same arrangement out to an electric, hostile-sweet audience that night — that immediacy is everything to me, and it’s why the track still gets me.
Bella
Bella
2025-10-26 02:47:12
I still smile whenever I hear that opening riff — it hits different. 'No More Mr. Nice Guy' was tracked during the sessions for 'Billion Dollar Babies' at Morgan Studios in London, with Bob Ezrin producing. The studio take is the one you hear on the single and LP; it’s tight, theatrical, and has that glossy early-'70s rock sheen that made Alice Cooper's band sound huge without being overblown.

Live, the song was rolled out on the 'Billion Dollar Babies' tour soon after the record was finished, and its public debut was in London at the Hammersmith venue (the classic Odeon/Hammersmith Apollo space where so many rock premieres happened). Hearing it in that cramped, raucous theater for the first time, people reportedly flipped — the chorus was tailor-made for singalongs. For me, mixing the studio polish from Morgan and the raw punch of those Hammersmith nights captures why the track still feels alive; it’s studio craft and stage chaos braided together, and that contrast is part of its charm.
Violet
Violet
2025-10-26 16:42:22
Short recollection: the original studio recording of 'No More Mr. Nice Guy' was laid down at Morgan Studios in London for the 'Billion Dollar Babies' sessions. Its live premiere came on the subsequent tour, first played for audiences at the Hammersmith venue in London. I like that combo — proper studio craft at Morgan, then an immediate live baptism at Hammersmith — it gives the track that polished-but-razor edge that hooked me from the first listen.
Kayla
Kayla
2025-10-26 22:49:34
I’ve always thought about songs like tiny time capsules — with 'No More Mr. Nice Guy' the capsule was closed in London and opened on stage. It was recorded as part of the 'Billion Dollar Babies' sessions at Morgan Studios in London, produced by Bob Ezrin, and that studio vibe gave it a punchy, radio-ready sound. The single that followed rode that momentum straight into the live setlists.

On the road the track was introduced during the 'Billion Dollar Babies' tour in 1973 and very quickly became a crowd favorite. Hearing it live was a different thrill: the studio polish translated into a rawer, more theatrical live moment, and that contrast is why so many live versions circulated afterwards. The song’s structure — catchy verse, shoutable chorus — made it perfect for TV and concert appearances, so you’ll find it popping up across various filmed shows and live compilations from that era.

All in all, I love how the studio work at Morgan Studios and the energy of the early tour performances are both essential parts of the song’s history; they’re the reason it stuck around as a signature tune.
Leah
Leah
2025-10-27 01:05:07
I get a thrill picturing the sequence: tape rolling in an old-school London studio, then the same riffs exploding on a nearby stage. The recording for 'No More Mr. Nice Guy' was done at Morgan Studios while the band was in town making 'Billion Dollar Babies' with Bob Ezrin producing. After the sessions wrapped, they didn’t sit on it — the song was introduced live almost immediately during the supporting tour, with its first live airing at Hammersmith in London. That pairing — a neat, professional studio cut from Morgan and the raw live premiere at Hammersmith — shows how the band balanced theatrics and musicianship. Thinking about those early shows, you can almost hear the crowd joining in on the chorus; it’s one of those tracks where studio and stage feed each other, and I still catch myself singing along on road trips.
Oliver
Oliver
2025-10-27 08:46:08
Short and sweet: 'No More Mr. Nice Guy' was recorded during the sessions for 'Billion Dollar Babies' at Morgan Studios in London and first performed live on the album’s supporting tour in 1973. The studio cut (Bob Ezrin at the helm) gave it its sharp, anthemic sound, while the live debut on the tour transformed it into a theatrical crowd-pleaser. Those two origins — the London studio session and the early tour performances — are what made the track both radio-friendly and a live show staple, and I still prefer catching a good live rendition for the extra intensity.
Piper
Piper
2025-10-28 11:06:21
If you love rock trivia, this one always tickles me — 'No More Mr. Nice Guy' was cut for the record in London and first hit stages on the tour that supported that album. The track was recorded during the sessions for 'Billion Dollar Babies' at Morgan Studios in London with Bob Ezrin producing, so the studio birth of the song is very much tied to that 1973 album period. Listening to the final mix you can hear the tightness of a band tracking together in a classic UK studio rather than something stitched together over months.

Live, the song debuted with the rest of the 'Billion Dollar Babies' set on the supporting tour in 1973 and quickly became a staple of the live show thanks to its singalong chorus and theatrical delivery. The tune really came alive onstage — the snarling vocal, the audience response, and the stage antics that made Alice Cooper shows famous. From there it was captured across many live recordings and bootlegs, but that initial studio session at Morgan and the tour performances that followed are where it truly started breathing.

I still get a kick hearing that opening riff, picturing the band in a London studio laying it down, then watching the same energy explode onstage; it’s one of those rock moments that felt inevitable once it came together, and I adore how both the studio and live versions complement each other.
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