Is The Picture Of Dorian Gray Hard To Read Due To Its Language?

Seven Classic Faery Tales are given a very adult makeover. You are entering a world of myth, magic, and Immortals. Throw in the humans for the added spice of erotica and violence. Mix together and you have dark adult faery tales ........ Do not read if easily offended!

After my family goes bankrupt, my younger brother, Simone Novello, is diagnosed with ALS. Just as I think I can't do anything anymore, Don Luigi Sartori decides to propose to me. Five years into the marriage, not only have I obtained all of Luigi's love, but he's also groomed my body to the maximum in bed. Thinking that this is a sign of love from Luigi, I cooperate with him even more passionately in bed. But when I'm delivering wine in a clubhouse one day, I witness Simone, who's supposed to be wheelchair-ridden, chatting with Luigi with a smile while clad in a high-end suit. "Simone, you've been pretending to be afflicted with ASL for five years just to punish Caterina for scolding Maria back then. Now that Maria is in a good mood and plans to return to the country, shouldn't you stop punishing Caterina then?" Simone sneers at Luigi. "I'll have my doctor inform her that I will recover after some time." "ASL is a deadly and incurable disease, you know. How can you possibly recover from it? Will Caterina even believe that excuse?" Simone flashes Luigi a confident smile. "Caterina is stupid, remember? Since when doesn't she believe anything we spout? Anyway, we'll just make it up to her in the future." I lower my head, feeling my tears rolling down my cheeks quietly. The thing is, Simone, there's no more future for me. Your ASL is a lie, but the deadly disease plaguing me is real.

"I am a monster, Miss Hart. You wouldn't want nor wish to see me..." He is mysterious and brilliant, wealthy and prominent, but no single soul has seen him in person. Well, no one should see him—that's one of his many rules. No one can touch him either; that's another rule. Except for me because I have broken every rule. Now I'm extremely drawn to him. His peculiarity is out of this world, and his beauty is beyond physical. But the Master has demons of his own and is being chased by his brutal past. Suddenly, we've become the reflection of each other's nightmares. I realize that the Master and I are not so different. Is this newly found bond just another uncertain fate that could deepen our wounds, or is it finally going to be our redemption?

My life was a living hell after my mother died. My father was the Don of the Rossi family, but you wouldn't know it from the way I lived. My stepsister and stepmother treated me like a maid. When the family faced a crisis, they didn't hesitate to sell me off to Caspian, the heir to the Valerius family, for their own gain. The word on the street was that Caspian was a monster—a butcher with a face torn apart by scars. I refused, but my father threatened me with my mother's keepsakes, forcing me to sign a three-year marriage contract. On our wedding day, Caspian didn't even look at me. He slid the ring on my finger, his touch like ice. "Remember," he said, "you're my wife in name only. Don't expect anything more." I wasn't hurt. That was what I wanted, too. I thought we'd spend three years as strangers, and then I'd be free. But I never expected the day he'd look at me with those possessive eyes, kiss me hard, and declare, "You're mine. My wife. Forever." And damn it, my heart actually skipped a beat.

When I pushed open the oakwood door to the manor’s study, I never expected to walk into such a scene. Juliana was sprawled across the desk, her posture leaving little to the imagination. As if not R-rated enough, her mini dress was pulled up to her waist, and her black lace clung to her thigh, barely covering her modesty. She looked back with a smile. “Alessia, my back is acting up again. Matteo’s just helping me out.” Matteo, my husband and a Don, rose to his feet, a tube of ointment in hand. He didn’t look like someone who had been caught out. “She couldn’t reach her back, so I thought I ought to lend a hand.” Matteo grabbed the dressing and pressed the gauze against her skin. He sure took his time. Tilting her head, Juliana met my gaze. “Don’t get the wrong idea. We grew up together. That’s how family is. We don’t care about that kind of stuff.” In my past life, I bolted into the room and grabbed Juliana by the hair to yank her off the desk. She turned to the side, shoving me hard into the sharp corner of the desk. I hit my head on the cold marble edge. The next thing I knew, I was a dead body in the morgue. This time, I stood in the doorway motionlessly. Since Juliana wanted to play the game, I’d be sure to hold my cards close to my chest.

The novel is mainly about the forgotten British poet/writer named C. J Richards who lived in Burma/Myanmar in colonial times and he believed himself as a Burmophile. He served as I.C.S (Indian Civil Servant) and when he retired from I.C.S service, he was a D.C (District Commissioner) and he left for England a year before Burma gained its independence in 1948. He came to Burma in 1920 to work in civil service after passing the hardest I.C.S examination. He wrote several books on Burma and contributed many monthly articles to Guardian Magazine published in Burma from 1953 to 1974 or 1975. Though he wrote several books which had much literary merit to both communities, Britain and Burma (Myanmar), people failed to recognize him. The story has two parts: one part is set in the contemporary Yangon (then called Rangoon) in 2016 context and a young literary enthusiast named “Lin” found out unexpectedly the forgotten writer’s poetry book and there is surely a good deal of time gap that led him into a quest to know more about the author’s life. The setting is quite different comparing to colonial Burma and independence Myanmar (Burma), early twentieth century and 2016 which is a transitional period in Myanmar. The writer’s life is fictionalized in the novel and most of the facts are taken from his personal stories and other reference books. It is a kind of historical novel with a twist and it has comparatively constructed the two different periods in Myanmar history to convince readers, locally and abroad more about history, authorship, humanity, colonialism, and transitional development in Myanmar today.