Why Does Smough Wield Such Brutal Hammer Attacks?

The way I size them up, Ornstein and Smough are like two very different rhythms that you need to learn to dance with. Ornstein is the quick, skittering spear—he pokes, dashes, and strings together fast combos. Memorize his triple-stab pattern: a quick forward thrust, a short recovery, then a follow-up lunge. He also does a sudden lightning charge that starts with a brief wind-up where he crouches and the spear sparks; if you see that, dodge sideways or roll toward him through the spear to avoid getting clipped. He'll occasionally do a vertical leap or a skip-and-thrust combo that reaches farther than it looks, so don’t try to punish him on the first hit unless he finishes his combo. Smough is the slow, heavy rhythm. His attacks are telegraphed by big overhead raises and long wind-ups. Memorize the overhead slam into ground shockwave: he lifts the hammer high, takes a beat, then brings it down—roll to the side just before the impact. He also has a charging stomp that travels forward; that’s blockable with a good lightning-resistant shield but much easier to dodge by circling his flank. When Smough does the butt-stomp, he often follows with a short hop slam—be ready to back off or roll through if you’ve got momentum. One last pattern to lock into your brain: when one dies, the survivor gains new moves and altered timing. If Ornstein dies first, Smough grows enormous and his slams become the main threat but are slower and more punishable. If Smough dies first, Ornstein becomes more aggressive and gets charged lightning hits that punish ranged play. I prefer staying unpredictable and punishing the recovery windows, and that’s gotten me through more than a few attempts in 'Dark Souls'. I still grin every time I finally make them stagger together.

Pairing up with a buddy in 'Dark Souls' turns Ornstein and Smough into this chaotic duet where timing and roles matter more than raw stats. I like to split duties right away: one player commits to being the lightning magnet—constantly moving, baiting Ornstein's quick thrusts and using the pillars to break line of sight—while the other circles Smough and punishes his slow recovery frames. Communication is everything; tell each other when you're healing or out of stamina so you don't both get greedy at the same time. Gear and buffs speed the run more than you'd think. I usually bring a fast, upgraded weapon with resins or buffs so the Smough-target can chew through armor while the Ornstein-bait wears him down. If someone has ranged spells or pyromancy, use them from behind cover to chip damage when the bosses are separated. When one falls, adapt immediately: the powered-up survivor changes attack patterns, so the bait switches to kite-and-dodge while the damage dealer goes all-in. It’s chaotic but coordinated, and pulling it off with a friend feels awesome — much more satisfying than a solo slog.

If you peel back the layers of spectacle in 'Dark Souls', the relationship between Ornstein and Smough reads like a grim little drama stitched into Anor Londo itself. Ornstein wears the colors of sunlight and the pedigree of Gwyn's Four Knights — he's called Dragonslayer Ornstein, famed for stabbing dragons in the eyes and serving at the height of Lord Gwyn's reign. Smough, by contrast, is described as a monstrous executioner who'd eat the corpses of those he executed. Those item descriptions are blunt; they don't write a novel, but they point to a pairing that was meant to contrast ideals: a noble, lightning-wreathed champion beside a brutal, gluttonous enforcer. Gameplay enforces the story. The way the surviving brother absorbs the other's power when one dies — Ornstein becoming grotesquely bulky if he eats Smough's soul, or Smough gaining lightning traits if he consumes Ornstein's — suggests a toxic codependence. I've always felt it's less about friendship and more about a twisted loyalty: duty kept them together, but hunger and pride turned that duty into something uncanny. It's one of those details that makes 'Dark Souls' feel alive to me.

Not gonna lie, the 'Ornstein and Smough' fight in 'Dark Souls' is one of those encounters that rewards thinking about position and patience more than brute force. I like to start by abusing aggro — get one of them to chase you around a pillar while you whack the other. The arena has columns you can use to split their line of sight; if you keep a pillar between you and Ornstein, his lightning thrusts become much harder to land, and Smough’s big charge can be baited around the column so he smashes it and then hangs in recovery. Summons (NPC or player) make this even easier because you can assign one boss to the summon and duel the other. When one dies the other power-ups, so plan for that shift. If Ornstein falls first you’ll face a slow, thunderous Smough whose long recovery frames let you circle-strafe and land heavy attacks or backstabs. If Smough falls first, expect a much faster, more relentless Ornstein; that’s when extra mobility and lightning resistance help. Personally I love baiting Smough’s slam and getting behind him for big hits — it feels smart and satisfying.

I love talking about the 'Ornstein and Smough' fight because it’s one of those encounters that completely reshapes how you approach a boss fight in 'Dark Souls'. On the surface it’s a classic two-on-one: one speedy, lightning-spearing foe and one lumbering, hammer-wielding behemoth. That dynamic forces you to decide whether to play hit-and-run against the fast one or turtle up against the slow, hard-hitting one. I tend to bait the slow swings from the hammer guy and punish the spear wielder’s recovery — it feels musical once you get the timings. When one of them dies the whole rhythm changes. The survivor absorbs the other’s power, becomes larger and gains new, often more punishing moves with greater area-of-effect and poise. That means a strategy that worked in the two-boss phase can fail spectacularly afterward. If I plan to split my attention, I’ll usually commit to taking one down super-fast so I don’t have to deal with the powered-up solo later. Alternatively, I’ll clear room for pokes and use summons or ranged attacks to finish one quickly. I also adapt my kit: swap to faster weaponry and mobility if I’m going to kite Ornstein, or go heavier armor and poise build if I want to tank Smough’s charges. Spells and arrows can thin the herd early; co-op partners change everything because you can force target priority. All told, the mechanics reward flexible planning and reading your moment-to-moment openings — it’s messy and thrilling and I wouldn’t have it any other way.

I still get a rush thinking about how manic the Ornstein and Smough fight can be, but let me break down which weapons actually make that chaos manageable for me. Fast, precise blades are my go-to for the lightning-fast spear guy; something like an Uchigatana, Balder Side Sword, or even the Estoc lets you weave in hits and back out before Ornstein retaliates. Those give you mobility and bleed potential, which helps chip him down without getting punished. For the slow, massive hammer guy I lean on high poise-damage weapons — think Great Club, Zweihander, or any greataxe — because they stagger him faster and you can punish his slow recovery. If I’m feeling tactical I’ll bring a halberd (Black Knight Halberd or Gargoyle Halberd) to control spacing: it covers both bosses reasonably well because of reach and thrust damage. And yes, magic or fire pyromancies can work wonders from a safe distance if you’ve leveled them, but you’ll need to manage soul arrows or Great Chaos Fireball use carefully. In short: nimble sharp blade for Ornstein, raw heavy strikes for Smough, and a polearm if you want a one-weapon compromise — that combo saved me more times than I can count.

My favorite duo in 'Dark Souls' probably gets my heart racing more than any other fight. Ornstein and Smough aren't just tough opponents; they're a designed spectacle. The way the boss arena in Anor Londo frames them — stained glass, looming columns, that echo when you move — turns the battle into theater. Ornstein dances around with a lightning-speared grace while Smough stomps and crushes with brutal, slow power, and that contrast creates a rhythm you have to learn. Tactics and story fold together too: the choice of which one you kill first changes the second phase, so your decision matters in a way most bosses don't demand. I loved how that forced me to adapt mid-fight, and later, the shared loot, the weapons and armor, felt like a reward and a narrative beat. Even now, years later, I still get a little surge of adrenaline when I hear the clash of their weapons — makes me want to boot up 'Dark Souls' and try a new build just to face them again.

There’s a grim poetry to Smough’s rise that always gets under my skin. From the bits of lore scattered across 'Dark Souls' — item descriptions, boss dialogue, and environmental storytelling — Smough was never a noble protector in any romantic sense. He’s described as a grotesque, ravenous executioner who delighted in crushing the weak and consuming their flesh, and that appetite for dominance is exactly the character trait that would have attracted a lord like Gwyn. A god who prized order above all could use someone unflinching, someone willing to make examples of anyone who stepped out of line. In Anor Londo it seems there was a deliberate balance: Ornstein as the cathedral’s stalwart knight, Smough as the cathedral’s brutal hand. Gwyn needed both the shining ideal and the blunt instrument. Smough’s methods were monstrous, but his loyalty — or at least his usefulness — made him valuable. The idea of him being formally titled the royal executioner fits with how the court maintains its power: beautiful pageantry on the surface and ugly violence behind the curtain. I always end up picturing the cold hush of the throne room as Smough does what he does best, and it leaves a chill that sticks with me.