5 Answers2025-10-13
There are so many tender moments in the story of Priscilla and Elvis and their little Lisa Marie. After 1973 Priscilla was often the very strong Lisa Marie schoolmaster, containing Elvis’s impact on their world. Elvis, when he could be with them, played with Lisa Marie, had lots of fun with her and brought music to the house.
Their struggles to connect with their daughter through all of this created a bundle of mixed emotions for her. After Elvis passed away, Priscilla became Lisa Marie’s primary guardian along with caring for the legacy of Elvis Presley. My heart gets all bittersweet reading about the two of them trying their best to be good parents to Lisa Marie in their own ways. It still gives me chills.
5 Answers2025-05-14
Will the trope ever fade from our collective consciousness? Will future generations not think of The Omen when they hear the name ‘Damian’? It is possible but there are so many other books, games and TV shows since The Omen that use the name Damian that it has taken on a life of its own. Perhaps the biggest chance for the trope to change is if a massive, mainstream work were to present a completely new Damian, so different from what has come before that the new association would stick. But perhaps this new character would simply be the other side of the coin and we would have the devil Damian and the saint Damian. The name Damian has become a trope in and of itself and will likely be forever associated with two different archetypes.
8 Answers2026-04-08
This idea is kind of fascinating to me. I think it’s because so many cultures have created tragic, powerful female characters who rebel against divine authority. Lilith, of course, but also Morrigan from the Dragon Age games and Raven from the Teen Titans, for example. We don’t have a long enough historical list of these kind of figures, so we keep making new ones in games, books and anime.
This new set of meanings is being written in video games right now. In Bayonetta, the main character is a witch who contracts with a group of infernal demons. Within the lore of Bayonetta, there is much play with angelic and feminine/demonic power. The games of the Shin Megami Tensei series are another great example of this. This series contains a massive cast of demons and deities from every culture and mythology, most of whom are gender-bending or else some re-imagining of a mythological figure.
3 Answers2026-04-26
This is one of those concepts from an album that has really stuck with me. I imagine that Blurifyfaces (which is what I call fans of Blurryface) will totally get where I’m going with this but to the rest of the world: I see Blurryface as the part of myself who cares way too much about what everyone else thinks of me and is afraid of being seen in its truest form. The ‘blurry’ part of the name refers to the haze of perfectionism that we put up to try to blend in with everyone else.
Fans even got the red marks from the lyrics tattooed on their bodies, singing the lines like a hymn or a therapy session. They, in their collective fanbase experience, somehow turned the singer’s personal struggles into cathartic experiences. And they’re still relatable to this day because instead of trying to conquer the darkness, the music just teaches you to dance with it. The line “My name’s Blurryface” isn’t an introductory phrase, it’s a declaration of acceptance of all the not-so-beautiful things about you.
3 Answers2026-01-19
The Outlander wiki lists Claire Beauchamp, an Englishwoman with a Norman-French influenced surname, as the main subject of the entry, which then follows her through her marriage and time travel to become part of the Randall and Fraser families. There is a list of her immediate family, marriages and children (with main focus on Brianna). The family can also be viewed as a collapsible tree, showing how Claire’s link to 20th century English ancestors is joined with her 18th century Scottish relatives.
Additionally, this page lists out the different relationships between the ancestors of the main characters, as well as noting the difference between blood relations and marital relations. Since Outlander involves so much time travel, it can be confusing to keep track of the ancestors of the different husbands of the main character. This page is something I can bookmark for future reference to get a genealogy fix, and it is so much better than just a list of names. Seeing the chart of how all the characters are related really brings the story to life.
7 Answers2025-08-01
I saw this topic posted on a few different forums before and it seems to get the response that it’s not in the Bible, but the topic never seems to die. The question seems to bring up issues of personal significance in a tradition and maybe we should be addressing the issue of why someone would be interested in this question more.
4 Answers2026-04-15
I link 7 names with flowing dresses and hayloft romps: Milly, Dorcas, Ruth, Martha, Liza, Alice and Sarah. Beautifully choreographed (Michael Kidd was the choreographer) the brides run around like headless chickens in the social dance numbers. Their antics and behavior are beautifully contrasted to the shy giggly nature of Sarah and the boyish, gangly Gideon. Their romance is sweet and one can easily root for them even though the plot can be a bit far fetched at times. The final wedding scene was pure, unadulterated Hollywood magic!
8 Answers2025-06-26
It’s all about the music. In The 100%, true names aren’t spoken, they’re sung. The final confrontation with Xizen is totally silent, just two people standing facing each other while the two of them engage in a contest of unheard music. We don’t see any magic, we just hear descriptions of their faces and how the environment around them reacts. When Cassia “wins” by humming a simple little tune that is her genuine self, her childhood lullaby, it resonates and breaks apart Xizen’s multi-layered, evil, loathsome symphony. And then the whole world is filled with the sound of Cassia’s lullaby. In the end, people all over the world remember half-forgotten tunes and feel peace. It’s a very abstract, very sensory ending to the book. It doesn’t have to make sense. We can feel it even though we don’t understand it.
4 Answers2025-08-28
I was sitting in a coffee shop with a friend the other day and he asked me the etymology of the word “succumb.” I pulled out a napkin and started sketching out the Latin origin: succumbere (to succumb) = sub- (under) + cubare (to lie down). This word entered the English language through the Old French word succomber. At first the word merely meant to lie down under something, but it gradually took on the meaning of yielding or giving way.
Most commonly these days I come across two variations of this word. First, to give in to something, such as succumbing to temptation. The second is to die from something that ails one, as in he succumbed to his wounds. It’s a formal word and thus we use it when the yielding to something in question is serious rather than flippant.
3 Answers2026-06-22
I read that All Might's real name is Toshinori Yagi. It's a nice name and it suits him well, as opposed to his heroic name which is very flashy. Incidentally, the series uses All Might's real name very sparingly, just like the series uses to privilege to show All Might's real name to the people closest to him. Hence we get to see Toshinori in the form of Midoriya, Aizawa and a few others.
This detail shows again how the burden of being a symbol affects All Might. It’s a small detail but it reveals so much about the character. The way he switches between his identity as a hero and his real name, Toshinori, brings so much vulnerability to every situation. This is why I find his name so meaningful, it reminds us that beneath the costume of a hero is a human being.