Are There Any Sequels To East Of West: The Apocalypse, Year Two?

2025-12-11 13:22:18 349
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4 Answers

Tessa
Tessa
2025-12-12 10:51:34
Oh, the 'East of West' sequels are a wild ride! 'Year Three' dives deeper into the fractured America’s warring factions, and Dragotta’s art somehow gets even sharper—those splash pages of the Chosen’s showdowns are frame-worthy. I adore how Hickman weaves in biblical symbolism without feeling pretentious; it’s all guns and grit first, philosophy second.

Fun detail: The trade paperbacks include extra world-building notes, like faction manifestos. Made me wish for an RPG set in this universe. No follow-up to 'Year Three' yet, but with that cliffhanger ending? I’m keeping my shelf space reserved.
Uri
Uri
2025-12-12 18:22:36
If you loved 'Year Two', buckle up—'Year Three' takes the stakes nuclear. The way Hickman balances personal drama (hello, Xiaolian’s arc) with macro-scale conflict is chef’s kiss. I binged it in one sitting and immediately re-read it to catch all the foreshadowing I’d missed.

Side note: The variant covers for 'Year Three' are collector’s gold, especially the one riffing on 'The Last Supper'. While there’s no 'Year Four' announced, the unresolved threads—like the Crow’s endgame—keep fan theories thriving. maybe someday we’ll get that rumored prequel about the First Horsemen.
Oliver
Oliver
2025-12-16 13:12:01
Yep, 'Year Three' exists, and it’s just as brutal as the earlier arcs. The pacing’s tighter, with less setup and more payoff—like the final battle at the Wall. Dragotta’s art steals the show; his version of the apocalypse feels both grand and grotesque.

No word on further sequels, but the way 'Year Three' ends leaves room for more. Personally, I’d kill for a spin-off about Archibald Chamberlain’s early days. That guy’s dialogue alone deserves an entire miniseries.
Peter
Peter
2025-12-17 10:39:47
this question hits close to home! After 'Year Two', the series continues with 'Year Three'—another gorgeously bleak installment where Hickman and Dragotta Crank up the political chaos and cosmic dread. The world-building here is insane; it’s like watching a chess game where every piece is a nuke.

What really hooked me was how the Horsemen’s personal arcs unravel. Death’s vendetta gets messier, and the sci-fi twists (like the Message’s origins) left me staring at the ceiling at 3 AM. No official 'Year Four' yet, but the unresolved tensions between the nations and the supernatural elements make me hope Hickman revisits this world someday. That last panel of Babylon still haunts me.
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