Where Was The Second Act: Revenge Filmed And What Locations Appear?

If you enjoy poking at films to see where they really came from, 'The Second Act: Revenge' is full of goodies. A lot of specific sequences map to real streets: the opening sequence with the train and hurried goodbyes was filmed at Waterfront Station in Vancouver, which doubles as a more anonymous urban hub. There’s a gritty fight that takes place in an old industrial lot — that was shot on Hastings Street and a converted warehouse in Gastown, and you can actually see local signage in the background if you’re watching in HD.

Car chases and coastal drives? Those were mostly on the Sea-to-Sky corridor north of Vancouver, giving the film those sweeping mountain-to-ocean shots. Meanwhile, some of the city interior work — the law office, the hospital corridors — were practical sets at North Shore Studios; they used tight lighting to stitch those interiors to the exteriors of Langley and downtown Vancouver. A few establishing shots come from Los Angeles: the rooftop bar scene with the neon skyline is downtown LA, and a brief train sequence used Los Angeles Union Station for its grand architecture. It’s a clever mash-up that gives the film variety without feeling disjointed, and hunting down each spot felt like traveling without leaving my couch. I love how location work can add a whole extra layer to storytelling.

Watching 'The Second Act: Revenge' hit me like a map-hunt — it’s filmed across urban and coastal Korea, mixing studio interiors with on-site spots to create mood. The busy city sequences lean on Seoul’s glass-and-alley contrast: glossy business districts versus cramped backstreets. For seaside and wind-swept emotional beats, Busan’s beaches and ports are used, and Jeju’s dramatic cliffs show up for the lonelier, cinematic moments.

Studio sets around Gyeonggi provide the controlled corporate and hospital environments, while older industrial areas — the sort you find in Incheon or port towns — host the action scenes and chases. Small, intimate places like a Hongdae bar, a provincial train station, and a rooftop garden crop up too, giving the film texture. I liked how these locations made the characters’ grudges feel rooted in real places; they made the whole story land for me.

Quick location primer for fellow spotters: 'The Second Act: Revenge' was mostly filmed around Vancouver and nearby coastal areas, with major studio work at Vancouver Film Studios and North Shore Studios. Key exteriors include Gastown, Granville Island, Stanley Park’s seawall, and a memorable estate exterior at Hatley Castle on Vancouver Island. The filmmakers also used the Sea-to-Sky Highway for scenic chase sequences and shot a handful of urban scenes in Los Angeles — think downtown rooftops and a courthouse facade — to get that distinct Southern California look.

Production-wise, that means a mix of on-location shooting and stage-built interiors, which explains why some scenes feel intimate and others cinematic in scale. If you’re planning a little pilgrimage, the most recognizable public spots are Gastown’s steam clock area, Granville Island Market, and the Hatley Castle grounds (the grounds are visitor-friendly, though some private parts are off-limits). For me, seeing those places in real life after noticing them on screen made the film click in a new way — it’s a cool reminder that movies are stitched together from lots of real-world pieces, and that thrill of recognition never gets old.

I fell in love with 'The Second Act: Revenge' partly because of its locations — they feel like another character in the story. The production used a mix of on-location shooting and studio work to get that gritty-but-cinematic look. Most exterior city scenes were filmed across Seoul, with recognizable slices of Gangnam’s glass towers contrasted against older alleys in Jongno; those high-contrast shots sell the class divide the plot leans on. For seaside moments, the crew clearly moved to Busan: Haeundae’s broad beach and the port areas give the film an airy, salt-tinged melancholy that breaks up the urban claustrophobia.

Interior corporate and hospital scenes were mostly handled on soundstages around Gyeonggi Province, where they built modular office sets and hospital corridors — you can spot the telltale continuity of stage lighting and removable walls if you look closely. There are also a few beautiful outdoor mountain shots that were filmed on Jeju Island; the cliffside sequences and the lone lighthouse scene use Jeju’s volcanic coastline, lending a bleak, windblown poetry to the revenge beats. A memorable car-chase/escape sequence runs through narrow port roads and an abandoned warehouse district that feels like it was shot in Incheon’s older industrial zones — those rusted shipping containers and graffiti-streaked facades make the action more visceral.

Beyond the big names, the film peppers in smaller, very specific spots that local fans love to point out: a tiny bar with neon signs tucked near Seoul’s Hongdae scene, a rooftop garden tucked into a Gangnam high-rise, and a sleepy rural train station that was filmed in a small town in North Chungcheong. The editing blends these places so well the whole country reads as a palette of modern ambition and quiet, trapped grief. I enjoyed trying to pick out landmarks while watching; it felt like a scavenger hunt. Honestly, spotting the ferry terminal and recognizing the staircase by the bookstore made the revenge plot hit harder for me.

Got curious one weekend and did a location deep-dive into 'The Second Act: Revenge', and it turned into a little obsession — in the best way. The bulk of principal photography was shot around Vancouver, British Columbia, which is why the city’s skyline and rain-soaked streets feel so present throughout the film. You can spot Gastown’s brick alleys and vintage lamp posts in several night sequences, while Granville Island supplies that artsy market vibe for a quiet reunion scene. The production used Vancouver Film Studios for most interior sets, so a lot of the apartment interiors and the antagonist’s study were built on stage rather than being real locations.

They also snuck in a few Pacific Northwest landmarks: the seawall at Stanley Park appears during the bicycle chase, and the Capilano Suspension Bridge shows up in a brief, moody montage that hints at isolation. For the big estate exterior, they filmed at Hatley Castle on Vancouver Island — it’s one of those gorgeous, slightly spooky manors that immediately reads as ‘old money’ on screen. A second-unit crew shot coastal sequences around White Rock and the Tsawwassen ferry terminal to sell the seaside escape.

To round things out, the production flew a small unit down to Los Angeles for a handful of urban scenes that needed recognizably southern California architecture — a courtroom facade and a rooftop bar scene were shot in downtown LA, then blended with Vancouver footage in editing. The mixing of cities is seamless most of the time, and I loved pausing on frames to pick out the real-life spots — it makes rewatching feel like a scavenger hunt and gives the film an oddly international texture.