Who Produced The Recording Of Hand To Myself?

2025-08-24 17:35:30 284

3 Answers

Owen
Owen
2025-08-25 03:35:41
Whenever that breathy hook from 'Hands to Myself' comes on, I always get curious about who sculpted that tight, minimal pop sound. The recording was produced by Max Martin and Ali Payami — they’re the names credited on the track from Selena Gomez’s 'Revival' era. If you look at the writing roster, Julia Michaels and Justin Tranter also helped craft the song, but Martin and Payami handled the production choices that make the beat so punchy and restrained.

As someone who notices tiny production details, I love how Max Martin’s pop instincts keep the track hook-forward while Ali Payami’s touch gives it that sparse, slightly dark electro-pop sheen. The percussion feels clipped and intimate, and the vocal sits almost whisper-close in the mix — that’s a signature move from these collabs. When I play it on my commute, the production still feels modern and sleek, like a perfect little pocket of pop crafted for replay.
Caleb
Caleb
2025-08-25 21:35:42
I was flipping through some liner notes and got nerdy about 'Hands to Myself' — official credits list Max Martin and Ali Payami as the producers. That combo is kind of a pop powerhouse: Martin brings the hit-making blueprint and Payami adds atmosphere and modern electronic textures. The song was part of the 'Revival' sessions, and you can hear that cohesive aesthetic across the record.

If you’re interested in who wrote and shaped the song beyond production, Julia Michaels and Justin Tranter were instrumental in the songwriting, which is why the melody and phrasing feel intimate and immediate. For the most precise credits, I like checking the album booklet or reputable music databases, but for quick IDs: Max Martin and Ali Payami are your producers here — they gave the track that compact, tense groove that sticks with you.
Owen
Owen
2025-08-28 21:46:37
Quick take: the song usually referred to as 'Hands to Myself' was produced by Max Martin and Ali Payami. I always mix the title up in casual chats, so it’s good to point out the official name and credits. The production is notably sparse and percussion-forward — that style is exactly why it stands out on radio playlists and why I still tap my foot every time the chorus hits. If you want to dive deeper, checking the full album credits or a music credits site will show the full team, but Max Martin and Ali Payami are the main producers who shaped the recording.
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