What Other Projects Did César Domboy Outlander Star In?

If you want to watch interviews with César Domboy about 'Outlander', your best bet is to treat it like a little treasure hunt across a few reliable hubs. Start at the official Starz ecosystem — their website and YouTube channel often host cast interviews, press junkets, and promo clips when seasons launch. Beyond that, YouTube is the main archive: search for "César Domboy interview 'Outlander'" and filter by upload date or channel. Channels like Entertainment Weekly, Variety and The Hollywood Reporter frequently post sit-downs or panel snippets with cast members from shows like 'Outlander', so those are worth scanning. If you like longer conversations, check podcast platforms (Spotify, Apple Podcasts) for 'Outlander'-themed podcasts and entertainment shows — many post audio or video interviews with cast members. Also poke through social platforms: Instagram Reels, TikTok and Twitter/X often have short clips from red carpets and panels; look for reposts from the official 'Outlander' account or the actors’ personal pages. Another underrated source is Blu-ray/DVD extras: season box sets sometimes include behind-the-scenes interviews and roundtables featuring the ensemble, and those can be surprisingly candid. A practical tip: use language filters or include French search terms if you want interviews in French — César does French press sometimes, and those interviews can show up on French outlets’ YouTube channels. I enjoy the variety you find this way — a mix of formal press junkets, playful social clips, and deeper podcast chats — it makes following his journey in 'Outlander' feel like being part of a fan club, honestly.

Fergus is one of those characters who worms his way into the story, and César Domboy first shows up as him in Season 2 of 'Outlander'. He starts in Paris with that scrappy, street-smart energy, and then becomes more entwined with Jamie and Claire as the seasons move on. Practically speaking, you’ll see Domboy from Season 2 onward—he’s present in Seasons 2, 3, 4, 5, 6, and into Season 7. Over that stretch he shifts from a lively rogue kid to a fully formed adult with a family, responsibilities, and plenty of dramatic scenes that tie him into the Fraser clan and the wider historical upheavals the show explores. I always enjoy watching his chemistry with Marsali and the way his storyline moves from Parisian mischief to the heavier, riskier stakes in America. If you’re rewatching, pay attention to the evolution of his style and acting choices—those small changes tell you a lot about how the character grows. Personally, watching him settle into a role that’s both loyal and impulsive is one of my favorite character arcs in 'Outlander'.

Surprised at how fast the years fly, I checked César Domboy's birthday out of curiosity and found that he was born on July 1, 1990. That makes him 35 years old as of October 2025. He’s best known to many of us for playing Fergus in 'Outlander', and seeing him hit his mid-thirties feels oddly comforting — he brings a youthful energy to the role but also a steadiness that grows with each season. I’ve followed a few interviews and panels where his French background and charm come through, and it’s neat to watch how his off-screen persona complements Fergus’s warmth. In terms of career trajectory, he’s one of those actors who can slip between French projects and international TV with ease, and you can tell he’s building a solid body of work. Fans often note his chemistry with the cast and how his portrayal adds humanity to the show's rougher moments. Personally, I enjoy how he ages into his roles: there’s a maturity that deepens his performances without erasing the spark that first made us love him on screen.

Surprising little detail: yes — César Domboy did film scenes in France for 'Outlander', but the truth is delightfully split between on-location Paris shoots and clever Scottish stand-ins. I got sucked into this when I started hunting behind-the-scenes photos and interviews around Season 2, which is where Fergus first shows up. Because his origin story ties directly to the Paris underworld and the printing trade, the production wanted that French texture. So the showrunners arranged a mixture: a few exterior and establishing shots were actually filmed in France to capture light, street layouts, and authentic architecture, while many of the day-to-day Paris interiors and street sequences were recreated back in Scotland or on sets. That meant César — being French and a natural in the role — appears in both kinds of footage. You can feel the subtle shift: the true-on-location exteriors give the Paris episodes an extra layer of realism, while the Scottish recreations keep the shooting schedule sane. From a fan perspective it's so satisfying to see a French actor playing a French character in genuine Parisian surroundings. It adds flavor to Fergus's introduction that studio magic alone might not have achieved, and I love spotting which frames were shot for real versus those carefully staged elsewhere.

I got hooked by how César Domboy turned Fergus into such a tactile, living presence on screen, and from what I followed he really leaned into every aspect of preparation to make that happen. He grounded himself in the source material first: diving into Diana Gabaldon’s world and the scripts for 'Outlander' so he could feel Fergus’ history—the orphaned, sharp-witted street kid who becomes fiercely loyal. That meant learning the emotional beats as much as the lines. He worked closely with dialect coaches and the showrunners to find the right mix of his native French flavor and the period-appropriate English cadence, which gives Fergus that irresistible continental swagger without feeling fake. On a practical level he trained physically — horseback riding, basic swordplay and stunt rehearsals — because Ferguson’s life is kinetic. He also spent time on set with the cast, letting chemistry grow naturally with the main players; you can see the familial warmth and playful banter in every scene. Watching him move in costume, handle props, and react in unscripted moments, I felt like he’d put the whole character together from research, rehearsal, and a lot of heart. He nailed the warmth and cheekiness, and I still grin whenever Fergus shows up.

As someone who has spent years tinkering with code and diving into programming books, I find 'The C Programming Language' by Brian Kernighan and Dennis Ritchie to be a timeless classic. Unlike many modern C books that overwhelm beginners with excessive details or outdated practices, this book cuts straight to the core of the language. It’s concise, yet it covers everything from basic syntax to advanced concepts like pointers and memory management with remarkable clarity. The examples are practical, and the exercises are thoughtfully designed to reinforce understanding. What sets it apart is its authorship—Ritchie created C, so you’re learning from the source. Other books might add fluff or trendy frameworks, but this one remains laser-focused on teaching C as it was meant to be used. Comparing it to newer alternatives like 'C Programming Absolute Beginner’s Guide' by Greg Perry and Dean Miller, the latter is more approachable for complete novices but lacks depth. Perry’s book is great for building confidence early on, but it doesn’t push you as hard as Kernighan and Ritchie’s work. On the other hand, 'Expert C Programming' by Peter van der Linden is fantastic for those who already grasp the basics and want to explore quirks and pitfalls, but it’s not a replacement for a foundational text. 'The C Programming Language' strikes a rare balance—it’s rigorous enough for serious learners yet accessible enough for dedicated beginners. If you want to truly understand C, this is the book that will stick with you long after the others gather dust on your shelf.

'C Programming: A Modern Approach' by K.N. King stands out for its clarity and depth. Unlike older C books that feel outdated or overly technical, King’s approach balances theory with practical examples, making it accessible for beginners while still valuable for intermediate learners. The book covers modern C standards like C99 and C11, which many classics skip. What I love is how it avoids the dry, reference-heavy style of books like 'The C Programming Language' by Kernighan and Ritchie. King’s exercises are engaging, and the explanations are thorough without being overwhelming. Compared to 'C Primer Plus' by Stephen Prata, which leans more verbose, King’s book is tighter and more focused. It’s my top recommendation for anyone serious about mastering C.

Every couple of years I pull up the old PDF of 'The C Programming Language' and it's like visiting a classic record in my collection — the melodies are simple, clean, and they still teach you how to hear code. That book (the K&R edition) distills the essence of C: how memory, pointers, and the minimal runtime glue together. If you're trying to grok how expressions and pointers actually map to machine operations, the concise chapters and examples in that PDF are incredibly valuable. It trains your intuition in a way that modern, feature-heavy tutorials sometimes gloss over. That said, the PDF is not a complete map for today's C ecosystem. It predates C99, C11, and C17/C18 additions like flexible array members, inline functions, _Bool, atomic types, and threading support. It won’t show you how to use sanitizers, modern compiler flags, or advise on undefined behavior traps introduced by aggressive optimizations. For practical, production-oriented work I pair K&R with the actual ISO standard drafts (browse the latest online), and with newer books such as '21st Century C' or 'Modern C' to learn tooling, portably writing safer code, and idioms used in contemporary codebases. So yes — the PDF is absolutely still relevant as a foundational text, but treat it like a classic trail guide: follow it for core routes, then consult updated maps and modern gear before setting off. It keeps my mental model sharp every time I return to it.