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Ayn Rand

The world is no longer the same. Everything has changed. Supernatural creatures took over the world. Humans no longer dominate the world; in fact, they became slaves to those creatures. Now the world is all about vampires, werewolves and witches. Rayne is not the normal human being that you may pass by every day. She is different and unique in her own way. Classifying her as a human being may not be accurate, but there is no other classification for her.When the most powerful vampire on earth stumbles upon the unique, one-of-a-kind and gifted human being, things will turn upside down for both of them. She will no longer be tortured and he will no longer be the lonely cold-hearted emperor.

66 Chapters

ALWAYS ZAYN

Aisha lost three years of her memories, thinking she is still that young girl striving for goodness. She didn't know she got married and had a son who's now taken by her brother as his son till she regains her memory. After two years without success, her parents decided to get her married to Zayn. He became a large part of her life and without him, she knew she'd wither but even after knowing that, she was willing to let him go for the sake of his own sanity. When she regained her memories and found out just how impure and dirty she is from her past life, she wanted to let him go. He didn't allow that, he clung onto her like a second skin. It's a journey filled with emotional roller coaster. It entails love, romance, hatred, heartbreak and sadness. It's always going to be Zayn in her life...

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72 Chapters

ALPHA ZAYN'S DISTRUST

"I didn't do anything wrong, Zayn!" My vision went blurry with tears after I watched him kick the unconscious man on the floor aside. I instinctively retreated a few steps back as he approached me silently, his icy blue eyes now replaced with the eyes of a savage wolf. I knew I was completely doomed at the moment but I couldn't give up for the sake of my son. "Roger is the one who tried to take advantage of me-" "Shh," His lips covered mine the next second, pulling my soft body flush against his own as he kissed all my senses out of me. I was completely lost in the moment until he pulled back and whispered against my lips, "Don't worry, I'll investigate this matter myself, darling. We both know that I don't believe the words that come out of your sweet, pretty mouth." ------------------------------------------------------------------------------------ Ever since Maisie was abandoned by her mate, she vowed never to let him near her or their son. But fate has its own plans as she finds herself entangled with her cold-hearted mate once more. Now, she must navigate a way to shield herself and her son from the ruthless alpha of the Frost Fang pack, Zayn Cardinal – the strongest wolf in the entire Great Landmark. Zayn, scarred by his mate's past betrayal, is shattered when he discovers the existence of his son, Alexei. Despite his vow to close the door on their past, he is forced to confront the woman who shattered his world but this time, he was not going to fall for her tricks again. Can love rekindle between them once again, or would their son, Alexei become the only bond that holds them together for life?

9.5

149 Chapters

SOLD TO MR PAYNE

Life has never been easy for Olivia and her mother. After years of going through constant abuse from her stepfather and sister, Olivia realizes there's a way out of such torture. But everything comes with her price. For Olivia, she has to sell herself to the most sexy, ruthless and arrogant man alive. Alexander Payne.

5 Chapters

Rejected By Alpha Rayne

“I will let you see your family, but you can't leave this palace, Selene. This is home, and I will refine you into a strong she-wolf." “I never want that. You already have Luna by your side; the strongest she-wolf in the Eldoria. You might be wrong; I'm not your mate." Selene interjected as she gently rubbed her palms together. Rayne chuckled softly at the woman's words, and this sounded like music to Selene's ears. The devil was undeniably handsome but cruel in her eyes. “The maids will attend to you; make yourself comfortable. I will come to you tomorrow to officially welcome you as my concubine." He said, rising from the bed, as he watched her shake her head in denial. “I don't want to live here." She rasped. “You are tied to me, Selene. To me and no one else," He declared as he walked out of the room, shutting the door behind him. *** When Selene went to the celebration, she didn't know that would be the last time she would see her family. She was claimed and rejected by the Alpha king but with one condition. She won't be able to gain his heart and will have to become a breeder. What will happen when the Alpha king suddenly discovers she is his true fated mate but she escapes from the palace?

108 Chapters

Random

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2 Chapters

Is Rand Corporation Related To Ayn Rand

1 Answers2025-02-27 04:59:06

Both. You could be excused for thinking Ayn Rand, the noted author of 'Atlas Shrugged' and 'The Fountainhead,' must have some relationship with the RAND Corporation because both use 'Rand' in their names. But no connection exists on either side of these equations!

Which Novels Did Ayn Rand Write In Chronological Order?

3 Answers2025-08-31 22:11:30

I’ve got a soft spot for reading author timelines while sipping too-strong coffee at midnight, and Ayn Rand’s novels line up pretty cleanly, which is nice. If you want the basic chronological order of her long fiction, it goes: 'We the Living' (1936), then the shorter 'Anthem' (1938), followed by the big breakout 'The Fountainhead' (1943), and finally the massive 'Atlas Shrugged' (1957).

I first tackled them out of curiosity in college, reading 'We the Living' on a cramped train and feeling the rawness of her first novel — it’s closest to her Russian exile experience and hits with personal anger and grief more than the later ideological polish. 'Anthem' is a quick, almost fable-like novella; it’s bite-sized but sharp, great when you want her ideas condensed. 'The Fountainhead' feels cinematic and character-driven: architectural obsession, individualism turned into moral drama. 'Atlas Shrugged' is the long, doctrinal epic where her philosophy gets the fullest expression; I treated it like a marathon.

If you’re diving in, I’d say read them in that publication order — it shows how her voice and confidence evolved. Also peek at some of her essays or interviews after 'Atlas Shrugged' if you’re hungry for context; they help explain why the novels take the forms they do. Personally, I like rereading scenes from 'The Fountainhead' when I need a jolt of dramatic rhetoric, but for a sharper, shorter punch, 'Anthem' is my travel-read go-to.

How Did Ayn Rand Shape Modern Libertarian Ideology?

3 Answers2025-08-31 07:26:22

I still get a little excited talking about how one writer rewired a chunk of political rhetoric. When I first read 'The Fountainhead' and then 'Atlas Shrugged' in my twenties, it felt like someone had handed libertarianism a set of marching songs: clear heroes, bold villains, and a moral case for self-interest and free markets that didn't hide behind technocratic language. Rand's Objectivist core—rational self-interest, individual rights, and an uncompromising defense of laissez-faire capitalism—gave activists a philosophical spine. Instead of only arguing about efficiency or utility, people started arguing that capitalism was morally good and altruism was suspect.

She shaped modern libertarianism not just through ideas but through cultural infrastructure. The vivid imagery of John Galt and Howard Roark became shorthand in op-eds, campus protests, and fundraising. Think tanks, magazines, and institutes with libertarian leanings borrowed her tone and clarity to mobilize donors and volunteers. Even tech founders and some political figures embraced the mythic entrepreneur archetype that Rand popularized. That moral framing made it easier to recruit converts who wanted a principled, almost literary reason to oppose regulation and high taxation.

At the same time, I can't pretend it was all positive. Her absolutist language and personality cult repelled many classical liberals and academics who preferred nuanced policy debates; thinkers like Hayek and Friedman influenced policy practice in different ways. Rand's ethics sometimes translated into a black-and-white political posture that hindered coalition building. Still, whether you love or loathe her, her dramatic storytelling and unapologetic moral arguments left a real stamp on the movement — and on how people talk about freedom today.

How Long Did It Take Ayn Rand To Write 'Atlas Shrugged'?

1 Answers2025-06-15 22:17:33

I've always been fascinated by Ayn Rand's monumental work 'Atlas Shrugged', not just for its philosophy but for the sheer dedication it demanded. Rand spent a staggering 12 years writing this beast of a novel, from 1943 to 1955. That's longer than some wars! What blows my mind is how she didn't just churn out pages—she lived and breathed every word, refining her ideas like a sculptor with marble. The manuscript ballooned to over 1,200 pages, and she reportedly called it her 'magnum opus,' a term you don't throw around lightly. I imagine her desk buried under drafts, coffee stains marking midnight revisions, because this wasn't just a book; it was a manifesto.

What's wild is how her life mirrored the novel's themes during those years. She was fighting her own battles—against critics, publishers, even fatigue. There's a story about her working 30-hour stretches, fueled by chain-smoking and stubbornness. The research alone was exhaustive; she studied railroads, physics, and economics to make Dagny Taggart's world feel real. And let's not forget the infamous 'John Galt speech,' a 60-page monologue that took her two years to perfect. Most writers would collapse under that weight, but Rand? She treated it like a marathon, pacing herself through the ideological wilderness. When 'Atlas Shrugged' finally hit shelves, it was met with polarizing reviews, but the time invested became part of its legend. Those 12 years weren't just writing—they were a rebellion in ink.

How Did Ayn Rand'S Background Influence Her Fiction?

3 Answers2025-08-31 12:32:35

Growing up as someone who loves diving into why writers write, I can’t help but see Ayn Rand’s Russian childhood stamped all over her fiction. Her family lost their business to the Bolsheviks and she came of age amid revolutionary chaos — that experience gave her a lifelong distrust of collectivism that becomes the emotional engine in novels like 'We the Living', 'The Fountainhead', and 'Atlas Shrugged'. When I read her on a crowded train, I notice how often she frames the story as a struggle between an individual’s creative impulse and an oppressive social machine; that tension clearly echoes the real upheaval she witnessed back in Petrograd.

Beyond politics, her early life shaped the kinds of heroes she celebrates: architects, engineers, industrialists — people who build and design. I always feel the physicality of her prose, the meticulous descriptions of machines and buildings, as if she’s honoring the concrete, productive work that she saw crushed by state control. Her Hollywood years added to the showmanship: large set-piece scenes, dramatic speeches, and an almost cinematic clarity of antagonist and protagonist. Put together, those elements make her fiction feel like a personal manifesto disguised as storytelling, deeply informed by history and a real immigrant’s insistence on the moral primacy of reason and productive achievement.

Reading her now, I get both the fervor and the stubbornness: the books are part autobiography, part philosophical experiment, and they keep provoking me — sometimes with admiration, sometimes with frustration, but never with boredom.

What Are Ayn Rand'S Core Objectivist Ideas?

3 Answers2025-08-31 16:37:34

I still get a little buzz whenever the phrase 'Who is John Galt?' pops up in conversation — it takes me back to late-night reading binges with a cold coffee beside me. At its core, Ayn Rand's Objectivism is built on a few bold pillars: reality exists independent of consciousness (metaphysical realism), reason is man's only means of knowledge (epistemology), pursuing one's rational self-interest is the moral purpose of life (ethical egoism), and the proper social system protects individual rights and allows free markets (political philosophy).

What that looks like in practice: she rejects mysticism and faith, argues that emotions can't replace logical thought, and insists that you should think for yourself. Ethically, she flips the usual moral script — altruism, as she defines it (self-sacrifice for others as a moral duty), is wrong; instead, she celebrates productive achievement and calls virtues like pride, independence, and rationality "virtues of selfishness." Politically, she champions laissez-faire capitalism as the only system consistent with individual rights, where force is only justified in self-defense and the initiation of force is taboo.

Beyond those pillars, Objectivism touches art and aesthetics (art should project a moral ideal of man), and gives a heavy cultural critique: Rand admired creators and producers and hated what she saw as moochers or bureaucrats. It’s charismatic and provocative, which is why it attracts fierce admirers and sharp critics. I find it energizing in small doses — it pushes you to take responsibility and value creative work — but I also notice its blind spots, like underestimating social complexity and human vulnerability. Still, whether you agree or not, diving into 'Atlas Shrugged' or 'The Fountainhead' feels like strapping into an argument that wants you to be sharper.

What Emotional Challenges Does Rand Face In 'Knife Of Dreams'?

5 Answers2025-02-28 04:56:56

Rand’s emotional turmoil in 'Knife of Dreams' is volcanic. He’s juggling the crushing weight of prophesied saviorhood with the creeping insanity from the Dark One’s taint. Every decision—like manipulating monarchs or preparing for Tarmon Gai’don—feels like walking a razor’s edge.

The voice of Lews Therin in his head isn’t just noise; it’s a taunting reminder of his potential fate. His hardening heart (literally and metaphorically) alienates allies, yet vulnerability could doom the world. The scene where he laughs in Semirhage’s trap? That’s not triumph—it’s the crack in a man realizing he’s becoming the weapon the Pattern demands, not the person he once was.

What Controversies Surround Ayn Rand'S Political Views?

3 Answers2025-08-31 07:52:07

When I first picked up 'Atlas Shrugged' in a campus bookstore I was more curious than convinced, and that curiosity turned into a slow-burning fascination with how controversial ideas can spark actual political movements.

Ayn Rand's political views revolve around a fierce defense of laissez-faire capitalism, individual rights, and a moral philosophy that treats rational self-interest as virtuous while condemning altruism as a moral duty. That stance alone creates a lot of heat: critics say it justifies ruthless behavior by the powerful and ignores social obligations, while fans praise it for championing creativity and personal responsibility. People argue about whether her celebration of entrepreneurs slips into elitism or social Darwinism, and whether her novels—especially 'The Fountainhead' and 'Atlas Shrugged'—glorify a kind of heroic selfishness that can be used to excuse corporate abuse.

There’s also controversy about how her ideas were turned into politics. Some credit her with influencing libertarian and conservative politicians who pushed deregulation and tax cuts, and others blame Rand-inspired rhetoric for normalizing anti-welfare or anti-union policies that widened inequality. Academically, objectivism never became mainstream philosophy, and some accuse her movement of being cultish because of how tightly some followers policed doctrine and personal loyalty. Still, I find it useful to read her as a provocateur: even if I disagree with large parts of her view, she forces you to confront uncomfortable questions about rights, state power, and what counts as moral behavior.

How Do Critics Evaluate Ayn Rand'S Literary Style?

3 Answers2025-08-31 04:57:53

I get pulled into this debate every time I bring up 'Atlas Shrugged' at a book club, so here's how I see critics sizing up Ayn Rand's literary style. Many praise her for brutal clarity and an almost cinematic sense of scene: she can describe an idea with the same punch a storyboard artist gives a key frame. Critics who like that side point to her lean, declarative sentences and the way she stages moral conflicts as operatic confrontations — characters speak in sweeping proclamations that make the philosophy obvious and the stakes feel huge.

On the flip side, a lot of literary critics are harsh about her heavy-handedness. They call her prose didactic, note the wall-to-wall monologues, and argue that her characters function more as mouthpieces for ideas than as psychologically complex people. They'll single out the long speeches in 'The Fountainhead' and 'Atlas Shrugged' as examples of rhetoric overrunning nuance. Stylistically, people critique her repetition and tendency to paint in broad archetypes instead of subtle textures — which makes her work feel energizing to some readers and brittle to others. Personally, I find her flare for dramatic declaration kind of addicting in small doses; it reads like the best of polemic fiction, but if you want layered ambiguity or porous realism, you'll probably walk away wanting. If you haven't, try a short piece like 'Anthem' first and see whether her voice hooks you or pushes you away.

What Books Influenced Ayn Rand'S Philosophical Development?

3 Answers2025-08-31 08:46:50

Reading about Ayn Rand's intellectual formation is like peeling layers off a personality that was both Russian-born and fiercely anglophone in sympathy — and a lot of the books she read early on nudged her that way. When I dug into her influences, Aristotle kept popping up; she praised his commitment to logic and reality, especially works like 'Nicomachean Ethics' and 'Metaphysics'. Those classical texts gave her a vocabulary for arguing that reality is objective and reason is man's tool.

Beyond Aristotle, her economic and political leanings show traces of Enlightenment and classical liberal texts. I can see the line from 'Second Treatise of Government' by John Locke and 'On Liberty' by John Stuart Mill to her emphasis on individual rights, and works like 'The Wealth of Nations' by Adam Smith and 'The Law' by Frédéric Bastiat echo through her defense of free markets. She read and reacted to 'Das Kapital' by Karl Marx — not to endorse it, but to sharpen her rebuttal of collectivism.

Then there are the novels that shaped her emotional imagination. Growing up in Tsarist Russia, she devoured the great Russians and European romantics: Victor Hugo, Alexandre Dumas, Tolstoy and Dostoevsky (even if she sparred with their moralism). Nietzsche — especially 'Thus Spoke Zarathustra' — influenced her early aesthetic taste for heroic rhetoric, though she later rejected his disdain for reason. Throw in classical epics like 'The Odyssey' and a childhood of adventure tales, and you get the literary temper behind her monumental fiction. If you want to trace how she built Objectivism, start with Aristotle and Bastiat, then read some Russian novelists to see what drove her artistic sense.