Which Orange Series Characters Die In The Original Story?

2025-11-05 06:58:39 77

5 Answers

Vanessa
Vanessa
2025-11-07 15:08:33
There's a rawness to 'Orange' that hits hard: in the original timeline the key death is Kakeru Naruse. The letters are literally written because older Naho and the group lost him and want to change that future. It's painful but also clarifying — the manga makes it clear that stopping Kakeru's suicide is the point of their entire mission.

Aside from Kakeru, the only other death referenced as part of character backstory is Kakeru's mother, whose passing is a major emotional driver for his behavior. No other central friend from the group dies in that original version of events; the story focuses on preventing that one heartbreaking loss and exploring the ripple effects it creates. Personally, the way the characters try to untangle their regrets and act differently is what hooked me, more than any additional tragedy.
Gideon
Gideon
2025-11-08 17:59:01
I still get teary thinking about how simply the original 'Orange' setup is handled: the one death that anchors the older timeline is Kakeru Naruse. The friends send letters because, in their history, they failed to prevent his suicide. That single event is treated not as melodrama but as the painful consequence of missed chances, mixed signals, and untreated grief.

Kakeru's mother also died earlier and her absence is a constant shadow around him, informing his behavior and the group's attempts to reach him. Outside of those two losses (one past, one central to the timeline the letters come from), the cast survives, and most of the story energy is spent on preventing the repeat of that tragedy. For me, the way the manga balances hope and regret around that death is what makes it linger long after the last page.
Daniel
Daniel
2025-11-09 00:18:27
Short and factual: in the original timeline of 'Orange' the primary death is Kakeru Naruse — his suicide is the tragedy the letters are meant to avert. Kakeru's mother is also deceased prior to the main events, and her death figures heavily into Kakeru's psychological state. Other main characters survive; the narrative centers on grief, responsibility, and trying to rewrite one critical outcome. For anyone revisiting the story, that single loss is the core that shapes everything else, and it's heartbreaking in a very human, grounded way.
Quentin
Quentin
2025-11-10 15:33:55
On a personal note, the cruel clarity of 'Orange' is that the main death you need to know about in the original story is Kakeru Naruse. His death in the unaltered timeline is the reason the letters exist — everything else (friendship, guilt, small acts of kindness) spins out from that loss. Kakeru's mother is also gone before the story begins, and her absence is crucial to why he struggles.

No other core group members die in that original setup; instead, the narrative zeroes in on preventing one life from being lost and examining how a community shoulders that responsibility. It always leaves me quietly hopeful, even while it hurts.
Xander
Xander
2025-11-11 18:13:13
I've always been moved by how 'Orange' handles loss, and if you're asking who actually dies in the original timeline that the letters try to change, the central tragedy is Kakeru Naruse. In the world the future Naho writes from, Kakeru dies by suicide, and those older friends carry that grief into the letters they send back. That death is the engine of the whole story — it's what motivates every intervention, every awkward conversation, and every small kindness they try to reroute into a different future.

Beyond Kakeru, the only other notable death we learn about is Kakeru's mother, who died before the main events and whose loss deeply shapes him. Other main-group characters — Naho, Suwa, Azusa, Takako, Hagita — don't die in the original narrative; their arcs are about coping, guilt, and trying to save someone they love. The emotional weight of those losses (one past, one imminent in the original timeline) is what gives 'Orange' its ache. For me, that juxtaposition — past grief shaping present danger — is what keeps the story lingering in my mind.
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