What Piano Chords Are In Adele'S 'Someone Like You'?

2026-04-21 21:56:58 65
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3 Answers

Xavier
Xavier
2026-04-23 07:30:27
Breaking down 'Someone Like You' feels like peeling back layers of raw emotion—Adele's piano-driven ballad is deceptively simple but packs a punch. The core progression revolves around A major, E major, C# minor, and F# minor, creating that bittersweet ache she’s famous for. The verse cycles through A → E → C#m → F#m, while the chorus shifts to A → E → F#m → D, adding depth with that unexpected D major resolution. What’s fascinating is how she uses suspended chords (like Asus2) to blur the edges, making it feel like a half-finished thought—perfect for lyrics about longing.

I once tried playing it with a metronome and failed miserably; her rubato timing is everything. The left-hand octaves ground the song, but the right hand’s melody dances between chord tones and passing notes, almost like someone hesitating to say goodbye. If you want to capture the live version’s vibe, lean into those dynamic swells—Adele’s pianist often holds back on the sustain pedal until the chorus hits, flooding the room with sound.
Naomi
Naomi
2026-04-24 12:38:02
As a self-taught player who’s obsessed with pop ballads, I geeked out analyzing this song’s chord structure. The main riff alternates between A and E, but the magic happens in the pre-chorus with that C# minor → F# minor shift—it’s like the musical equivalent of a sigh. The chorus throws a curveball with the D major, which feels like a fleeting moment of hope before sliding back into melancholy. Pro tip: Add the occasional B7 before E to mimic the studio version’s richer harmony.

What’s wild is how universal these chords feel now. I’ve heard acoustic covers at coffee shops where they swap the piano for guitar capo’d on the 2nd fret, but the heartache still translates. Adele’s genius lies in using basic triads but voicing them sparingly—no fancy extensions, just naked emotion. Sometimes I play it in C major just to see how it changes the mood (spoiler: it becomes oddly uplifting).
Zander
Zander
2026-04-26 06:03:32
That opening A major chord instantly transports me to 2011—I was in high school when this song dropped, and every choir kid begged the pianist to teach it. The verses are a masterclass in tension: A (home), E (bright but unresolved), C#m (sorrow creeps in), F#m (full-blown heartbreak). The chorus’s D major is the gut-punch; it shouldn’t work after F#m, but it does, like reminiscing about happier times. Fun detail: The bridge (‘Never mind, I’ll find someone like you’) uses Bm → E → A, mirroring the emotional reset before the final chorus. I love how the left hand’s steady octaves contrast the right’s fluid melody—it’s the sound of keeping composure while falling apart.
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