Are There Any Reviews Of The Orange And Other Poems?

2025-11-13 02:14:09 278

3 Answers

Ruby
Ruby
2025-11-15 21:58:35
I stumbled upon 'The Orange and Other Poems' a few months ago after a friend insisted it was a hidden gem. What struck me first was how Wendy Cope’s voice feels like a warm conversation—playful yet profound. Her poem 'The Orange' is a masterclass in finding joy in simplicity, and it’s stuck with me ever since. Critics often highlight her wit and accessibility, but I think her real talent lies in making the mundane feel magical. The collection balances humor with tender moments, like in 'Bloody Men,' where she skewers dating woes with razor-sharp rhymes. It’s not just a book; it’s a mood lifter.

Online, I’ve seen reviews call it 'a pocket-sized antidepressant' or 'the poetic equivalent of tea and toast.' Some academic types dismiss it as too light, but that misses the point—Cope’s work thrives in its relatability. My dog-eared copy lives on my nightstand for days when life needs a little brightening.
Fiona
Fiona
2025-11-18 10:09:26
If you’re into poetry that doesn’t take itself too seriously but still packs a punch, 'The Orange and Other Poems' is worth your time. Wendy Cope’s style is deceptively simple—she writes about oranges, unrequited love, and traffic jams like they’re epic sagas. I first heard about her from a podcast where a host raved about how 'Two Cures for Love' made them cry on public transport. Personally, I adore how she blends formal structures (like villanelles) with cheeky modern themes. Goodreads is full of fans gushing over her 'laugh-out-loud moments,' but my favorite part is the quieter poems, like 'Lonely Hearts,' where a single classified ad becomes a heartbreaking vignette.

A few indie bookshops I follow on Instagram often feature this collection in their 'comfort reads' displays, which feels spot-on. It’s the kind of book you gift to someone who claims they 'don’t get poetry.'
Quentin
Quentin
2025-11-19 04:03:59
Wendy Cope’s 'The Orange and Other Poems' feels like catching up with an old friend who knows exactly when to joke and when to listen. The title poem alone—with its celebration of a perfect orange—is my go-to for bad days. I’ve seen it described as 'a love letter to ordinary happiness' in literary blogs, and that nails it. While some reviewers compare her to Larkin for her sharp observations, her tone is kinder, more forgiving. The way she rhymes 'disaster' with 'plaster' in 'Engineers’ Corner' still cracks me up. It’s rare to find poetry that’s this smart and this much fun.
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